Sound designer and producer Katie Gately's newest is an examination of childhood energy inspired by the birth of her first child that blends the Animal Collective's psychedelic abstraction with the quirky, anthemic quality of kids' TV themes.
"When I got pregnant, I started to get creative again," explains Gately. The process of pregnancy and childbirth, and the young life that created is the driving force behind "Fawn/Brute", Gately's fourth album. Her previous album was a solemn affair that addressed the death of her mother, in contrast its follow-up is joyful and unpredictable.
A devoted sound designer, Gately uses cartoon sound libraries to build unusual elements that suggest kids' TV without being too obvious. Hovering between polar pop formalities, she captures the chaos of childhood perfectly, singing erratically over typically inventive electro-acoustic structures. It's not easy music to listen to, but it's not supposed to be - Gately's innovative song forms wheeze from gassy post-punk to overblown, Kate Bush-informed pop, and her wide scope reflects her complicated, personal theme accurately.
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Sound designer and producer Katie Gately's newest is an examination of childhood energy inspired by the birth of her first child that blends the Animal Collective's psychedelic abstraction with the quirky, anthemic quality of kids' TV themes.
"When I got pregnant, I started to get creative again," explains Gately. The process of pregnancy and childbirth, and the young life that created is the driving force behind "Fawn/Brute", Gately's fourth album. Her previous album was a solemn affair that addressed the death of her mother, in contrast its follow-up is joyful and unpredictable.
A devoted sound designer, Gately uses cartoon sound libraries to build unusual elements that suggest kids' TV without being too obvious. Hovering between polar pop formalities, she captures the chaos of childhood perfectly, singing erratically over typically inventive electro-acoustic structures. It's not easy music to listen to, but it's not supposed to be - Gately's innovative song forms wheeze from gassy post-punk to overblown, Kate Bush-informed pop, and her wide scope reflects her complicated, personal theme accurately.
Sound designer and producer Katie Gately's newest is an examination of childhood energy inspired by the birth of her first child that blends the Animal Collective's psychedelic abstraction with the quirky, anthemic quality of kids' TV themes.
"When I got pregnant, I started to get creative again," explains Gately. The process of pregnancy and childbirth, and the young life that created is the driving force behind "Fawn/Brute", Gately's fourth album. Her previous album was a solemn affair that addressed the death of her mother, in contrast its follow-up is joyful and unpredictable.
A devoted sound designer, Gately uses cartoon sound libraries to build unusual elements that suggest kids' TV without being too obvious. Hovering between polar pop formalities, she captures the chaos of childhood perfectly, singing erratically over typically inventive electro-acoustic structures. It's not easy music to listen to, but it's not supposed to be - Gately's innovative song forms wheeze from gassy post-punk to overblown, Kate Bush-informed pop, and her wide scope reflects her complicated, personal theme accurately.
Sound designer and producer Katie Gately's newest is an examination of childhood energy inspired by the birth of her first child that blends the Animal Collective's psychedelic abstraction with the quirky, anthemic quality of kids' TV themes.
"When I got pregnant, I started to get creative again," explains Gately. The process of pregnancy and childbirth, and the young life that created is the driving force behind "Fawn/Brute", Gately's fourth album. Her previous album was a solemn affair that addressed the death of her mother, in contrast its follow-up is joyful and unpredictable.
A devoted sound designer, Gately uses cartoon sound libraries to build unusual elements that suggest kids' TV without being too obvious. Hovering between polar pop formalities, she captures the chaos of childhood perfectly, singing erratically over typically inventive electro-acoustic structures. It's not easy music to listen to, but it's not supposed to be - Gately's innovative song forms wheeze from gassy post-punk to overblown, Kate Bush-informed pop, and her wide scope reflects her complicated, personal theme accurately.
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Sound designer and producer Katie Gately's newest is an examination of childhood energy inspired by the birth of her first child that blends the Animal Collective's psychedelic abstraction with the quirky, anthemic quality of kids' TV themes.
"When I got pregnant, I started to get creative again," explains Gately. The process of pregnancy and childbirth, and the young life that created is the driving force behind "Fawn/Brute", Gately's fourth album. Her previous album was a solemn affair that addressed the death of her mother, in contrast its follow-up is joyful and unpredictable.
A devoted sound designer, Gately uses cartoon sound libraries to build unusual elements that suggest kids' TV without being too obvious. Hovering between polar pop formalities, she captures the chaos of childhood perfectly, singing erratically over typically inventive electro-acoustic structures. It's not easy music to listen to, but it's not supposed to be - Gately's innovative song forms wheeze from gassy post-punk to overblown, Kate Bush-informed pop, and her wide scope reflects her complicated, personal theme accurately.
Estimated Release Date: 30 March 2023
Please note that shipping dates for pre-orders are estimated and are subject to change
Sound designer and producer Katie Gately's newest is an examination of childhood energy inspired by the birth of her first child that blends the Animal Collective's psychedelic abstraction with the quirky, anthemic quality of kids' TV themes.
"When I got pregnant, I started to get creative again," explains Gately. The process of pregnancy and childbirth, and the young life that created is the driving force behind "Fawn/Brute", Gately's fourth album. Her previous album was a solemn affair that addressed the death of her mother, in contrast its follow-up is joyful and unpredictable.
A devoted sound designer, Gately uses cartoon sound libraries to build unusual elements that suggest kids' TV without being too obvious. Hovering between polar pop formalities, she captures the chaos of childhood perfectly, singing erratically over typically inventive electro-acoustic structures. It's not easy music to listen to, but it's not supposed to be - Gately's innovative song forms wheeze from gassy post-punk to overblown, Kate Bush-informed pop, and her wide scope reflects her complicated, personal theme accurately.