Call Soops delivers his first official mix CD, weaving together a sumptuous 24-track selection for those “in need of undulating epiphanies” that spans Objekt, Convextion, Yves Tumour, Jega and more.
Recently seen moonlighting as Ondo Fudd and Elmo Crumb for some fine TTT deviations, Joe Seaton returns to his Call Super alias and hands a #saved fabric “a Polaroid of my way of mixing records.” Seaton’s developed a stealthy reputation as a selector these past few years, be it in numerous podcasts, alone in the booth or alongside Objekt under their infrequent Everything Is True banner. Given his close ties to Houndstooth, it is no surprise to see Call Super invited into the fabric hall of fame; and what a mix this is.
Apparently one of 28 live takes Seaton recorded, this 24-track mix displays his innate understanding of the last several decades of electronic music heritage, brilliantly obfuscating the edges of late ‘90s cuts from the Photek and Bushwacka archives, pairing Yves Tumour PAN ballads with the delicate tones of Max Loderbauer, or dropping vintage Convextion in between newer cuts from Bruce and Karen Gwyer.
The opening triplet sets the tone as Seaton finds common ground between the polymetric percussion and dub abstractions of last year’s Paralaxe Editions blinder from Rupert Clerveaux and Beatrice Dillon, Wolfgang Voigt’s late ‘90s project M:I:5 and vintage turn of the century Jan Jelinek. His craft is further displayed in the manner that a Paleo-enhanced Dresvn cut gets submerged in Objekt’s all conquering The Stitch-Up, how Don’t DJ rubs shoulders alongside a reunited Flanger or the revelation of shared sonic DNA between archival Jega and Shanti Celeste’s swooning Future Times debut.
One of the best fabrics in a long while.
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Call Soops delivers his first official mix CD, weaving together a sumptuous 24-track selection for those “in need of undulating epiphanies” that spans Objekt, Convextion, Yves Tumour, Jega and more.
Recently seen moonlighting as Ondo Fudd and Elmo Crumb for some fine TTT deviations, Joe Seaton returns to his Call Super alias and hands a #saved fabric “a Polaroid of my way of mixing records.” Seaton’s developed a stealthy reputation as a selector these past few years, be it in numerous podcasts, alone in the booth or alongside Objekt under their infrequent Everything Is True banner. Given his close ties to Houndstooth, it is no surprise to see Call Super invited into the fabric hall of fame; and what a mix this is.
Apparently one of 28 live takes Seaton recorded, this 24-track mix displays his innate understanding of the last several decades of electronic music heritage, brilliantly obfuscating the edges of late ‘90s cuts from the Photek and Bushwacka archives, pairing Yves Tumour PAN ballads with the delicate tones of Max Loderbauer, or dropping vintage Convextion in between newer cuts from Bruce and Karen Gwyer.
The opening triplet sets the tone as Seaton finds common ground between the polymetric percussion and dub abstractions of last year’s Paralaxe Editions blinder from Rupert Clerveaux and Beatrice Dillon, Wolfgang Voigt’s late ‘90s project M:I:5 and vintage turn of the century Jan Jelinek. His craft is further displayed in the manner that a Paleo-enhanced Dresvn cut gets submerged in Objekt’s all conquering The Stitch-Up, how Don’t DJ rubs shoulders alongside a reunited Flanger or the revelation of shared sonic DNA between archival Jega and Shanti Celeste’s swooning Future Times debut.
One of the best fabrics in a long while.
Call Soops delivers his first official mix CD, weaving together a sumptuous 24-track selection for those “in need of undulating epiphanies” that spans Objekt, Convextion, Yves Tumour, Jega and more.
Recently seen moonlighting as Ondo Fudd and Elmo Crumb for some fine TTT deviations, Joe Seaton returns to his Call Super alias and hands a #saved fabric “a Polaroid of my way of mixing records.” Seaton’s developed a stealthy reputation as a selector these past few years, be it in numerous podcasts, alone in the booth or alongside Objekt under their infrequent Everything Is True banner. Given his close ties to Houndstooth, it is no surprise to see Call Super invited into the fabric hall of fame; and what a mix this is.
