The Sprawl
E.P.1
Boomkat Product Review:
Keenly awaited debut by The Sprawl - a scindicate of mutant sound carriers individually known as Logos, Mumdance and Shapednoise. Mastered and cut to vinyl by Matt Colton. Artwork by Dave Gaskarth.
William Gibson's uncannily prophetic novel Neuromancer was the 1st in a set collectively known as The Sprawl. The same term also refers to a fictional Megatropolis covering the entire Eastern US seaboard in the books, and was also the title of a staggering, standout track on Mumdance's pivotal Take Time EP.
The Sprawl is now also a noun for Logos, Mumdance and Shapednoise's new collaborative trio))), which was first conceived at Berlin's CTM15 festival, and now makes their recorded debut with EP1 of a rolling series to be archived by The Death of Rave.
Inspired by Gibson's notions of uploaded consciousness in a post-human society, and the way in which the sensory-scrambling effects of technology have played out across our collective reverie, EP1 ventures four cuts of retina-scorching dis-torsion and chrome-burning modular synth work attempting to emulate the physical and mental impact of SimStim overload and fractious hyperreality.
Head first, Drowning In Binary rinses us thru a maze of recursive techno chambers and convulsive noise, acclimatising us to the temporal displacement in preparation for the retching, body-quake detonations and finely-contoured synthetic sensuality of From Wetware to Software to take hold.
On the other side, their references become more explicit, and violently dynamic, as the gutted late '90s tech-step structures of Haptic Feedback glance in the direction of classic Prototype and Reinforced Recordings, before Personality Upload steadily dismantles your mental firewalls with a gyroscopic sense of weightless delirium.
Ultimately, EP1's mostly beat-less dynamics lends it to polysemous reading; at once comparable with elements of La Peste's late '90s french flashcore or the unquantised designs of FIS, and likewise, it's applicable as both 'floor-shocking DJ tools, or as a prop in your own, private sci-fi fantasy.
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Boomkat Product Review:
Keenly awaited debut by The Sprawl - a scindicate of mutant sound carriers individually known as Logos, Mumdance and Shapednoise. Mastered and cut to vinyl by Matt Colton. Artwork by Dave Gaskarth.
William Gibson's uncannily prophetic novel Neuromancer was the 1st in a set collectively known as The Sprawl. The same term also refers to a fictional Megatropolis covering the entire Eastern US seaboard in the books, and was also the title of a staggering, standout track on Mumdance's pivotal Take Time EP.
The Sprawl is now also a noun for Logos, Mumdance and Shapednoise's new collaborative trio))), which was first conceived at Berlin's CTM15 festival, and now makes their recorded debut with EP1 of a rolling series to be archived by The Death of Rave.
Inspired by Gibson's notions of uploaded consciousness in a post-human society, and the way in which the sensory-scrambling effects of technology have played out across our collective reverie, EP1 ventures four cuts of retina-scorching dis-torsion and chrome-burning modular synth work attempting to emulate the physical and mental impact of SimStim overload and fractious hyperreality.
Head first, Drowning In Binary rinses us thru a maze of recursive techno chambers and convulsive noise, acclimatising us to the temporal displacement in preparation for the retching, body-quake detonations and finely-contoured synthetic sensuality of From Wetware to Software to take hold.
On the other side, their references become more explicit, and violently dynamic, as the gutted late '90s tech-step structures of Haptic Feedback glance in the direction of classic Prototype and Reinforced Recordings, before Personality Upload steadily dismantles your mental firewalls with a gyroscopic sense of weightless delirium.
Ultimately, EP1's mostly beat-less dynamics lends it to polysemous reading; at once comparable with elements of La Peste's late '90s french flashcore or the unquantised designs of FIS, and likewise, it's applicable as both 'floor-shocking DJ tools, or as a prop in your own, private sci-fi fantasy.
Boomkat Product Review:
Keenly awaited debut by The Sprawl - a scindicate of mutant sound carriers individually known as Logos, Mumdance and Shapednoise. Mastered and cut to vinyl by Matt Colton. Artwork by Dave Gaskarth.
William Gibson's uncannily prophetic novel Neuromancer was the 1st in a set collectively known as The Sprawl. The same term also refers to a fictional Megatropolis covering the entire Eastern US seaboard in the books, and was also the title of a staggering, standout track on Mumdance's pivotal Take Time EP.
The Sprawl is now also a noun for Logos, Mumdance and Shapednoise's new collaborative trio))), which was first conceived at Berlin's CTM15 festival, and now makes their recorded debut with EP1 of a rolling series to be archived by The Death of Rave.
Inspired by Gibson's notions of uploaded consciousness in a post-human society, and the way in which the sensory-scrambling effects of technology have played out across our collective reverie, EP1 ventures four cuts of retina-scorching dis-torsion and chrome-burning modular synth work attempting to emulate the physical and mental impact of SimStim overload and fractious hyperreality.
Head first, Drowning In Binary rinses us thru a maze of recursive techno chambers and convulsive noise, acclimatising us to the temporal displacement in preparation for the retching, body-quake detonations and finely-contoured synthetic sensuality of From Wetware to Software to take hold.
On the other side, their references become more explicit, and violently dynamic, as the gutted late '90s tech-step structures of Haptic Feedback glance in the direction of classic Prototype and Reinforced Recordings, before Personality Upload steadily dismantles your mental firewalls with a gyroscopic sense of weightless delirium.
Ultimately, EP1's mostly beat-less dynamics lends it to polysemous reading; at once comparable with elements of La Peste's late '90s french flashcore or the unquantised designs of FIS, and likewise, it's applicable as both 'floor-shocking DJ tools, or as a prop in your own, private sci-fi fantasy.
Boomkat Product Review:
Keenly awaited debut by The Sprawl - a scindicate of mutant sound carriers individually known as Logos, Mumdance and Shapednoise. Mastered and cut to vinyl by Matt Colton. Artwork by Dave Gaskarth.
William Gibson's uncannily prophetic novel Neuromancer was the 1st in a set collectively known as The Sprawl. The same term also refers to a fictional Megatropolis covering the entire Eastern US seaboard in the books, and was also the title of a staggering, standout track on Mumdance's pivotal Take Time EP.
The Sprawl is now also a noun for Logos, Mumdance and Shapednoise's new collaborative trio))), which was first conceived at Berlin's CTM15 festival, and now makes their recorded debut with EP1 of a rolling series to be archived by The Death of Rave.
Inspired by Gibson's notions of uploaded consciousness in a post-human society, and the way in which the sensory-scrambling effects of technology have played out across our collective reverie, EP1 ventures four cuts of retina-scorching dis-torsion and chrome-burning modular synth work attempting to emulate the physical and mental impact of SimStim overload and fractious hyperreality.
Head first, Drowning In Binary rinses us thru a maze of recursive techno chambers and convulsive noise, acclimatising us to the temporal displacement in preparation for the retching, body-quake detonations and finely-contoured synthetic sensuality of From Wetware to Software to take hold.
On the other side, their references become more explicit, and violently dynamic, as the gutted late '90s tech-step structures of Haptic Feedback glance in the direction of classic Prototype and Reinforced Recordings, before Personality Upload steadily dismantles your mental firewalls with a gyroscopic sense of weightless delirium.
Ultimately, EP1's mostly beat-less dynamics lends it to polysemous reading; at once comparable with elements of La Peste's late '90s french flashcore or the unquantised designs of FIS, and likewise, it's applicable as both 'floor-shocking DJ tools, or as a prop in your own, private sci-fi fantasy.
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