Exotic Immensity
Discrepant boss Gonçalo F. Cardoso imagines an alien landscape on 'Exotic Immensity', refining his approach and obscuring his usual collage of environmental recordings with hypnotic synths and nauseous fractal textures.
Cardoso's prolific, but rarely releases under his own name, preferring shadowy monikers like Hannibal Chew III, Papilon, Visions Congo and Prophetas. 'Exotic Immensity' follow 2022's 'Impressões De Outra Ilha', an immersive, impressionistic study of Borneo Island's sonic environment, but it's markedly different. Field recordings are still the foundation of the music, but they're less perceptible here - maybe because this time,
Cardoso is imagining a travelogue, rather than recounting one. His chorus of cheeps and churrs is buried beneath wheezing, tape mangled synths and obsessively sculpted, warbled processes, making 'Exotic Immensity' a puzzling listening experience. Cardoso sounds as if he's purposely trying to push us off the path, muddling faint voices and gusty rumbles with fictile instrumentation and tinny, VHS-burned themes. It's an experience that's appropriately psychedelic, given the subject matter, and it's one of the most convincing full-length the producer has deployed to date.
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Discrepant boss Gonçalo F. Cardoso imagines an alien landscape on 'Exotic Immensity', refining his approach and obscuring his usual collage of environmental recordings with hypnotic synths and nauseous fractal textures.
Cardoso's prolific, but rarely releases under his own name, preferring shadowy monikers like Hannibal Chew III, Papilon, Visions Congo and Prophetas. 'Exotic Immensity' follow 2022's 'Impressões De Outra Ilha', an immersive, impressionistic study of Borneo Island's sonic environment, but it's markedly different. Field recordings are still the foundation of the music, but they're less perceptible here - maybe because this time,
Cardoso is imagining a travelogue, rather than recounting one. His chorus of cheeps and churrs is buried beneath wheezing, tape mangled synths and obsessively sculpted, warbled processes, making 'Exotic Immensity' a puzzling listening experience. Cardoso sounds as if he's purposely trying to push us off the path, muddling faint voices and gusty rumbles with fictile instrumentation and tinny, VHS-burned themes. It's an experience that's appropriately psychedelic, given the subject matter, and it's one of the most convincing full-length the producer has deployed to date.
Discrepant boss Gonçalo F. Cardoso imagines an alien landscape on 'Exotic Immensity', refining his approach and obscuring his usual collage of environmental recordings with hypnotic synths and nauseous fractal textures.
Cardoso's prolific, but rarely releases under his own name, preferring shadowy monikers like Hannibal Chew III, Papilon, Visions Congo and Prophetas. 'Exotic Immensity' follow 2022's 'Impressões De Outra Ilha', an immersive, impressionistic study of Borneo Island's sonic environment, but it's markedly different. Field recordings are still the foundation of the music, but they're less perceptible here - maybe because this time,
Cardoso is imagining a travelogue, rather than recounting one. His chorus of cheeps and churrs is buried beneath wheezing, tape mangled synths and obsessively sculpted, warbled processes, making 'Exotic Immensity' a puzzling listening experience. Cardoso sounds as if he's purposely trying to push us off the path, muddling faint voices and gusty rumbles with fictile instrumentation and tinny, VHS-burned themes. It's an experience that's appropriately psychedelic, given the subject matter, and it's one of the most convincing full-length the producer has deployed to date.
Discrepant boss Gonçalo F. Cardoso imagines an alien landscape on 'Exotic Immensity', refining his approach and obscuring his usual collage of environmental recordings with hypnotic synths and nauseous fractal textures.
Cardoso's prolific, but rarely releases under his own name, preferring shadowy monikers like Hannibal Chew III, Papilon, Visions Congo and Prophetas. 'Exotic Immensity' follow 2022's 'Impressões De Outra Ilha', an immersive, impressionistic study of Borneo Island's sonic environment, but it's markedly different. Field recordings are still the foundation of the music, but they're less perceptible here - maybe because this time,
Cardoso is imagining a travelogue, rather than recounting one. His chorus of cheeps and churrs is buried beneath wheezing, tape mangled synths and obsessively sculpted, warbled processes, making 'Exotic Immensity' a puzzling listening experience. Cardoso sounds as if he's purposely trying to push us off the path, muddling faint voices and gusty rumbles with fictile instrumentation and tinny, VHS-burned themes. It's an experience that's appropriately psychedelic, given the subject matter, and it's one of the most convincing full-length the producer has deployed to date.
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Discrepant boss Gonçalo F. Cardoso imagines an alien landscape on 'Exotic Immensity', refining his approach and obscuring his usual collage of environmental recordings with hypnotic synths and nauseous fractal textures.
Cardoso's prolific, but rarely releases under his own name, preferring shadowy monikers like Hannibal Chew III, Papilon, Visions Congo and Prophetas. 'Exotic Immensity' follow 2022's 'Impressões De Outra Ilha', an immersive, impressionistic study of Borneo Island's sonic environment, but it's markedly different. Field recordings are still the foundation of the music, but they're less perceptible here - maybe because this time,
Cardoso is imagining a travelogue, rather than recounting one. His chorus of cheeps and churrs is buried beneath wheezing, tape mangled synths and obsessively sculpted, warbled processes, making 'Exotic Immensity' a puzzling listening experience. Cardoso sounds as if he's purposely trying to push us off the path, muddling faint voices and gusty rumbles with fictile instrumentation and tinny, VHS-burned themes. It's an experience that's appropriately psychedelic, given the subject matter, and it's one of the most convincing full-length the producer has deployed to date.