Apparently one of 28 live takes Seaton recorded, this 24-track mix displays his innate understanding of the last several decades of electronic music heritage, brilliantly obfuscating the edges of late ‘90s cuts from the Photek and Bushwacka archives, pairing Yves Tumour PAN ballads with the delicate tones of Max Loderbauer, or dropping vintage Convextion in between newer cuts from Bruce and Karen Gwyer.
The opening triplet sets the tone as Seaton finds common ground between the polymetric percussion and dub abstractions of last year’s Paralaxe Editions blinder from Rupert Clerveaux and Beatrice Dillon, Wolfgang Voigt’s late ‘90s project M:I:5 and vintage turn of the century Jan Jelinek. His craft is further displayed in the manner that a Paleo-enhanced Dresvn cut gets submerged in Objekt’s all conquering The Stitch-Up, how Don’t DJ rubs shoulders alongside a reunited Flanger or the revelation of shared sonic DNA between archival Jega and Shanti Celeste’s swooning Future Times debut.
One of the best fabrics in a long while.
Call Soops delivers his first official mix CD, weaving together a sumptuous 24-track selection for those “in need of undulating epiphanies” that spans Objekt, Convextion, Yves Tumour, Jega and more.
Recently seen moonlighting as Ondo Fudd and Elmo Crumb for some fine TTT deviations, Joe Seaton returns to his Call Super alias and hands a #saved fabric “a Polaroid of my way of mixing records.” Seaton’s developed a stealthy reputation as a selector these past few years, be it in numerous podcasts, alone in the booth or alongside Objekt under their infrequent Everything Is True banner. Given his close ties to Houndstooth, it is no surprise to see Call Super invited into the fabric hall of fame; and what a mix this is.
Apparently one of 28 live takes Seaton recorded, this 24-track mix displays his innate understanding of the last several decades of electronic music heritage, brilliantly obfuscating the edges of late ‘90s cuts from the Photek and Bushwacka archives, pairing Yves Tumour PAN ballads with the delicate tones of Max Loderbauer, or dropping vintage Convextion in between newer cuts from Bruce and Karen Gwyer.
The opening triplet sets the tone as Seaton finds common ground between the polymetric percussion and dub abstractions of last year’s Paralaxe Editions blinder from Rupert Clerveaux and Beatrice Dillon, Wolfgang Voigt’s late ‘90s project M:I:5 and vintage turn of the century Jan Jelinek. His craft is further displayed in the manner that a Paleo-enhanced Dresvn cut gets submerged in Objekt’s all conquering The Stitch-Up, how Don’t DJ rubs shoulders alongside a reunited Flanger or the revelation of shared sonic DNA between archival Jega and Shanti Celeste’s swooning Future Times debut.
One of the best fabrics in a long while.
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Call Soops delivers his first official mix CD, weaving together a sumptuous 24-track selection for those “in need of undulating epiphanies” that spans Objekt, Convextion, Yves Tumour, Jega and more.
Recently seen moonlighting as Ondo Fudd and Elmo Crumb for some fine TTT deviations, Joe Seaton returns to his Call Super alias and hands a #saved fabric “a Polaroid of my way of mixing records.” Seaton’s developed a stealthy reputation as a selector these past few years, be it in numerous podcasts, alone in the booth or alongside Objekt under their infrequent Everything Is True banner. Given his close ties to Houndstooth, it is no surprise to see Call Super invited into the fabric hall of fame; and what a mix this is.
Apparently one of 28 live takes Seaton recorded, this 24-track mix displays his innate understanding of the last several decades of electronic music heritage, brilliantly obfuscating the edges of late ‘90s cuts from the Photek and Bushwacka archives, pairing Yves Tumour PAN ballads with the delicate tones of Max Loderbauer, or dropping vintage Convextion in between newer cuts from Bruce and Karen Gwyer.
The opening triplet sets the tone as Seaton finds common ground between the polymetric percussion and dub abstractions of last year’s Paralaxe Editions blinder from Rupert Clerveaux and Beatrice Dillon, Wolfgang Voigt’s late ‘90s project M:I:5 and vintage turn of the century Jan Jelinek. His craft is further displayed in the manner that a Paleo-enhanced Dresvn cut gets submerged in Objekt’s all conquering The Stitch-Up, how Don’t DJ rubs shoulders alongside a reunited Flanger or the revelation of shared sonic DNA between archival Jega and Shanti Celeste’s swooning Future Times debut.
One of the best fabrics in a long while.