UK bassbin staple Paleman chases a killer debut album with a handful of bare bones but burly rollers and trotters on Angel Molina’s 30D.
The ‘Exalted EP’ follows the course of Paleman’s crackshot debut LP ‘Veiled’ with a subtly recalibrated sound that shifts closer to the likes of Regis’ squashed solo shots or CUB joints with Mønic. Also allowing for more textured nose in the mix than his previous work, the five pieces pluck from the rudest parts of 2010’s post-dubstep, ruff D&B momentum, and Paleman’s own jazz-taught tekkerz to plough his own path thru the dance, recoiling from the doomy, pugilistic title tune into more straightjacketed writhe on ’25mg’, and proper CUB pressure in ‘Titan Siren’, before working up a cold fuss of trouble toms on ‘Cohere’, and really putting some muck up in it with the syncopation of shoulder barge bass and flinty, pointy-elbowed drums in ‘What I Thought I Knew’.
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UK bassbin staple Paleman chases a killer debut album with a handful of bare bones but burly rollers and trotters on Angel Molina’s 30D.
The ‘Exalted EP’ follows the course of Paleman’s crackshot debut LP ‘Veiled’ with a subtly recalibrated sound that shifts closer to the likes of Regis’ squashed solo shots or CUB joints with Mønic. Also allowing for more textured nose in the mix than his previous work, the five pieces pluck from the rudest parts of 2010’s post-dubstep, ruff D&B momentum, and Paleman’s own jazz-taught tekkerz to plough his own path thru the dance, recoiling from the doomy, pugilistic title tune into more straightjacketed writhe on ’25mg’, and proper CUB pressure in ‘Titan Siren’, before working up a cold fuss of trouble toms on ‘Cohere’, and really putting some muck up in it with the syncopation of shoulder barge bass and flinty, pointy-elbowed drums in ‘What I Thought I Knew’.
UK bassbin staple Paleman chases a killer debut album with a handful of bare bones but burly rollers and trotters on Angel Molina’s 30D.
The ‘Exalted EP’ follows the course of Paleman’s crackshot debut LP ‘Veiled’ with a subtly recalibrated sound that shifts closer to the likes of Regis’ squashed solo shots or CUB joints with Mønic. Also allowing for more textured nose in the mix than his previous work, the five pieces pluck from the rudest parts of 2010’s post-dubstep, ruff D&B momentum, and Paleman’s own jazz-taught tekkerz to plough his own path thru the dance, recoiling from the doomy, pugilistic title tune into more straightjacketed writhe on ’25mg’, and proper CUB pressure in ‘Titan Siren’, before working up a cold fuss of trouble toms on ‘Cohere’, and really putting some muck up in it with the syncopation of shoulder barge bass and flinty, pointy-elbowed drums in ‘What I Thought I Knew’.
UK bassbin staple Paleman chases a killer debut album with a handful of bare bones but burly rollers and trotters on Angel Molina’s 30D.
The ‘Exalted EP’ follows the course of Paleman’s crackshot debut LP ‘Veiled’ with a subtly recalibrated sound that shifts closer to the likes of Regis’ squashed solo shots or CUB joints with Mønic. Also allowing for more textured nose in the mix than his previous work, the five pieces pluck from the rudest parts of 2010’s post-dubstep, ruff D&B momentum, and Paleman’s own jazz-taught tekkerz to plough his own path thru the dance, recoiling from the doomy, pugilistic title tune into more straightjacketed writhe on ’25mg’, and proper CUB pressure in ‘Titan Siren’, before working up a cold fuss of trouble toms on ‘Cohere’, and really putting some muck up in it with the syncopation of shoulder barge bass and flinty, pointy-elbowed drums in ‘What I Thought I Knew’.