Execution Ground
John Zorn, Mick Harris and Bill Laswell’s full throttle 1994 jazzcore throw-down, reissued on Karl Records in the wake of aces from Reinhold Friedl, Oren Ambarchi, Iannis Xenakis and more already in 2016.
It’s all too easy to think that everyone was necking E’s and dancing their box off in 1994, but over in NYC this trio were doing something more sober, hard-boiled as Painkiller, kneading formerly disparate stands of Avant-jazz, grindcore, dub, noise and ambient music in haunting, freeform and suspenseful zones of impact, each one long enough to let them stretch out and rework the formula at least two or three times per piece.
Ultimately, Harris and Laswell are the quantum rhythm section for Zorn’s zigzagging, honking sax skronk in five parts, providing some really strong moments in the squally dub flux of Pashupatinath and the raucous roller, Parish of Tama, but the most notable parts are saved for the headlong dub invocations of Pashupatinath Ambient and the crushing Parish ion Tama Ambient pieces.
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John Zorn, Mick Harris and Bill Laswell’s full throttle 1994 jazzcore throw-down, reissued on Karl Records in the wake of aces from Reinhold Friedl, Oren Ambarchi, Iannis Xenakis and more already in 2016.
It’s all too easy to think that everyone was necking E’s and dancing their box off in 1994, but over in NYC this trio were doing something more sober, hard-boiled as Painkiller, kneading formerly disparate stands of Avant-jazz, grindcore, dub, noise and ambient music in haunting, freeform and suspenseful zones of impact, each one long enough to let them stretch out and rework the formula at least two or three times per piece.
Ultimately, Harris and Laswell are the quantum rhythm section for Zorn’s zigzagging, honking sax skronk in five parts, providing some really strong moments in the squally dub flux of Pashupatinath and the raucous roller, Parish of Tama, but the most notable parts are saved for the headlong dub invocations of Pashupatinath Ambient and the crushing Parish ion Tama Ambient pieces.
John Zorn, Mick Harris and Bill Laswell’s full throttle 1994 jazzcore throw-down, reissued on Karl Records in the wake of aces from Reinhold Friedl, Oren Ambarchi, Iannis Xenakis and more already in 2016.
It’s all too easy to think that everyone was necking E’s and dancing their box off in 1994, but over in NYC this trio were doing something more sober, hard-boiled as Painkiller, kneading formerly disparate stands of Avant-jazz, grindcore, dub, noise and ambient music in haunting, freeform and suspenseful zones of impact, each one long enough to let them stretch out and rework the formula at least two or three times per piece.
Ultimately, Harris and Laswell are the quantum rhythm section for Zorn’s zigzagging, honking sax skronk in five parts, providing some really strong moments in the squally dub flux of Pashupatinath and the raucous roller, Parish of Tama, but the most notable parts are saved for the headlong dub invocations of Pashupatinath Ambient and the crushing Parish ion Tama Ambient pieces.
John Zorn, Mick Harris and Bill Laswell’s full throttle 1994 jazzcore throw-down, reissued on Karl Records in the wake of aces from Reinhold Friedl, Oren Ambarchi, Iannis Xenakis and more already in 2016.
It’s all too easy to think that everyone was necking E’s and dancing their box off in 1994, but over in NYC this trio were doing something more sober, hard-boiled as Painkiller, kneading formerly disparate stands of Avant-jazz, grindcore, dub, noise and ambient music in haunting, freeform and suspenseful zones of impact, each one long enough to let them stretch out and rework the formula at least two or three times per piece.
Ultimately, Harris and Laswell are the quantum rhythm section for Zorn’s zigzagging, honking sax skronk in five parts, providing some really strong moments in the squally dub flux of Pashupatinath and the raucous roller, Parish of Tama, but the most notable parts are saved for the headlong dub invocations of Pashupatinath Ambient and the crushing Parish ion Tama Ambient pieces.
2023 pressing. Limited 180g vinyl 2LP. Includes download code.
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John Zorn, Mick Harris and Bill Laswell’s full throttle 1994 jazzcore throw-down, reissued on Karl Records in the wake of aces from Reinhold Friedl, Oren Ambarchi, Iannis Xenakis and more already in 2016.
It’s all too easy to think that everyone was necking E’s and dancing their box off in 1994, but over in NYC this trio were doing something more sober, hard-boiled as Painkiller, kneading formerly disparate stands of Avant-jazz, grindcore, dub, noise and ambient music in haunting, freeform and suspenseful zones of impact, each one long enough to let them stretch out and rework the formula at least two or three times per piece.
Ultimately, Harris and Laswell are the quantum rhythm section for Zorn’s zigzagging, honking sax skronk in five parts, providing some really strong moments in the squally dub flux of Pashupatinath and the raucous roller, Parish of Tama, but the most notable parts are saved for the headlong dub invocations of Pashupatinath Ambient and the crushing Parish ion Tama Ambient pieces.