Lolina slicies ’n dices everything from a TED talk with Mark Ronson to her daily ambles, finding a playful Burroughsian poetry in her rude re-configuration of form x function on this mad and brilliant new album.
Marking a decade since her influential duo Hype Williams disbanded, ‘Fast Fashion’ locates Inga Copeland aka Lolina continuing her observant dérive in experimental musick interzones. Ventured thru Deathbomb Arc, her handful of cut-up collages follow the method of 2019’s ‘Who Is Experimental Music’ with a further sidestep from offbeat sugary avant-pop, pursuing a more jagged, fractured form of in-the-moment composition that may well send some over the edge while snagging others in her near-psychotomimetic arrangements. Put more plainly, it’s probably not for the casual listener, but the freaks will be on a buzz - especially if the idea of Bob Ostertag jamming with Kid Koala and Carl Stone takes your fancy.
The collection extends Lolina’s studies in the improvisational possibilities of CDJs, which have come to dominate club music performance in parallel to her creative oeuvre. Shredding up iPhone location recordings and studio-floor vocal cuttings, she tatters the fabric of her reality in wild style via the twin machines, blurring lines between improvisation and composition with a free-handed, wittily subversive approach that’s long been key to her music, but executed here with far more febrile and uncompromising results.
Trust Mark Ronson sounds better than ever in the DJ Screw meets Carl Stone flex of ‘Mark Ronson’s TED Talk Intro (Using Computer Remix)’, while the 20 minute work ‘Looking for a Charger but Only Works on Batteries’ finds her melodic sensibilities glitching thru a demented flux and crumpled knocks, and for those with the head for it, ‘A Really Spectacular Situation’ draws us into her parallel world, extracting an inexplicable poetry from the prosaic to oddly sick effect.
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Lolina slicies ’n dices everything from a TED talk with Mark Ronson to her daily ambles, finding a playful Burroughsian poetry in her rude re-configuration of form x function on this mad and brilliant new album.
Marking a decade since her influential duo Hype Williams disbanded, ‘Fast Fashion’ locates Inga Copeland aka Lolina continuing her observant dérive in experimental musick interzones. Ventured thru Deathbomb Arc, her handful of cut-up collages follow the method of 2019’s ‘Who Is Experimental Music’ with a further sidestep from offbeat sugary avant-pop, pursuing a more jagged, fractured form of in-the-moment composition that may well send some over the edge while snagging others in her near-psychotomimetic arrangements. Put more plainly, it’s probably not for the casual listener, but the freaks will be on a buzz - especially if the idea of Bob Ostertag jamming with Kid Koala and Carl Stone takes your fancy.
The collection extends Lolina’s studies in the improvisational possibilities of CDJs, which have come to dominate club music performance in parallel to her creative oeuvre. Shredding up iPhone location recordings and studio-floor vocal cuttings, she tatters the fabric of her reality in wild style via the twin machines, blurring lines between improvisation and composition with a free-handed, wittily subversive approach that’s long been key to her music, but executed here with far more febrile and uncompromising results.
Trust Mark Ronson sounds better than ever in the DJ Screw meets Carl Stone flex of ‘Mark Ronson’s TED Talk Intro (Using Computer Remix)’, while the 20 minute work ‘Looking for a Charger but Only Works on Batteries’ finds her melodic sensibilities glitching thru a demented flux and crumpled knocks, and for those with the head for it, ‘A Really Spectacular Situation’ draws us into her parallel world, extracting an inexplicable poetry from the prosaic to oddly sick effect.
Lolina slicies ’n dices everything from a TED talk with Mark Ronson to her daily ambles, finding a playful Burroughsian poetry in her rude re-configuration of form x function on this mad and brilliant new album.
Marking a decade since her influential duo Hype Williams disbanded, ‘Fast Fashion’ locates Inga Copeland aka Lolina continuing her observant dérive in experimental musick interzones. Ventured thru Deathbomb Arc, her handful of cut-up collages follow the method of 2019’s ‘Who Is Experimental Music’ with a further sidestep from offbeat sugary avant-pop, pursuing a more jagged, fractured form of in-the-moment composition that may well send some over the edge while snagging others in her near-psychotomimetic arrangements. Put more plainly, it’s probably not for the casual listener, but the freaks will be on a buzz - especially if the idea of Bob Ostertag jamming with Kid Koala and Carl Stone takes your fancy.
