Noise for Vendor Mouth
Fela & Africa 70’s serpentine Afrobeat groover ‘Noise for Vendor Mouth’, b/w the simmering funk of ‘Mattress’ on its first vinyl press since inclusion on 2010’s ‘The Complete Works Of Fela Anikulapo Kuti’
"The title track likens politicians to street hawkers and hustlers, and caused considerable controversy. So did the B-side, “Mattress,” though for different reasons. In the song, Fela likens a woman’s role to that of a mattress, there to support and comfort her man. Fela’s espousal of traditional gender roles, and his approval of polygamy, struck a discordant note with some listeners, who accused him of being “anti women.” Fela was Fela and a man of his time, but he was never hostile to women. As he often acknowledged, his two greatest political influences were women: his mother, who had been an early champion of women’s rights in Nigeria, and Sandra Izsadore, the black-rights activist he began a relationship with in the US in 1969. Each opened his mind, between them turning a playboy into a political revolutionary."
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Fela & Africa 70’s serpentine Afrobeat groover ‘Noise for Vendor Mouth’, b/w the simmering funk of ‘Mattress’ on its first vinyl press since inclusion on 2010’s ‘The Complete Works Of Fela Anikulapo Kuti’
"The title track likens politicians to street hawkers and hustlers, and caused considerable controversy. So did the B-side, “Mattress,” though for different reasons. In the song, Fela likens a woman’s role to that of a mattress, there to support and comfort her man. Fela’s espousal of traditional gender roles, and his approval of polygamy, struck a discordant note with some listeners, who accused him of being “anti women.” Fela was Fela and a man of his time, but he was never hostile to women. As he often acknowledged, his two greatest political influences were women: his mother, who had been an early champion of women’s rights in Nigeria, and Sandra Izsadore, the black-rights activist he began a relationship with in the US in 1969. Each opened his mind, between them turning a playboy into a political revolutionary."
Fela & Africa 70’s serpentine Afrobeat groover ‘Noise for Vendor Mouth’, b/w the simmering funk of ‘Mattress’ on its first vinyl press since inclusion on 2010’s ‘The Complete Works Of Fela Anikulapo Kuti’
"The title track likens politicians to street hawkers and hustlers, and caused considerable controversy. So did the B-side, “Mattress,” though for different reasons. In the song, Fela likens a woman’s role to that of a mattress, there to support and comfort her man. Fela’s espousal of traditional gender roles, and his approval of polygamy, struck a discordant note with some listeners, who accused him of being “anti women.” Fela was Fela and a man of his time, but he was never hostile to women. As he often acknowledged, his two greatest political influences were women: his mother, who had been an early champion of women’s rights in Nigeria, and Sandra Izsadore, the black-rights activist he began a relationship with in the US in 1969. Each opened his mind, between them turning a playboy into a political revolutionary."
Fela & Africa 70’s serpentine Afrobeat groover ‘Noise for Vendor Mouth’, b/w the simmering funk of ‘Mattress’ on its first vinyl press since inclusion on 2010’s ‘The Complete Works Of Fela Anikulapo Kuti’
"The title track likens politicians to street hawkers and hustlers, and caused considerable controversy. So did the B-side, “Mattress,” though for different reasons. In the song, Fela likens a woman’s role to that of a mattress, there to support and comfort her man. Fela’s espousal of traditional gender roles, and his approval of polygamy, struck a discordant note with some listeners, who accused him of being “anti women.” Fela was Fela and a man of his time, but he was never hostile to women. As he often acknowledged, his two greatest political influences were women: his mother, who had been an early champion of women’s rights in Nigeria, and Sandra Izsadore, the black-rights activist he began a relationship with in the US in 1969. Each opened his mind, between them turning a playboy into a political revolutionary."
Pressed on opaque red vinyl.
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Fela & Africa 70’s serpentine Afrobeat groover ‘Noise for Vendor Mouth’, b/w the simmering funk of ‘Mattress’ on its first vinyl press since inclusion on 2010’s ‘The Complete Works Of Fela Anikulapo Kuti’
"The title track likens politicians to street hawkers and hustlers, and caused considerable controversy. So did the B-side, “Mattress,” though for different reasons. In the song, Fela likens a woman’s role to that of a mattress, there to support and comfort her man. Fela’s espousal of traditional gender roles, and his approval of polygamy, struck a discordant note with some listeners, who accused him of being “anti women.” Fela was Fela and a man of his time, but he was never hostile to women. As he often acknowledged, his two greatest political influences were women: his mother, who had been an early champion of women’s rights in Nigeria, and Sandra Izsadore, the black-rights activist he began a relationship with in the US in 1969. Each opened his mind, between them turning a playboy into a political revolutionary."