Muting two pianos with ambient electronic washes, environmental recordings, organ drones, strings and bowed percussion, Unstern hit a devotional note on their debut album, that's co-mixed by none other than Swedish don Civilistjävel! and mastered to tape by Stefan Betke.
Rising slowly like mists over a mountaintop, 'Es Geht Der Tag' is a peaceful, meditative experience. Unstern is the collaborative project of dark ambient producer Arzat Skia and Russian-American pianist and composer Leo Svirsky, and together they make self-styled "environmental music" that's not necessarily intended to act as a snapshot, but a mirror of nature's discrete movements. The instrumentation is purposefully veiled in gaseous electronics; Svirsky plays two pianos that are hard panned to enhance the ambience, and Skia replies with billowing, Eno-esque pads that add all the necessary drama, mystery and intrigue.
On 'Malign Star', environmental recordings captured in the Peruvian Amazon whirr over faint strings and booming bass tones, and Svirsky's piano blurs into echoes. And 'In the Roar of Your Channels', everything's so blown-out by tape saturation that it sounds like church music being piped in from another era. The duo add a submerged, slo-mo pulse to the extended title track, giving it an ominous creep that leads us out of the album with more questions that answers. Morton Feldman in dub, anyone?
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Muting two pianos with ambient electronic washes, environmental recordings, organ drones, strings and bowed percussion, Unstern hit a devotional note on their debut album, that's co-mixed by none other than Swedish don Civilistjävel! and mastered to tape by Stefan Betke.
Rising slowly like mists over a mountaintop, 'Es Geht Der Tag' is a peaceful, meditative experience. Unstern is the collaborative project of dark ambient producer Arzat Skia and Russian-American pianist and composer Leo Svirsky, and together they make self-styled "environmental music" that's not necessarily intended to act as a snapshot, but a mirror of nature's discrete movements. The instrumentation is purposefully veiled in gaseous electronics; Svirsky plays two pianos that are hard panned to enhance the ambience, and Skia replies with billowing, Eno-esque pads that add all the necessary drama, mystery and intrigue.
On 'Malign Star', environmental recordings captured in the Peruvian Amazon whirr over faint strings and booming bass tones, and Svirsky's piano blurs into echoes. And 'In the Roar of Your Channels', everything's so blown-out by tape saturation that it sounds like church music being piped in from another era. The duo add a submerged, slo-mo pulse to the extended title track, giving it an ominous creep that leads us out of the album with more questions that answers. Morton Feldman in dub, anyone?
Muting two pianos with ambient electronic washes, environmental recordings, organ drones, strings and bowed percussion, Unstern hit a devotional note on their debut album, that's co-mixed by none other than Swedish don Civilistjävel! and mastered to tape by Stefan Betke.
Rising slowly like mists over a mountaintop, 'Es Geht Der Tag' is a peaceful, meditative experience. Unstern is the collaborative project of dark ambient producer Arzat Skia and Russian-American pianist and composer Leo Svirsky, and together they make self-styled "environmental music" that's not necessarily intended to act as a snapshot, but a mirror of nature's discrete movements. The instrumentation is purposefully veiled in gaseous electronics; Svirsky plays two pianos that are hard panned to enhance the ambience, and Skia replies with billowing, Eno-esque pads that add all the necessary drama, mystery and intrigue.
On 'Malign Star', environmental recordings captured in the Peruvian Amazon whirr over faint strings and booming bass tones, and Svirsky's piano blurs into echoes. And 'In the Roar of Your Channels', everything's so blown-out by tape saturation that it sounds like church music being piped in from another era. The duo add a submerged, slo-mo pulse to the extended title track, giving it an ominous creep that leads us out of the album with more questions that answers. Morton Feldman in dub, anyone?
Muting two pianos with ambient electronic washes, environmental recordings, organ drones, strings and bowed percussion, Unstern hit a devotional note on their debut album, that's co-mixed by none other than Swedish don Civilistjävel! and mastered to tape by Stefan Betke.
Rising slowly like mists over a mountaintop, 'Es Geht Der Tag' is a peaceful, meditative experience. Unstern is the collaborative project of dark ambient producer Arzat Skia and Russian-American pianist and composer Leo Svirsky, and together they make self-styled "environmental music" that's not necessarily intended to act as a snapshot, but a mirror of nature's discrete movements. The instrumentation is purposefully veiled in gaseous electronics; Svirsky plays two pianos that are hard panned to enhance the ambience, and Skia replies with billowing, Eno-esque pads that add all the necessary drama, mystery and intrigue.
On 'Malign Star', environmental recordings captured in the Peruvian Amazon whirr over faint strings and booming bass tones, and Svirsky's piano blurs into echoes. And 'In the Roar of Your Channels', everything's so blown-out by tape saturation that it sounds like church music being piped in from another era. The duo add a submerged, slo-mo pulse to the extended title track, giving it an ominous creep that leads us out of the album with more questions that answers. Morton Feldman in dub, anyone?
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Muting two pianos with ambient electronic washes, environmental recordings, organ drones, strings and bowed percussion, Unstern hit a devotional note on their debut album, that's co-mixed by none other than Swedish don Civilistjävel! and mastered to tape by Stefan Betke.
Rising slowly like mists over a mountaintop, 'Es Geht Der Tag' is a peaceful, meditative experience. Unstern is the collaborative project of dark ambient producer Arzat Skia and Russian-American pianist and composer Leo Svirsky, and together they make self-styled "environmental music" that's not necessarily intended to act as a snapshot, but a mirror of nature's discrete movements. The instrumentation is purposefully veiled in gaseous electronics; Svirsky plays two pianos that are hard panned to enhance the ambience, and Skia replies with billowing, Eno-esque pads that add all the necessary drama, mystery and intrigue.
On 'Malign Star', environmental recordings captured in the Peruvian Amazon whirr over faint strings and booming bass tones, and Svirsky's piano blurs into echoes. And 'In the Roar of Your Channels', everything's so blown-out by tape saturation that it sounds like church music being piped in from another era. The duo add a submerged, slo-mo pulse to the extended title track, giving it an ominous creep that leads us out of the album with more questions that answers. Morton Feldman in dub, anyone?