Evangelic Girl Is A Gun
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.
View more
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.
Iris of Bloodlust vinyl edition (Red Marble), comes with folded A2 poster.
Estimated Release Date: 30 May 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.
Comes with A2 folded poster.
Estimated Release Date: 30 May 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.
Estimated Release Date: 30 May 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
Singaporean singer-producer yeule brushes off the Grimes comparisons on their fourth album, leaning into Dido-pilled trip-hop and euphoric electroplated bubblegum pop.
Billed as "an homage to the artist's role", 'Evangelic Girl Is A Gun' is a few stray glitches away from being peak nostalgic pop. Nat Ćmiel has never made a secret of their obsession with '90s and '00s alternative music - they covered The Breeders' 'Off You' on 2021's 'Nuclear War Post X', as well as Grouper's 'Headache' - and their eye is on the past here too.
Opener 'Tequila Coma' is a shiver of digitally-crumpled trip-hop shuffles and 'Thank You'-styled voice cracks, but Ćmiel finds a more satisfying rhythm on 'Eko', skewing earwormy Avril Lavigne-isms with faint hyperpop ticks and grunged distortions. The Ableton-assisted downtempo moments are the weak link here, whenever Ćmiel capitalizes on their songwriting strengths - say, on 'Dudu', the snotty, galvanizing 'Saiko' or the EDM-bolstered title track - 'Evangelic Girl Is A Gun' wakes up.