Seefeel
Everything Squared
Boomkat Product Review:
Seefeel's first new material since 2011, 'Everything Squared' strengthens the band's slew of recent reissues, neatly bringing their innovative '90s fusion of shoegaze, dub and experimental electronix into another era. It's magickal, back-room bliss.
As soon as Sarah Peacock's warped, ethereal vocals curve into Mark Clifford's low 'n slow throbs on 'Sky Hooks', there can be absolutely no doubt that we're listening to Seefeel. The advance single opens 'Everything Squared' and lays out Seefeel's philosophy - they're not re-inventing the wheel here, just refining the design. This new set of tracks is a little heftier and a little groggier than their classic run; the muggy vocal loops and dissociated pads that formed the band's signature back in the early '90s, as they niftily straddled dream pop and nascent IDM, are now supported by soundsystem-bothering low end thuds and - on two of the tracks - with bass from the duo's long-time collaborator Shigeru Ishihara, aka DJ Scotch Rolex. It's the Seefeel we know and love with a fresh layer of wax - and a few more contemporary acknowledgements.
We can make out the influence of blunted half-step on tracks like 'Antiskeptic' and 'Hooked Paw'. Dub has always been present in Clifford and Peacock's productions, but here the beats take a leaf out of Shackleton's book, ricocheting off their bouncy subs and Peacock's celestial wordless melodies. And if it's vintage Seefeel you're looking for, 'Lose The Minus' steps towards the intersection of shoegaze and ambient once again, with its undulating guitar distortions, while 'Multifolds' sounds like it could have been a lost archival cut, all spangled loops and lifted chimes. Their most forward-facing moment arrives as the album winds up; 'End of Here' features a lumbering, deadened beat to keep the pace, while Peacock's voice is fluffed with detuned synthetic whines that melt into a somber, beatless hum.
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Boomkat Product Review:
Seefeel's first new material since 2011, 'Everything Squared' strengthens the band's slew of recent reissues, neatly bringing their innovative '90s fusion of shoegaze, dub and experimental electronix into another era. It's magickal, back-room bliss.
As soon as Sarah Peacock's warped, ethereal vocals curve into Mark Clifford's low 'n slow throbs on 'Sky Hooks', there can be absolutely no doubt that we're listening to Seefeel. The advance single opens 'Everything Squared' and lays out Seefeel's philosophy - they're not re-inventing the wheel here, just refining the design. This new set of tracks is a little heftier and a little groggier than their classic run; the muggy vocal loops and dissociated pads that formed the band's signature back in the early '90s, as they niftily straddled dream pop and nascent IDM, are now supported by soundsystem-bothering low end thuds and - on two of the tracks - with bass from the duo's long-time collaborator Shigeru Ishihara, aka DJ Scotch Rolex. It's the Seefeel we know and love with a fresh layer of wax - and a few more contemporary acknowledgements.
We can make out the influence of blunted half-step on tracks like 'Antiskeptic' and 'Hooked Paw'. Dub has always been present in Clifford and Peacock's productions, but here the beats take a leaf out of Shackleton's book, ricocheting off their bouncy subs and Peacock's celestial wordless melodies. And if it's vintage Seefeel you're looking for, 'Lose The Minus' steps towards the intersection of shoegaze and ambient once again, with its undulating guitar distortions, while 'Multifolds' sounds like it could have been a lost archival cut, all spangled loops and lifted chimes. Their most forward-facing moment arrives as the album winds up; 'End of Here' features a lumbering, deadened beat to keep the pace, while Peacock's voice is fluffed with detuned synthetic whines that melt into a somber, beatless hum.
Boomkat Product Review:
Seefeel's first new material since 2011, 'Everything Squared' strengthens the band's slew of recent reissues, neatly bringing their innovative '90s fusion of shoegaze, dub and experimental electronix into another era. It's magickal, back-room bliss.
As soon as Sarah Peacock's warped, ethereal vocals curve into Mark Clifford's low 'n slow throbs on 'Sky Hooks', there can be absolutely no doubt that we're listening to Seefeel. The advance single opens 'Everything Squared' and lays out Seefeel's philosophy - they're not re-inventing the wheel here, just refining the design. This new set of tracks is a little heftier and a little groggier than their classic run; the muggy vocal loops and dissociated pads that formed the band's signature back in the early '90s, as they niftily straddled dream pop and nascent IDM, are now supported by soundsystem-bothering low end thuds and - on two of the tracks - with bass from the duo's long-time collaborator Shigeru Ishihara, aka DJ Scotch Rolex. It's the Seefeel we know and love with a fresh layer of wax - and a few more contemporary acknowledgements.
We can make out the influence of blunted half-step on tracks like 'Antiskeptic' and 'Hooked Paw'. Dub has always been present in Clifford and Peacock's productions, but here the beats take a leaf out of Shackleton's book, ricocheting off their bouncy subs and Peacock's celestial wordless melodies. And if it's vintage Seefeel you're looking for, 'Lose The Minus' steps towards the intersection of shoegaze and ambient once again, with its undulating guitar distortions, while 'Multifolds' sounds like it could have been a lost archival cut, all spangled loops and lifted chimes. Their most forward-facing moment arrives as the album winds up; 'End of Here' features a lumbering, deadened beat to keep the pace, while Peacock's voice is fluffed with detuned synthetic whines that melt into a somber, beatless hum.
