Ukraine’s Muscut keep ‘em coming with Odesa artist Bryozone’s bittersweet, subaquatic ambient fantasies for fans of Spencer Clark, Jürgen Müller, Pataphysical
‘Eye of Delirious’ is the debut album by Ganna Bryzhata aka Bryozone, who hails from the historic Black Sea port city of Odesa, and also plays bass in the band Chillera when they’re not making this type of beautifully detuned dream-food. Following in the glistening wake of work by Pavel Milyakov, Stanislav Tolkachev and Nikolajev on Muscut, the album arrives with no mention or implication that Europe’s most tragic war in a century is occurring in the background, as Bryozone proceeds to project 40 minutes of transportive music as elegantly alien as jellyfish.
The 10 tracks are defined by a taste for curdled silicon and and elusive ambient contouring that lends the lushest, disorienting listen. Slipping in head first with the silty early AFXian pads of ’Smoothy Flow’ the set vacillates strains of dub techno and impressionistic ambient in an effortlessly enchanting flow from he sliding pitches of ‘Sequence One’ and the seductive harmonies of ‘Glowing Sirens’, to limn Atlantean creatures with Spencer Clark-like animism in ‘Ghost Tribe’. They tease beautifully buoyant ambience into more quizzical, queasy space on ‘Ambience’, and the likes of ‘Liminal Tribe and ’Sub Nautical’ recalls Cru Servers weirdo club slosh, before it shores up in a submerged ‘Ground Floor’ like an imaginary soundtrack to Ballard’s ‘Drowned World’.
View more
Ukraine’s Muscut keep ‘em coming with Odesa artist Bryozone’s bittersweet, subaquatic ambient fantasies for fans of Spencer Clark, Jürgen Müller, Pataphysical
‘Eye of Delirious’ is the debut album by Ganna Bryzhata aka Bryozone, who hails from the historic Black Sea port city of Odesa, and also plays bass in the band Chillera when they’re not making this type of beautifully detuned dream-food. Following in the glistening wake of work by Pavel Milyakov, Stanislav Tolkachev and Nikolajev on Muscut, the album arrives with no mention or implication that Europe’s most tragic war in a century is occurring in the background, as Bryozone proceeds to project 40 minutes of transportive music as elegantly alien as jellyfish.
The 10 tracks are defined by a taste for curdled silicon and and elusive ambient contouring that lends the lushest, disorienting listen. Slipping in head first with the silty early AFXian pads of ’Smoothy Flow’ the set vacillates strains of dub techno and impressionistic ambient in an effortlessly enchanting flow from he sliding pitches of ‘Sequence One’ and the seductive harmonies of ‘Glowing Sirens’, to limn Atlantean creatures with Spencer Clark-like animism in ‘Ghost Tribe’. They tease beautifully buoyant ambience into more quizzical, queasy space on ‘Ambience’, and the likes of ‘Liminal Tribe and ’Sub Nautical’ recalls Cru Servers weirdo club slosh, before it shores up in a submerged ‘Ground Floor’ like an imaginary soundtrack to Ballard’s ‘Drowned World’.
Ukraine’s Muscut keep ‘em coming with Odesa artist Bryozone’s bittersweet, subaquatic ambient fantasies for fans of Spencer Clark, Jürgen Müller, Pataphysical
‘Eye of Delirious’ is the debut album by Ganna Bryzhata aka Bryozone, who hails from the historic Black Sea port city of Odesa, and also plays bass in the band Chillera when they’re not making this type of beautifully detuned dream-food. Following in the glistening wake of work by Pavel Milyakov, Stanislav Tolkachev and Nikolajev on Muscut, the album arrives with no mention or implication that Europe’s most tragic war in a century is occurring in the background, as Bryozone proceeds to project 40 minutes of transportive music as elegantly alien as jellyfish.
The 10 tracks are defined by a taste for curdled silicon and and elusive ambient contouring that lends the lushest, disorienting listen. Slipping in head first with the silty early AFXian pads of ’Smoothy Flow’ the set vacillates strains of dub techno and impressionistic ambient in an effortlessly enchanting flow from he sliding pitches of ‘Sequence One’ and the seductive harmonies of ‘Glowing Sirens’, to limn Atlantean creatures with Spencer Clark-like animism in ‘Ghost Tribe’. They tease beautifully buoyant ambience into more quizzical, queasy space on ‘Ambience’, and the likes of ‘Liminal Tribe and ’Sub Nautical’ recalls Cru Servers weirdo club slosh, before it shores up in a submerged ‘Ground Floor’ like an imaginary soundtrack to Ballard’s ‘Drowned World’.
Ukraine’s Muscut keep ‘em coming with Odesa artist Bryozone’s bittersweet, subaquatic ambient fantasies for fans of Spencer Clark, Jürgen Müller, Pataphysical
‘Eye of Delirious’ is the debut album by Ganna Bryzhata aka Bryozone, who hails from the historic Black Sea port city of Odesa, and also plays bass in the band Chillera when they’re not making this type of beautifully detuned dream-food. Following in the glistening wake of work by Pavel Milyakov, Stanislav Tolkachev and Nikolajev on Muscut, the album arrives with no mention or implication that Europe’s most tragic war in a century is occurring in the background, as Bryozone proceeds to project 40 minutes of transportive music as elegantly alien as jellyfish.
The 10 tracks are defined by a taste for curdled silicon and and elusive ambient contouring that lends the lushest, disorienting listen. Slipping in head first with the silty early AFXian pads of ’Smoothy Flow’ the set vacillates strains of dub techno and impressionistic ambient in an effortlessly enchanting flow from he sliding pitches of ‘Sequence One’ and the seductive harmonies of ‘Glowing Sirens’, to limn Atlantean creatures with Spencer Clark-like animism in ‘Ghost Tribe’. They tease beautifully buoyant ambience into more quizzical, queasy space on ‘Ambience’, and the likes of ‘Liminal Tribe and ’Sub Nautical’ recalls Cru Servers weirdo club slosh, before it shores up in a submerged ‘Ground Floor’ like an imaginary soundtrack to Ballard’s ‘Drowned World’.