The collection extends Lolina’s studies in the improvisational possibilities of CDJs, which have come to dominate club music performance in parallel to her creative oeuvre. Shredding up iPhone location recordings and studio-floor vocal cuttings, she tatters the fabric of her reality in wild style via the twin machines, blurring lines between improvisation and composition with a free-handed, wittily subversive approach that’s long been key to her music, but executed here with far more febrile and uncompromising results.
Trust Mark Ronson sounds better than ever in the DJ Screw meets Carl Stone flex of ‘Mark Ronson’s TED Talk Intro (Using Computer Remix)’, while the 20 minute work ‘Looking for a Charger but Only Works on Batteries’ finds her melodic sensibilities glitching thru a demented flux and crumpled knocks, and for those with the head for it, ‘A Really Spectacular Situation’ draws us into her parallel world, extracting an inexplicable poetry from the prosaic to oddly sick effect.
Lolina slicies ’n dices everything from a TED talk with Mark Ronson to her daily ambles, finding a playful Burroughsian poetry in her rude re-configuration of form x function on this mad and brilliant new album.
Marking a decade since her influential duo Hype Williams disbanded, ‘Fast Fashion’ locates Inga Copeland aka Lolina continuing her observant dérive in experimental musick interzones. Ventured thru Deathbomb Arc, her handful of cut-up collages follow the method of 2019’s ‘Who Is Experimental Music’ with a further sidestep from offbeat sugary avant-pop, pursuing a more jagged, fractured form of in-the-moment composition that may well send some over the edge while snagging others in her near-psychotomimetic arrangements. Put more plainly, it’s probably not for the casual listener, but the freaks will be on a buzz - especially if the idea of Bob Ostertag jamming with Kid Koala and Carl Stone takes your fancy.
The collection extends Lolina’s studies in the improvisational possibilities of CDJs, which have come to dominate club music performance in parallel to her creative oeuvre. Shredding up iPhone location recordings and studio-floor vocal cuttings, she tatters the fabric of her reality in wild style via the twin machines, blurring lines between improvisation and composition with a free-handed, wittily subversive approach that’s long been key to her music, but executed here with far more febrile and uncompromising results.
Trust Mark Ronson sounds better than ever in the DJ Screw meets Carl Stone flex of ‘Mark Ronson’s TED Talk Intro (Using Computer Remix)’, while the 20 minute work ‘Looking for a Charger but Only Works on Batteries’ finds her melodic sensibilities glitching thru a demented flux and crumpled knocks, and for those with the head for it, ‘A Really Spectacular Situation’ draws us into her parallel world, extracting an inexplicable poetry from the prosaic to oddly sick effect.
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Lolina slicies ’n dices everything from a TED talk with Mark Ronson to her daily ambles, finding a playful Burroughsian poetry in her rude re-configuration of form x function on this mad and brilliant new album.
Marking a decade since her influential duo Hype Williams disbanded, ‘Fast Fashion’ locates Inga Copeland aka Lolina continuing her observant dérive in experimental musick interzones. Ventured thru Deathbomb Arc, her handful of cut-up collages follow the method of 2019’s ‘Who Is Experimental Music’ with a further sidestep from offbeat sugary avant-pop, pursuing a more jagged, fractured form of in-the-moment composition that may well send some over the edge while snagging others in her near-psychotomimetic arrangements. Put more plainly, it’s probably not for the casual listener, but the freaks will be on a buzz - especially if the idea of Bob Ostertag jamming with Kid Koala and Carl Stone takes your fancy.
The collection extends Lolina’s studies in the improvisational possibilities of CDJs, which have come to dominate club music performance in parallel to her creative oeuvre. Shredding up iPhone location recordings and studio-floor vocal cuttings, she tatters the fabric of her reality in wild style via the twin machines, blurring lines between improvisation and composition with a free-handed, wittily subversive approach that’s long been key to her music, but executed here with far more febrile and uncompromising results.
Trust Mark Ronson sounds better than ever in the DJ Screw meets Carl Stone flex of ‘Mark Ronson’s TED Talk Intro (Using Computer Remix)’, while the 20 minute work ‘Looking for a Charger but Only Works on Batteries’ finds her melodic sensibilities glitching thru a demented flux and crumpled knocks, and for those with the head for it, ‘A Really Spectacular Situation’ draws us into her parallel world, extracting an inexplicable poetry from the prosaic to oddly sick effect.