SCHNEIDER TM
Ereignishorizont
Boomkat Product Review:
Faust and Pan Sonic collaborator Schneider TM combs custom-built electric guitars into vast, discordant drone-scapes and swerves mutant motorik kosmiche into stranger shapes on his follow-up to an album for Editions Mego
“"The event horizon gives the black hole its size; behind it hides the singularity. And the more extended it is, the more massive the black hole is. But the event horizon is also invisible; if matter or light passes through it, there is no turning back.“ (Prof. Dr. Michael Kramer, Max-Planck-Institut für Radioastronomie)
Ereignishorizont is Schneider TM’s new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual. Schneider TM is a multidimensional music project of Dirk Dresselhaus which oscillates extensively between adventurous electronic pop-music and experimental, sometimes improvised freeform music, while occasionally bringing these and other opposing elements together. Since the mid-Nineties, he has been exploring unknown musical territory on practically each new release, solo or in diverse short- and long-term collaborations and projects with the likes of ex-Pan Sonic member Ilpo Väisänen (as die Angel), Zappi W Diermaier (Faust), Reinhold Friedl (zeitkratzer), Oren Ambarchi, Hildur Guðnadóttir, BJ Nilsen, Lucio Capece, Elena Poulou (ex-The Fall), Damo Suzuki (ex-Can), John Duncan (LAFMS), Einstürzende Neubauten’s Jochen Arbeit & Andrew Unruh, Günter Schickert as well as to numerous works in the field of film music, radio plays, (performance-) theater, contemporary dance and general studio production.
Over the last years, Dirk has been moving Schneider TM in the direction of instantly composed freeform music, employing varying equipment like processed guitar & sound objects as well as field recordings, as documented on albums like ‘Construction Sounds’, ‘Guitar Sounds’ or ‚‘Con-Struct’, a posthumous collaboration with Conrad Schnitzler, all released on Bureau B. Ereignishorizont, Schneider TM’s new and with a duration of over 80 minutes truly epic album, sounds and feels like a soundtrack for a yet-to-be-made sci-fi movie and exposes the essence of Dresselhaus' artistic approaches, crafted here with a more pared-down set-up, an awareness of advanced musical techniques, the physicality of sound, and an improvisational spirit that is based on the experience that things are strongest when they happen first.
Performed on (partly self-developed) electroacoustic guitars + effects through a stereo set of tube amps with sensibilities for the world of modular synthesis and a range of seemingly contrarian musical directions, the 8 tracks present transcendental micro- and macrotonal soundscapes and
polyrhythms, a musical cosmology that appears to be located in a sort of idiosyncratic alternate or parallel universe where parameters are slightly shifted, which doesn't necessarily mean something like ‘otherworldliness’ but certainly offer a view onto ‘reality‘ from a bunch of different angles.”
View more
Boomkat Product Review:
Faust and Pan Sonic collaborator Schneider TM combs custom-built electric guitars into vast, discordant drone-scapes and swerves mutant motorik kosmiche into stranger shapes on his follow-up to an album for Editions Mego
“"The event horizon gives the black hole its size; behind it hides the singularity. And the more extended it is, the more massive the black hole is. But the event horizon is also invisible; if matter or light passes through it, there is no turning back.“ (Prof. Dr. Michael Kramer, Max-Planck-Institut für Radioastronomie)
Ereignishorizont is Schneider TM’s new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual. Schneider TM is a multidimensional music project of Dirk Dresselhaus which oscillates extensively between adventurous electronic pop-music and experimental, sometimes improvised freeform music, while occasionally bringing these and other opposing elements together. Since the mid-Nineties, he has been exploring unknown musical territory on practically each new release, solo or in diverse short- and long-term collaborations and projects with the likes of ex-Pan Sonic member Ilpo Väisänen (as die Angel), Zappi W Diermaier (Faust), Reinhold Friedl (zeitkratzer), Oren Ambarchi, Hildur Guðnadóttir, BJ Nilsen, Lucio Capece, Elena Poulou (ex-The Fall), Damo Suzuki (ex-Can), John Duncan (LAFMS), Einstürzende Neubauten’s Jochen Arbeit & Andrew Unruh, Günter Schickert as well as to numerous works in the field of film music, radio plays, (performance-) theater, contemporary dance and general studio production.
