Fashion Recession
Inkasso & ML
Fashion Recession
Boomkat Product Review:
A cranky, poetic-esoteric nEuro vibe puts wind behind the sails of Inkasso & ML’s maiden Stroom entry and their transition from whispered nocturnes to slompy cyber-slugs.
Flickering shadowy integers of post-industrial, trip hop, theatrical music and sound poetry, ‘Fashion Recession’ finds the trio of Inkasso & ML indulging their whims toward a sort of soundtrack-like fantasy that leads on from their respective works for the artful types at Kashual Plastik and Osàre! Editions.
The combo of dank synths with blunted vox and squashed grooves tessellates ideally with Stroom’s roster of angular audities primed for late night listening. Historic shades of everything from Tuxedomoon to Geins’t Naït and contemporary analogs Thomas Bush or Sholto Dobie come to mind in the album’s sideways drift from smudged downbeats on ‘Soft Layers’ to blown-out bass thunder in ‘Rhythm is a medium of change’, the soured music box melody of ‘Ghosting’, and striking moments of ‘90s noir in ‘Algorithm Poetry’ that sees it off into the Novo Line-like thrum and acidic croak of ‘Disturbing Circles’. Reckon this would all sound ideal on a solo midweek holiday to Antwerp after a break-up, when trying to write that novel you always intended to do.
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Boomkat Product Review:
A cranky, poetic-esoteric nEuro vibe puts wind behind the sails of Inkasso & ML’s maiden Stroom entry and their transition from whispered nocturnes to slompy cyber-slugs.
Flickering shadowy integers of post-industrial, trip hop, theatrical music and sound poetry, ‘Fashion Recession’ finds the trio of Inkasso & ML indulging their whims toward a sort of soundtrack-like fantasy that leads on from their respective works for the artful types at Kashual Plastik and Osàre! Editions.
The combo of dank synths with blunted vox and squashed grooves tessellates ideally with Stroom’s roster of angular audities primed for late night listening. Historic shades of everything from Tuxedomoon to Geins’t Naït and contemporary analogs Thomas Bush or Sholto Dobie come to mind in the album’s sideways drift from smudged downbeats on ‘Soft Layers’ to blown-out bass thunder in ‘Rhythm is a medium of change’, the soured music box melody of ‘Ghosting’, and striking moments of ‘90s noir in ‘Algorithm Poetry’ that sees it off into the Novo Line-like thrum and acidic croak of ‘Disturbing Circles’. Reckon this would all sound ideal on a solo midweek holiday to Antwerp after a break-up, when trying to write that novel you always intended to do.
Boomkat Product Review:
A cranky, poetic-esoteric nEuro vibe puts wind behind the sails of Inkasso & ML’s maiden Stroom entry and their transition from whispered nocturnes to slompy cyber-slugs.
Flickering shadowy integers of post-industrial, trip hop, theatrical music and sound poetry, ‘Fashion Recession’ finds the trio of Inkasso & ML indulging their whims toward a sort of soundtrack-like fantasy that leads on from their respective works for the artful types at Kashual Plastik and Osàre! Editions.
The combo of dank synths with blunted vox and squashed grooves tessellates ideally with Stroom’s roster of angular audities primed for late night listening. Historic shades of everything from Tuxedomoon to Geins’t Naït and contemporary analogs Thomas Bush or Sholto Dobie come to mind in the album’s sideways drift from smudged downbeats on ‘Soft Layers’ to blown-out bass thunder in ‘Rhythm is a medium of change’, the soured music box melody of ‘Ghosting’, and striking moments of ‘90s noir in ‘Algorithm Poetry’ that sees it off into the Novo Line-like thrum and acidic croak of ‘Disturbing Circles’. Reckon this would all sound ideal on a solo midweek holiday to Antwerp after a break-up, when trying to write that novel you always intended to do.
Boomkat Product Review:
A cranky, poetic-esoteric nEuro vibe puts wind behind the sails of Inkasso & ML’s maiden Stroom entry and their transition from whispered nocturnes to slompy cyber-slugs.
Flickering shadowy integers of post-industrial, trip hop, theatrical music and sound poetry, ‘Fashion Recession’ finds the trio of Inkasso & ML indulging their whims toward a sort of soundtrack-like fantasy that leads on from their respective works for the artful types at Kashual Plastik and Osàre! Editions.
The combo of dank synths with blunted vox and squashed grooves tessellates ideally with Stroom’s roster of angular audities primed for late night listening. Historic shades of everything from Tuxedomoon to Geins’t Naït and contemporary analogs Thomas Bush or Sholto Dobie come to mind in the album’s sideways drift from smudged downbeats on ‘Soft Layers’ to blown-out bass thunder in ‘Rhythm is a medium of change’, the soured music box melody of ‘Ghosting’, and striking moments of ‘90s noir in ‘Algorithm Poetry’ that sees it off into the Novo Line-like thrum and acidic croak of ‘Disturbing Circles’. Reckon this would all sound ideal on a solo midweek holiday to Antwerp after a break-up, when trying to write that novel you always intended to do.
Edition of 150
Out of Stock
Boomkat Product Review:
A cranky, poetic-esoteric nEuro vibe puts wind behind the sails of Inkasso & ML’s maiden Stroom entry and their transition from whispered nocturnes to slompy cyber-slugs.
Flickering shadowy integers of post-industrial, trip hop, theatrical music and sound poetry, ‘Fashion Recession’ finds the trio of Inkasso & ML indulging their whims toward a sort of soundtrack-like fantasy that leads on from their respective works for the artful types at Kashual Plastik and Osàre! Editions.
The combo of dank synths with blunted vox and squashed grooves tessellates ideally with Stroom’s roster of angular audities primed for late night listening. Historic shades of everything from Tuxedomoon to Geins’t Naït and contemporary analogs Thomas Bush or Sholto Dobie come to mind in the album’s sideways drift from smudged downbeats on ‘Soft Layers’ to blown-out bass thunder in ‘Rhythm is a medium of change’, the soured music box melody of ‘Ghosting’, and striking moments of ‘90s noir in ‘Algorithm Poetry’ that sees it off into the Novo Line-like thrum and acidic croak of ‘Disturbing Circles’. Reckon this would all sound ideal on a solo midweek holiday to Antwerp after a break-up, when trying to write that novel you always intended to do.
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