The Bug
Fire
Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
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Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
Back in stock - Standard edition on light grey vinyl. Housed in reverse board sleeve with red paper inners.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
Limited Edition 2LP pressed on red & yellow vinyl. Housed in silk screen printed gatefold sleeve with red paper inners.
Out of Stock
Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
Out of Stock
Boomkat Product Review:
New one from Kevin Martin, back with his first new full-length album under The Bug moniker in seven years featuring the MCs Moor Mother, Flowdan, Daddy Freddy, Irah, Roger Robison, Nazamba, FFSYTHO, Manga and Logan.
Biding his time to soundtrack the onset of the eschaton, Kevin Martin is here weighted by a plethora of vocalists who really step up to the plate, going over easy on the war cry horns and galvanised with his signature, metal-plated percussion and bass distortion.
It’s all done at the service of the vocalists, who are placed front and centre of the mix, with longterm collaborators such as award-winning dub poet Roger Robinson (also of King Midas Sound) returning for his 4th LP with The Bug, alongside the comeback of Flowdan and Daddy Freddy, plus new voices such as Moor Mother lending her seething, disciplined aggression beside grimy bars by Manga St. Hilaire, Nazamba dialling in from JA, fast chat from Logan_olm, and roadwise UK barbs by FFSYTHO.
Seemingly ready made to be played off back of a truck at this summer’s riots, the vibe is utter gutter, ramping thru 14 cuts, as Roger Rbinon’s scene-setter ‘The Fourth Day’ sets it some Children of Men-like future that’s all too close for comfort, and Flowdan lights the fuse of ‘Pressure,’ triggering a chain reaction that takes in barrelling gruffness of Irah, concentrated rufige of ‘Vexed’ starring Moor Mother, and goat-stare badness of ‘Clash,’ with scudding madnesses caught in ‘Hammer’ and ‘High Rise,’ before Roger Robinson helps bring the lead curtains down in crushing fashion on ‘The Missing.’
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