Jac Berrocal, David Fenech & Vincent Epplay
Exterior Lux
Like time-travelling beatniks, Berrocal, Fenech and Epplay’s anachronistic trio return with a richly psychedelic, smoky special for ace Parisian label Akuphone
Combining the storied trumpet player Jac Berrocal - who has famously performed on recordings by NWW and Lizzy Mercier-Descloux, among other notables - with a new generation of fly improvisors, David Fenech and Vincent Epplay, the trio follow choice slabs for BEB in recent years with an immersively atmospheric and quietly inventive new turn. Anything goes, so long as it’s deep and modal, conjuring slow burning, hallucinatory scenes from smeared brass tones, sparse rolling percussion and enigmatic electro-acoustic dub processing.
It’s fairly rare to hear a group who can bridge epochs quite like this. Berrocal brings a incredible breadth of experience spanning music to acting since the ‘70s to his spars’ sparing grooves and synthesis, neatly cycling from puckish post-punk adjacent styles in ‘Going Nowhere’ thru to somethgin like Mika Vainio’s skeletal drum machines underlining Earth in ‘Fuis Le Feu’, always reserving the right to prang off perpendicular into sultry industrial jazz tones, à la their title track, or follow impulses for Ambarchi & Villalobos-like grooving oddity in ‘Walkabout’ and ‘Chiroptera’, and become possessed by spirits akin to Don Cherry and Ka Baird in ‘No Guitar Today.’
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Like time-travelling beatniks, Berrocal, Fenech and Epplay’s anachronistic trio return with a richly psychedelic, smoky special for ace Parisian label Akuphone
Combining the storied trumpet player Jac Berrocal - who has famously performed on recordings by NWW and Lizzy Mercier-Descloux, among other notables - with a new generation of fly improvisors, David Fenech and Vincent Epplay, the trio follow choice slabs for BEB in recent years with an immersively atmospheric and quietly inventive new turn. Anything goes, so long as it’s deep and modal, conjuring slow burning, hallucinatory scenes from smeared brass tones, sparse rolling percussion and enigmatic electro-acoustic dub processing.
It’s fairly rare to hear a group who can bridge epochs quite like this. Berrocal brings a incredible breadth of experience spanning music to acting since the ‘70s to his spars’ sparing grooves and synthesis, neatly cycling from puckish post-punk adjacent styles in ‘Going Nowhere’ thru to somethgin like Mika Vainio’s skeletal drum machines underlining Earth in ‘Fuis Le Feu’, always reserving the right to prang off perpendicular into sultry industrial jazz tones, à la their title track, or follow impulses for Ambarchi & Villalobos-like grooving oddity in ‘Walkabout’ and ‘Chiroptera’, and become possessed by spirits akin to Don Cherry and Ka Baird in ‘No Guitar Today.’