Over the last years, Dirk has been moving Schneider TM in the direction of instantly composed freeform music, employing varying equipment like processed guitar & sound objects as well as field recordings, as documented on albums like ‘Construction Sounds’, ‘Guitar Sounds’ or ‚‘Con-Struct’, a posthumous collaboration with Conrad Schnitzler, all released on Bureau B. Ereignishorizont, Schneider TM’s new and with a duration of over 80 minutes truly epic album, sounds and feels like a soundtrack for a yet-to-be-made sci-fi movie and exposes the essence of Dresselhaus' artistic approaches, crafted here with a more pared-down set-up, an awareness of advanced musical techniques, the physicality of sound, and an improvisational spirit that is based on the experience that things are strongest when they happen first.
Performed on (partly self-developed) electroacoustic guitars + effects through a stereo set of tube amps with sensibilities for the world of modular synthesis and a range of seemingly contrarian musical directions, the 8 tracks present transcendental micro- and macrotonal soundscapes and
polyrhythms, a musical cosmology that appears to be located in a sort of idiosyncratic alternate or parallel universe where parameters are slightly shifted, which doesn't necessarily mean something like ‘otherworldliness’ but certainly offer a view onto ‘reality‘ from a bunch of different angles.”
Boomkat Product Review:
Faust and Pan Sonic collaborator Schneider TM combs custom-built electric guitars into vast, discordant drone-scapes and swerves mutant motorik kosmiche into stranger shapes on his follow-up to an album for Editions Mego
“"The event horizon gives the black hole its size; behind it hides the singularity. And the more extended it is, the more massive the black hole is. But the event horizon is also invisible; if matter or light passes through it, there is no turning back.“ (Prof. Dr. Michael Kramer, Max-Planck-Institut für Radioastronomie)
Ereignishorizont is Schneider TM’s new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual. Schneider TM is a multidimensional music project of Dirk Dresselhaus which oscillates extensively between adventurous electronic pop-music and experimental, sometimes improvised freeform music, while occasionally bringing these and other opposing elements together. Since the mid-Nineties, he has been exploring unknown musical territory on practically each new release, solo or in diverse short- and long-term collaborations and projects with the likes of ex-Pan Sonic member Ilpo Väisänen (as die Angel), Zappi W Diermaier (Faust), Reinhold Friedl (zeitkratzer), Oren Ambarchi, Hildur Guðnadóttir, BJ Nilsen, Lucio Capece, Elena Poulou (ex-The Fall), Damo Suzuki (ex-Can), John Duncan (LAFMS), Einstürzende Neubauten’s Jochen Arbeit & Andrew Unruh, Günter Schickert as well as to numerous works in the field of film music, radio plays, (performance-) theater, contemporary dance and general studio production.
Over the last years, Dirk has been moving Schneider TM in the direction of instantly composed freeform music, employing varying equipment like processed guitar & sound objects as well as field recordings, as documented on albums like ‘Construction Sounds’, ‘Guitar Sounds’ or ‚‘Con-Struct’, a posthumous collaboration with Conrad Schnitzler, all released on Bureau B. Ereignishorizont, Schneider TM’s new and with a duration of over 80 minutes truly epic album, sounds and feels like a soundtrack for a yet-to-be-made sci-fi movie and exposes the essence of Dresselhaus' artistic approaches, crafted here with a more pared-down set-up, an awareness of advanced musical techniques, the physicality of sound, and an improvisational spirit that is based on the experience that things are strongest when they happen first.
Performed on (partly self-developed) electroacoustic guitars + effects through a stereo set of tube amps with sensibilities for the world of modular synthesis and a range of seemingly contrarian musical directions, the 8 tracks present transcendental micro- and macrotonal soundscapes and
polyrhythms, a musical cosmology that appears to be located in a sort of idiosyncratic alternate or parallel universe where parameters are slightly shifted, which doesn't necessarily mean something like ‘otherworldliness’ but certainly offer a view onto ‘reality‘ from a bunch of different angles.”
Boomkat Product Review:
Faust and Pan Sonic collaborator Schneider TM combs custom-built electric guitars into vast, discordant drone-scapes and swerves mutant motorik kosmiche into stranger shapes on his follow-up to an album for Editions Mego
“"The event horizon gives the black hole its size; behind it hides the singularity. And the more extended it is, the more massive the black hole is. But the event horizon is also invisible; if matter or light passes through it, there is no turning back.“ (Prof. Dr. Michael Kramer, Max-Planck-Institut für Radioastronomie)
Ereignishorizont is Schneider TM’s new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual. Schneider TM is a multidimensional music project of Dirk Dresselhaus which oscillates extensively between adventurous electronic pop-music and experimental, sometimes improvised freeform music, while occasionally bringing these and other opposing elements together. Since the mid-Nineties, he has been exploring unknown musical territory on practically each new release, solo or in diverse short- and long-term collaborations and projects with the likes of ex-Pan Sonic member Ilpo Väisänen (as die Angel), Zappi W Diermaier (Faust), Reinhold Friedl (zeitkratzer), Oren Ambarchi, Hildur Guðnadóttir, BJ Nilsen, Lucio Capece, Elena Poulou (ex-The Fall), Damo Suzuki (ex-Can), John Duncan (LAFMS), Einstürzende Neubauten’s Jochen Arbeit & Andrew Unruh, Günter Schickert as well as to numerous works in the field of film music, radio plays, (performance-) theater, contemporary dance and general studio production.
