Giddy, playfully rhythm-driven electronica on Swiss/Italian label -ous
“Temporary linearity in a lysergic world. Imagination and reality, science and humanity: SPIME.IM weave their audiovisual tales from the ethereal textures that shape our worlds.
Their album «Exaland» synthesizes reality by combining human expression with technological potentialities in an infinitely changeable virtual world. The seven tracks are defined by razor-like sounds, crystal textures and digital overload, captured in those weightless seconds on a parabolic flight. Just as SPIME.IM’s live performances, this album is a temporarily linear journey through a narrative space shaped by psychedelic landscapes, synthetic colors, mutating objects and transient life-forms.
Bruce Sterling’s «spime» describes the possibility of tracing an object through space and time for the duration of its existence. By juxtaposing his concept with «I am», SPIME.IM are the being that is intertwined between the artificial and the natural.
Affirming digital reality, the Turin-based media art collective SPIME.IM explores the boundaries and possibilities of identity and perception in a world where virtual doppelgängers take on an all-
encompassing position.”
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Giddy, playfully rhythm-driven electronica on Swiss/Italian label -ous
“Temporary linearity in a lysergic world. Imagination and reality, science and humanity: SPIME.IM weave their audiovisual tales from the ethereal textures that shape our worlds.
Their album «Exaland» synthesizes reality by combining human expression with technological potentialities in an infinitely changeable virtual world. The seven tracks are defined by razor-like sounds, crystal textures and digital overload, captured in those weightless seconds on a parabolic flight. Just as SPIME.IM’s live performances, this album is a temporarily linear journey through a narrative space shaped by psychedelic landscapes, synthetic colors, mutating objects and transient life-forms.
Bruce Sterling’s «spime» describes the possibility of tracing an object through space and time for the duration of its existence. By juxtaposing his concept with «I am», SPIME.IM are the being that is intertwined between the artificial and the natural.
Affirming digital reality, the Turin-based media art collective SPIME.IM explores the boundaries and possibilities of identity and perception in a world where virtual doppelgängers take on an all-
encompassing position.”
Giddy, playfully rhythm-driven electronica on Swiss/Italian label -ous
“Temporary linearity in a lysergic world. Imagination and reality, science and humanity: SPIME.IM weave their audiovisual tales from the ethereal textures that shape our worlds.
Their album «Exaland» synthesizes reality by combining human expression with technological potentialities in an infinitely changeable virtual world. The seven tracks are defined by razor-like sounds, crystal textures and digital overload, captured in those weightless seconds on a parabolic flight. Just as SPIME.IM’s live performances, this album is a temporarily linear journey through a narrative space shaped by psychedelic landscapes, synthetic colors, mutating objects and transient life-forms.
Bruce Sterling’s «spime» describes the possibility of tracing an object through space and time for the duration of its existence. By juxtaposing his concept with «I am», SPIME.IM are the being that is intertwined between the artificial and the natural.
Affirming digital reality, the Turin-based media art collective SPIME.IM explores the boundaries and possibilities of identity and perception in a world where virtual doppelgängers take on an all-
encompassing position.”
Giddy, playfully rhythm-driven electronica on Swiss/Italian label -ous
“Temporary linearity in a lysergic world. Imagination and reality, science and humanity: SPIME.IM weave their audiovisual tales from the ethereal textures that shape our worlds.
Their album «Exaland» synthesizes reality by combining human expression with technological potentialities in an infinitely changeable virtual world. The seven tracks are defined by razor-like sounds, crystal textures and digital overload, captured in those weightless seconds on a parabolic flight. Just as SPIME.IM’s live performances, this album is a temporarily linear journey through a narrative space shaped by psychedelic landscapes, synthetic colors, mutating objects and transient life-forms.
Bruce Sterling’s «spime» describes the possibility of tracing an object through space and time for the duration of its existence. By juxtaposing his concept with «I am», SPIME.IM are the being that is intertwined between the artificial and the natural.
Affirming digital reality, the Turin-based media art collective SPIME.IM explores the boundaries and possibilities of identity and perception in a world where virtual doppelgängers take on an all-
encompassing position.”
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Giddy, playfully rhythm-driven electronica on Swiss/Italian label -ous
“Temporary linearity in a lysergic world. Imagination and reality, science and humanity: SPIME.IM weave their audiovisual tales from the ethereal textures that shape our worlds.
Their album «Exaland» synthesizes reality by combining human expression with technological potentialities in an infinitely changeable virtual world. The seven tracks are defined by razor-like sounds, crystal textures and digital overload, captured in those weightless seconds on a parabolic flight. Just as SPIME.IM’s live performances, this album is a temporarily linear journey through a narrative space shaped by psychedelic landscapes, synthetic colors, mutating objects and transient life-forms.
Bruce Sterling’s «spime» describes the possibility of tracing an object through space and time for the duration of its existence. By juxtaposing his concept with «I am», SPIME.IM are the being that is intertwined between the artificial and the natural.
Affirming digital reality, the Turin-based media art collective SPIME.IM explores the boundaries and possibilities of identity and perception in a world where virtual doppelgängers take on an all-
encompassing position.”