Boomkat Product Review:
Seefeel's first new material since 2011, 'Everything Squared' strengthens the band's slew of recent reissues, neatly bringing their innovative '90s fusion of shoegaze, dub and experimental electronix into another era. It's magickal, back-room bliss.
As soon as Sarah Peacock's warped, ethereal vocals curve into Mark Clifford's low 'n slow throbs on 'Sky Hooks', there can be absolutely no doubt that we're listening to Seefeel. The advance single opens 'Everything Squared' and lays out Seefeel's philosophy - they're not re-inventing the wheel here, just refining the design. This new set of tracks is a little heftier and a little groggier than their classic run; the muggy vocal loops and dissociated pads that formed the band's signature back in the early '90s, as they niftily straddled dream pop and nascent IDM, are now supported by soundsystem-bothering low end thuds and - on two of the tracks - with bass from the duo's long-time collaborator Shigeru Ishihara, aka DJ Scotch Rolex. It's the Seefeel we know and love with a fresh layer of wax - and a few more contemporary acknowledgements.
We can make out the influence of blunted half-step on tracks like 'Antiskeptic' and 'Hooked Paw'. Dub has always been present in Clifford and Peacock's productions, but here the beats take a leaf out of Shackleton's book, ricocheting off their bouncy subs and Peacock's celestial wordless melodies. And if it's vintage Seefeel you're looking for, 'Lose The Minus' steps towards the intersection of shoegaze and ambient once again, with its undulating guitar distortions, while 'Multifolds' sounds like it could have been a lost archival cut, all spangled loops and lifted chimes. Their most forward-facing moment arrives as the album winds up; 'End of Here' features a lumbering, deadened beat to keep the pace, while Peacock's voice is fluffed with detuned synthetic whines that melt into a somber, beatless hum.
In Stock (Ready To Ship)
Boomkat Product Review:
Seefeel's first new material since 2011, 'Everything Squared' strengthens the band's slew of recent reissues, neatly bringing their innovative '90s fusion of shoegaze, dub and experimental electronix into another era. It's magickal, back-room bliss.
As soon as Sarah Peacock's warped, ethereal vocals curve into Mark Clifford's low 'n slow throbs on 'Sky Hooks', there can be absolutely no doubt that we're listening to Seefeel. The advance single opens 'Everything Squared' and lays out Seefeel's philosophy - they're not re-inventing the wheel here, just refining the design. This new set of tracks is a little heftier and a little groggier than their classic run; the muggy vocal loops and dissociated pads that formed the band's signature back in the early '90s, as they niftily straddled dream pop and nascent IDM, are now supported by soundsystem-bothering low end thuds and - on two of the tracks - with bass from the duo's long-time collaborator Shigeru Ishihara, aka DJ Scotch Rolex. It's the Seefeel we know and love with a fresh layer of wax - and a few more contemporary acknowledgements.
We can make out the influence of blunted half-step on tracks like 'Antiskeptic' and 'Hooked Paw'. Dub has always been present in Clifford and Peacock's productions, but here the beats take a leaf out of Shackleton's book, ricocheting off their bouncy subs and Peacock's celestial wordless melodies. And if it's vintage Seefeel you're looking for, 'Lose The Minus' steps towards the intersection of shoegaze and ambient once again, with its undulating guitar distortions, while 'Multifolds' sounds like it could have been a lost archival cut, all spangled loops and lifted chimes. Their most forward-facing moment arrives as the album winds up; 'End of Here' features a lumbering, deadened beat to keep the pace, while Peacock's voice is fluffed with detuned synthetic whines that melt into a somber, beatless hum.
Digipak CD
Out of Stock
Boomkat Product Review:
Seefeel's first new material since 2011, 'Everything Squared' strengthens the band's slew of recent reissues, neatly bringing their innovative '90s fusion of shoegaze, dub and experimental electronix into another era. It's magickal, back-room bliss.
As soon as Sarah Peacock's warped, ethereal vocals curve into Mark Clifford's low 'n slow throbs on 'Sky Hooks', there can be absolutely no doubt that we're listening to Seefeel. The advance single opens 'Everything Squared' and lays out Seefeel's philosophy - they're not re-inventing the wheel here, just refining the design. This new set of tracks is a little heftier and a little groggier than their classic run; the muggy vocal loops and dissociated pads that formed the band's signature back in the early '90s, as they niftily straddled dream pop and nascent IDM, are now supported by soundsystem-bothering low end thuds and - on two of the tracks - with bass from the duo's long-time collaborator Shigeru Ishihara, aka DJ Scotch Rolex. It's the Seefeel we know and love with a fresh layer of wax - and a few more contemporary acknowledgements.
We can make out the influence of blunted half-step on tracks like 'Antiskeptic' and 'Hooked Paw'. Dub has always been present in Clifford and Peacock's productions, but here the beats take a leaf out of Shackleton's book, ricocheting off their bouncy subs and Peacock's celestial wordless melodies. And if it's vintage Seefeel you're looking for, 'Lose The Minus' steps towards the intersection of shoegaze and ambient once again, with its undulating guitar distortions, while 'Multifolds' sounds like it could have been a lost archival cut, all spangled loops and lifted chimes. Their most forward-facing moment arrives as the album winds up; 'End of Here' features a lumbering, deadened beat to keep the pace, while Peacock's voice is fluffed with detuned synthetic whines that melt into a somber, beatless hum.
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