Highly promising newcomer Nazar gets down to bassbin business on Hyperdub after introductions made on Kode 9 & Burial’s ‘Fabriclive 100’ mix.
From phthalocyanine grime to blown out techno and distorted drill, the ‘Enclave EP’ is one of the freshest/crankiest sessions you’ll hear from London in 2018. It’s unmistakably Hyperdub, repping fractious madness that’s compatible with Gqom, Príncipe styles and loads of deconstructed club musics, yet patently distinguished as UK rave.
Opening with the virulent weightless synths and cold bass knocks of ‘South Border’, the EP delivers a deadly payload of non-standard club pressure with the mutant Gqom of ‘Warning Shots’, and a severely blunted sort of Burial-does-drill sound in ‘Airstrike’ featuring Hyperdub’s secret weapon Shannen SP on vocals, along with the swerving murder of ‘Enclave’ on a killer Angel Ho-styled sci-fi flex, plus the Dutch Bubblers’ troubles of ‘Konvoy’ and a very smart cinematic closer with ‘Ceasefire’.
This may well be the strongest Hyperdub debut since Burial’s seminal ‘South London Boroughs’, or at least since Doon Kanda’s first entry. A must check!
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Highly promising newcomer Nazar gets down to bassbin business on Hyperdub after introductions made on Kode 9 & Burial’s ‘Fabriclive 100’ mix.
From phthalocyanine grime to blown out techno and distorted drill, the ‘Enclave EP’ is one of the freshest/crankiest sessions you’ll hear from London in 2018. It’s unmistakably Hyperdub, repping fractious madness that’s compatible with Gqom, Príncipe styles and loads of deconstructed club musics, yet patently distinguished as UK rave.
Opening with the virulent weightless synths and cold bass knocks of ‘South Border’, the EP delivers a deadly payload of non-standard club pressure with the mutant Gqom of ‘Warning Shots’, and a severely blunted sort of Burial-does-drill sound in ‘Airstrike’ featuring Hyperdub’s secret weapon Shannen SP on vocals, along with the swerving murder of ‘Enclave’ on a killer Angel Ho-styled sci-fi flex, plus the Dutch Bubblers’ troubles of ‘Konvoy’ and a very smart cinematic closer with ‘Ceasefire’.
This may well be the strongest Hyperdub debut since Burial’s seminal ‘South London Boroughs’, or at least since Doon Kanda’s first entry. A must check!
Highly promising newcomer Nazar gets down to bassbin business on Hyperdub after introductions made on Kode 9 & Burial’s ‘Fabriclive 100’ mix.
From phthalocyanine grime to blown out techno and distorted drill, the ‘Enclave EP’ is one of the freshest/crankiest sessions you’ll hear from London in 2018. It’s unmistakably Hyperdub, repping fractious madness that’s compatible with Gqom, Príncipe styles and loads of deconstructed club musics, yet patently distinguished as UK rave.
Opening with the virulent weightless synths and cold bass knocks of ‘South Border’, the EP delivers a deadly payload of non-standard club pressure with the mutant Gqom of ‘Warning Shots’, and a severely blunted sort of Burial-does-drill sound in ‘Airstrike’ featuring Hyperdub’s secret weapon Shannen SP on vocals, along with the swerving murder of ‘Enclave’ on a killer Angel Ho-styled sci-fi flex, plus the Dutch Bubblers’ troubles of ‘Konvoy’ and a very smart cinematic closer with ‘Ceasefire’.
This may well be the strongest Hyperdub debut since Burial’s seminal ‘South London Boroughs’, or at least since Doon Kanda’s first entry. A must check!
Highly promising newcomer Nazar gets down to bassbin business on Hyperdub after introductions made on Kode 9 & Burial’s ‘Fabriclive 100’ mix.
From phthalocyanine grime to blown out techno and distorted drill, the ‘Enclave EP’ is one of the freshest/crankiest sessions you’ll hear from London in 2018. It’s unmistakably Hyperdub, repping fractious madness that’s compatible with Gqom, Príncipe styles and loads of deconstructed club musics, yet patently distinguished as UK rave.
Opening with the virulent weightless synths and cold bass knocks of ‘South Border’, the EP delivers a deadly payload of non-standard club pressure with the mutant Gqom of ‘Warning Shots’, and a severely blunted sort of Burial-does-drill sound in ‘Airstrike’ featuring Hyperdub’s secret weapon Shannen SP on vocals, along with the swerving murder of ‘Enclave’ on a killer Angel Ho-styled sci-fi flex, plus the Dutch Bubblers’ troubles of ‘Konvoy’ and a very smart cinematic closer with ‘Ceasefire’.
This may well be the strongest Hyperdub debut since Burial’s seminal ‘South London Boroughs’, or at least since Doon Kanda’s first entry. A must check!
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Highly promising newcomer Nazar gets down to bassbin business on Hyperdub after introductions made on Kode 9 & Burial’s ‘Fabriclive 100’ mix.
From phthalocyanine grime to blown out techno and distorted drill, the ‘Enclave EP’ is one of the freshest/crankiest sessions you’ll hear from London in 2018. It’s unmistakably Hyperdub, repping fractious madness that’s compatible with Gqom, Príncipe styles and loads of deconstructed club musics, yet patently distinguished as UK rave.
Opening with the virulent weightless synths and cold bass knocks of ‘South Border’, the EP delivers a deadly payload of non-standard club pressure with the mutant Gqom of ‘Warning Shots’, and a severely blunted sort of Burial-does-drill sound in ‘Airstrike’ featuring Hyperdub’s secret weapon Shannen SP on vocals, along with the swerving murder of ‘Enclave’ on a killer Angel Ho-styled sci-fi flex, plus the Dutch Bubblers’ troubles of ‘Konvoy’ and a very smart cinematic closer with ‘Ceasefire’.
This may well be the strongest Hyperdub debut since Burial’s seminal ‘South London Boroughs’, or at least since Doon Kanda’s first entry. A must check!