Over the last years, Dirk has been moving Schneider TM in the direction of instantly composed freeform music, employing varying equipment like processed guitar & sound objects as well as field recordings, as documented on albums like ‘Construction Sounds’, ‘Guitar Sounds’ or ‚‘Con-Struct’, a posthumous collaboration with Conrad Schnitzler, all released on Bureau B. Ereignishorizont, Schneider TM’s new and with a duration of over 80 minutes truly epic album, sounds and feels like a soundtrack for a yet-to-be-made sci-fi movie and exposes the essence of Dresselhaus' artistic approaches, crafted here with a more pared-down set-up, an awareness of advanced musical techniques, the physicality of sound, and an improvisational spirit that is based on the experience that things are strongest when they happen first.
Performed on (partly self-developed) electroacoustic guitars + effects through a stereo set of tube amps with sensibilities for the world of modular synthesis and a range of seemingly contrarian musical directions, the 8 tracks present transcendental micro- and macrotonal soundscapes and
polyrhythms, a musical cosmology that appears to be located in a sort of idiosyncratic alternate or parallel universe where parameters are slightly shifted, which doesn't necessarily mean something like ‘otherworldliness’ but certainly offer a view onto ‘reality‘ from a bunch of different angles.”
180g double vinyl
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Boomkat Product Review:
Faust and Pan Sonic collaborator Schneider TM combs custom-built electric guitars into vast, discordant drone-scapes and swerves mutant motorik kosmiche into stranger shapes on his follow-up to an album for Editions Mego
“"The event horizon gives the black hole its size; behind it hides the singularity. And the more extended it is, the more massive the black hole is. But the event horizon is also invisible; if matter or light passes through it, there is no turning back.“ (Prof. Dr. Michael Kramer, Max-Planck-Institut für Radioastronomie)
Ereignishorizont is Schneider TM’s new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual. Schneider TM is a multidimensional music project of Dirk Dresselhaus which oscillates extensively between adventurous electronic pop-music and experimental, sometimes improvised freeform music, while occasionally bringing these and other opposing elements together. Since the mid-Nineties, he has been exploring unknown musical territory on practically each new release, solo or in diverse short- and long-term collaborations and projects with the likes of ex-Pan Sonic member Ilpo Väisänen (as die Angel), Zappi W Diermaier (Faust), Reinhold Friedl (zeitkratzer), Oren Ambarchi, Hildur Guðnadóttir, BJ Nilsen, Lucio Capece, Elena Poulou (ex-The Fall), Damo Suzuki (ex-Can), John Duncan (LAFMS), Einstürzende Neubauten’s Jochen Arbeit & Andrew Unruh, Günter Schickert as well as to numerous works in the field of film music, radio plays, (performance-) theater, contemporary dance and general studio production.
Over the last years, Dirk has been moving Schneider TM in the direction of instantly composed freeform music, employing varying equipment like processed guitar & sound objects as well as field recordings, as documented on albums like ‘Construction Sounds’, ‘Guitar Sounds’ or ‚‘Con-Struct’, a posthumous collaboration with Conrad Schnitzler, all released on Bureau B. Ereignishorizont, Schneider TM’s new and with a duration of over 80 minutes truly epic album, sounds and feels like a soundtrack for a yet-to-be-made sci-fi movie and exposes the essence of Dresselhaus' artistic approaches, crafted here with a more pared-down set-up, an awareness of advanced musical techniques, the physicality of sound, and an improvisational spirit that is based on the experience that things are strongest when they happen first.
Performed on (partly self-developed) electroacoustic guitars + effects through a stereo set of tube amps with sensibilities for the world of modular synthesis and a range of seemingly contrarian musical directions, the 8 tracks present transcendental micro- and macrotonal soundscapes and
polyrhythms, a musical cosmology that appears to be located in a sort of idiosyncratic alternate or parallel universe where parameters are slightly shifted, which doesn't necessarily mean something like ‘otherworldliness’ but certainly offer a view onto ‘reality‘ from a bunch of different angles.”
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