Feathered soul from Throwing Shade, with breathy vox by Emily Bee. "Her second EP ‘Fate Xclusive’ effortlessly covers ground between seductive downbeat pop (lead single ’Honeytrap’, vocalled by Emily Bee), pulsing club (‘4eva Fate’) and contemporary leftfield electronic music (‘Mirror’). All bear the rainbow fingerprints of her signature kaleidoscopic production style. The EP release sees her poised to build on a busy last 18 months and reach a wider audience. October 2013 saw her debut release – ‘Mystic Places’ – on Kassem Mosse’s Ominira imprint. In May 2014 she released the ’19 Jewels’ EP on No Pain In Pop, and followed up with the ‘Chancer / Blanx’ 12” on the dancefloor label Happy Skull. She was commissioned by the Tate Britain gallery in November 2014 to compose a piece of music for the Turner Prize. Her productions are often described as “cosmic r&b” and “digital soul”. Drawing in iridescent strains of popular music - from African and Asian modes, to the grime-y axis of London’s contemporary sound narrative – Throwing Shade creates a diverse and abstract sound patchwork, intangibly borne in the here-and-now."
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Feathered soul from Throwing Shade, with breathy vox by Emily Bee. "Her second EP ‘Fate Xclusive’ effortlessly covers ground between seductive downbeat pop (lead single ’Honeytrap’, vocalled by Emily Bee), pulsing club (‘4eva Fate’) and contemporary leftfield electronic music (‘Mirror’). All bear the rainbow fingerprints of her signature kaleidoscopic production style. The EP release sees her poised to build on a busy last 18 months and reach a wider audience. October 2013 saw her debut release – ‘Mystic Places’ – on Kassem Mosse’s Ominira imprint. In May 2014 she released the ’19 Jewels’ EP on No Pain In Pop, and followed up with the ‘Chancer / Blanx’ 12” on the dancefloor label Happy Skull. She was commissioned by the Tate Britain gallery in November 2014 to compose a piece of music for the Turner Prize. Her productions are often described as “cosmic r&b” and “digital soul”. Drawing in iridescent strains of popular music - from African and Asian modes, to the grime-y axis of London’s contemporary sound narrative – Throwing Shade creates a diverse and abstract sound patchwork, intangibly borne in the here-and-now."
Feathered soul from Throwing Shade, with breathy vox by Emily Bee. "Her second EP ‘Fate Xclusive’ effortlessly covers ground between seductive downbeat pop (lead single ’Honeytrap’, vocalled by Emily Bee), pulsing club (‘4eva Fate’) and contemporary leftfield electronic music (‘Mirror’). All bear the rainbow fingerprints of her signature kaleidoscopic production style. The EP release sees her poised to build on a busy last 18 months and reach a wider audience. October 2013 saw her debut release – ‘Mystic Places’ – on Kassem Mosse’s Ominira imprint. In May 2014 she released the ’19 Jewels’ EP on No Pain In Pop, and followed up with the ‘Chancer / Blanx’ 12” on the dancefloor label Happy Skull. She was commissioned by the Tate Britain gallery in November 2014 to compose a piece of music for the Turner Prize. Her productions are often described as “cosmic r&b” and “digital soul”. Drawing in iridescent strains of popular music - from African and Asian modes, to the grime-y axis of London’s contemporary sound narrative – Throwing Shade creates a diverse and abstract sound patchwork, intangibly borne in the here-and-now."
Feathered soul from Throwing Shade, with breathy vox by Emily Bee. "Her second EP ‘Fate Xclusive’ effortlessly covers ground between seductive downbeat pop (lead single ’Honeytrap’, vocalled by Emily Bee), pulsing club (‘4eva Fate’) and contemporary leftfield electronic music (‘Mirror’). All bear the rainbow fingerprints of her signature kaleidoscopic production style. The EP release sees her poised to build on a busy last 18 months and reach a wider audience. October 2013 saw her debut release – ‘Mystic Places’ – on Kassem Mosse’s Ominira imprint. In May 2014 she released the ’19 Jewels’ EP on No Pain In Pop, and followed up with the ‘Chancer / Blanx’ 12” on the dancefloor label Happy Skull. She was commissioned by the Tate Britain gallery in November 2014 to compose a piece of music for the Turner Prize. Her productions are often described as “cosmic r&b” and “digital soul”. Drawing in iridescent strains of popular music - from African and Asian modes, to the grime-y axis of London’s contemporary sound narrative – Throwing Shade creates a diverse and abstract sound patchwork, intangibly borne in the here-and-now."
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Feathered soul from Throwing Shade, with breathy vox by Emily Bee. "Her second EP ‘Fate Xclusive’ effortlessly covers ground between seductive downbeat pop (lead single ’Honeytrap’, vocalled by Emily Bee), pulsing club (‘4eva Fate’) and contemporary leftfield electronic music (‘Mirror’). All bear the rainbow fingerprints of her signature kaleidoscopic production style. The EP release sees her poised to build on a busy last 18 months and reach a wider audience. October 2013 saw her debut release – ‘Mystic Places’ – on Kassem Mosse’s Ominira imprint. In May 2014 she released the ’19 Jewels’ EP on No Pain In Pop, and followed up with the ‘Chancer / Blanx’ 12” on the dancefloor label Happy Skull. She was commissioned by the Tate Britain gallery in November 2014 to compose a piece of music for the Turner Prize. Her productions are often described as “cosmic r&b” and “digital soul”. Drawing in iridescent strains of popular music - from African and Asian modes, to the grime-y axis of London’s contemporary sound narrative – Throwing Shade creates a diverse and abstract sound patchwork, intangibly borne in the here-and-now."