Everywhere At The End Of Time - Stage 4
The fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.
The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid through entanglements, repetition and rupture.
Leyland Kirby connotes the transitory cognitive breakdown of moderate into severe late stage dementia; memories of the good times are recollected in picnoleptic flashes as the music struggles to follow consistent trajectories, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, still occasionally able to gather coherent thoughts.
In aesthetic, the sieve-like mindstate of stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated music hall memories give way to shocking tracts of atonality and discord with runaway logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys.
The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled Post Awareness Confusions and correspondingly explore and reflect agitated mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called Temporary Bliss State and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody…
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The fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.
The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid through entanglements, repetition and rupture.
Leyland Kirby connotes the transitory cognitive breakdown of moderate into severe late stage dementia; memories of the good times are recollected in picnoleptic flashes as the music struggles to follow consistent trajectories, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, still occasionally able to gather coherent thoughts.
In aesthetic, the sieve-like mindstate of stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated music hall memories give way to shocking tracts of atonality and discord with runaway logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys.
The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled Post Awareness Confusions and correspondingly explore and reflect agitated mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called Temporary Bliss State and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody…
The fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.
The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid through entanglements, repetition and rupture.
Leyland Kirby connotes the transitory cognitive breakdown of moderate into severe late stage dementia; memories of the good times are recollected in picnoleptic flashes as the music struggles to follow consistent trajectories, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, still occasionally able to gather coherent thoughts.
In aesthetic, the sieve-like mindstate of stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated music hall memories give way to shocking tracts of atonality and discord with runaway logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys.
The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled Post Awareness Confusions and correspondingly explore and reflect agitated mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called Temporary Bliss State and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody…
The fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.
The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid through entanglements, repetition and rupture.
Leyland Kirby connotes the transitory cognitive breakdown of moderate into severe late stage dementia; memories of the good times are recollected in picnoleptic flashes as the music struggles to follow consistent trajectories, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, still occasionally able to gather coherent thoughts.
In aesthetic, the sieve-like mindstate of stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated music hall memories give way to shocking tracts of atonality and discord with runaway logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys.
The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled Post Awareness Confusions and correspondingly explore and reflect agitated mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called Temporary Bliss State and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody…
Extremely limited blue vinyl - original copies. Comes in a thick spine, deluxe gatefold sleeve featuring reproductions of three new paintings by Ivan Seal. Includes a download dropped to your account.
Out of Stock
The fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.
The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid through entanglements, repetition and rupture.
Leyland Kirby connotes the transitory cognitive breakdown of moderate into severe late stage dementia; memories of the good times are recollected in picnoleptic flashes as the music struggles to follow consistent trajectories, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, still occasionally able to gather coherent thoughts.
In aesthetic, the sieve-like mindstate of stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated music hall memories give way to shocking tracts of atonality and discord with runaway logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys.
The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled Post Awareness Confusions and correspondingly explore and reflect agitated mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called Temporary Bliss State and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody…
Back in stock - Black Vinyl mastered and cut by Lupo, artwork by Ivan Seal.
Out of Stock
The fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.
The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid through entanglements, repetition and rupture.
Leyland Kirby connotes the transitory cognitive breakdown of moderate into severe late stage dementia; memories of the good times are recollected in picnoleptic flashes as the music struggles to follow consistent trajectories, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, still occasionally able to gather coherent thoughts.
In aesthetic, the sieve-like mindstate of stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated music hall memories give way to shocking tracts of atonality and discord with runaway logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys.
The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled Post Awareness Confusions and correspondingly explore and reflect agitated mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called Temporary Bliss State and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody…