Escape
Johnny Jewel furnishes Desire with their sexiest slants on slo-mo LA disco, synth-pop and Italo in a 13 year follow-up to their debut.
Instrumental to the first wave of Italians Do It better in the late ‘00s, Desire are among the label’s flagship projects with the likes of Glass Candy and Nite Jewel, with credits studded on the ‘Drive’ OST and Optimo mixes.
‘Escape’ reprises their classic take on ‘80s disco lust with 14 silk-cut songs defined as much by Megan Louise aka Desire’s disaffected croon as Jewel’s signature production. Desire sounds class singing in french on ‘Black Latex’, recalling Thomas Bangaltar’s work on the ‘Irreversible’ score, whereas ‘Telling Me Lies’ poses her closer to Dua Lipa’s recent disco-pop tunes, and ‘Haenim’ reminds us of the sophisticated wist of Sally Shapiro. We’re also feeling the lick of soured ‘00s R&B-club synth wired into the Italo of ‘Ghosts’.
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Johnny Jewel furnishes Desire with their sexiest slants on slo-mo LA disco, synth-pop and Italo in a 13 year follow-up to their debut.
Instrumental to the first wave of Italians Do It better in the late ‘00s, Desire are among the label’s flagship projects with the likes of Glass Candy and Nite Jewel, with credits studded on the ‘Drive’ OST and Optimo mixes.
‘Escape’ reprises their classic take on ‘80s disco lust with 14 silk-cut songs defined as much by Megan Louise aka Desire’s disaffected croon as Jewel’s signature production. Desire sounds class singing in french on ‘Black Latex’, recalling Thomas Bangaltar’s work on the ‘Irreversible’ score, whereas ‘Telling Me Lies’ poses her closer to Dua Lipa’s recent disco-pop tunes, and ‘Haenim’ reminds us of the sophisticated wist of Sally Shapiro. We’re also feeling the lick of soured ‘00s R&B-club synth wired into the Italo of ‘Ghosts’.
Johnny Jewel furnishes Desire with their sexiest slants on slo-mo LA disco, synth-pop and Italo in a 13 year follow-up to their debut.
Instrumental to the first wave of Italians Do It better in the late ‘00s, Desire are among the label’s flagship projects with the likes of Glass Candy and Nite Jewel, with credits studded on the ‘Drive’ OST and Optimo mixes.
‘Escape’ reprises their classic take on ‘80s disco lust with 14 silk-cut songs defined as much by Megan Louise aka Desire’s disaffected croon as Jewel’s signature production. Desire sounds class singing in french on ‘Black Latex’, recalling Thomas Bangaltar’s work on the ‘Irreversible’ score, whereas ‘Telling Me Lies’ poses her closer to Dua Lipa’s recent disco-pop tunes, and ‘Haenim’ reminds us of the sophisticated wist of Sally Shapiro. We’re also feeling the lick of soured ‘00s R&B-club synth wired into the Italo of ‘Ghosts’.
Johnny Jewel furnishes Desire with their sexiest slants on slo-mo LA disco, synth-pop and Italo in a 13 year follow-up to their debut.
Instrumental to the first wave of Italians Do It better in the late ‘00s, Desire are among the label’s flagship projects with the likes of Glass Candy and Nite Jewel, with credits studded on the ‘Drive’ OST and Optimo mixes.
‘Escape’ reprises their classic take on ‘80s disco lust with 14 silk-cut songs defined as much by Megan Louise aka Desire’s disaffected croon as Jewel’s signature production. Desire sounds class singing in french on ‘Black Latex’, recalling Thomas Bangaltar’s work on the ‘Irreversible’ score, whereas ‘Telling Me Lies’ poses her closer to Dua Lipa’s recent disco-pop tunes, and ‘Haenim’ reminds us of the sophisticated wist of Sally Shapiro. We’re also feeling the lick of soured ‘00s R&B-club synth wired into the Italo of ‘Ghosts’.
180g heavyweight 2LP. Black dipped in red colour vinyl.
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Johnny Jewel furnishes Desire with their sexiest slants on slo-mo LA disco, synth-pop and Italo in a 13 year follow-up to their debut.
Instrumental to the first wave of Italians Do It better in the late ‘00s, Desire are among the label’s flagship projects with the likes of Glass Candy and Nite Jewel, with credits studded on the ‘Drive’ OST and Optimo mixes.
‘Escape’ reprises their classic take on ‘80s disco lust with 14 silk-cut songs defined as much by Megan Louise aka Desire’s disaffected croon as Jewel’s signature production. Desire sounds class singing in french on ‘Black Latex’, recalling Thomas Bangaltar’s work on the ‘Irreversible’ score, whereas ‘Telling Me Lies’ poses her closer to Dua Lipa’s recent disco-pop tunes, and ‘Haenim’ reminds us of the sophisticated wist of Sally Shapiro. We’re also feeling the lick of soured ‘00s R&B-club synth wired into the Italo of ‘Ghosts’.