Sourakata Koité
en Hollande
Boomkat Product Review:
Kora-player Sourakata Koité’s ‘en Hollande’ is one of ATFA’s most treasured digs. It’s been available on their blog since 2010 and only now sees a proper reissue, rendering a spellbinding session of quicksilver melody and buzzing harmonies on the 21-string instrument, sometimes combined with vocals, as on the arresting, almost rap style of ‘Djonol’ or the anxious melancholy of ‘Dioula’
“Sourakata Koite is a Paris-dwelling kora-player from Senegal. He is a griot, which means he is a story- and history-teller and singer. He accompanies himself on the kora. The kora is the most representative instrument of Manding music and culture. It is a harp-lute with 21 strings. The instrument is more than 600 years old and has existed in its present form for about 400 years. The griots often make their koras themselves, using a great dried gourd, a thick stick and two smaller sticks and a scraped goatskin. In the old days they used strings of skin, but nowadays often plastic fikshingline is used. The kora is held with the last three fingers of each hand at the small sticks on both sides of the strings. The strings are played by both thumbs and forefingers. With one hand the accompanying part is played and with the other the more free melody. Koite has performed in most African countries and also in a great deal of Europe.’
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Boomkat Product Review:
Kora-player Sourakata Koité’s ‘en Hollande’ is one of ATFA’s most treasured digs. It’s been available on their blog since 2010 and only now sees a proper reissue, rendering a spellbinding session of quicksilver melody and buzzing harmonies on the 21-string instrument, sometimes combined with vocals, as on the arresting, almost rap style of ‘Djonol’ or the anxious melancholy of ‘Dioula’
“Sourakata Koite is a Paris-dwelling kora-player from Senegal. He is a griot, which means he is a story- and history-teller and singer. He accompanies himself on the kora. The kora is the most representative instrument of Manding music and culture. It is a harp-lute with 21 strings. The instrument is more than 600 years old and has existed in its present form for about 400 years. The griots often make their koras themselves, using a great dried gourd, a thick stick and two smaller sticks and a scraped goatskin. In the old days they used strings of skin, but nowadays often plastic fikshingline is used. The kora is held with the last three fingers of each hand at the small sticks on both sides of the strings. The strings are played by both thumbs and forefingers. With one hand the accompanying part is played and with the other the more free melody. Koite has performed in most African countries and also in a great deal of Europe.’
Boomkat Product Review:
Kora-player Sourakata Koité’s ‘en Hollande’ is one of ATFA’s most treasured digs. It’s been available on their blog since 2010 and only now sees a proper reissue, rendering a spellbinding session of quicksilver melody and buzzing harmonies on the 21-string instrument, sometimes combined with vocals, as on the arresting, almost rap style of ‘Djonol’ or the anxious melancholy of ‘Dioula’
“Sourakata Koite is a Paris-dwelling kora-player from Senegal. He is a griot, which means he is a story- and history-teller and singer. He accompanies himself on the kora. The kora is the most representative instrument of Manding music and culture. It is a harp-lute with 21 strings. The instrument is more than 600 years old and has existed in its present form for about 400 years. The griots often make their koras themselves, using a great dried gourd, a thick stick and two smaller sticks and a scraped goatskin. In the old days they used strings of skin, but nowadays often plastic fikshingline is used. The kora is held with the last three fingers of each hand at the small sticks on both sides of the strings. The strings are played by both thumbs and forefingers. With one hand the accompanying part is played and with the other the more free melody. Koite has performed in most African countries and also in a great deal of Europe.’
Boomkat Product Review:
Kora-player Sourakata Koité’s ‘en Hollande’ is one of ATFA’s most treasured digs. It’s been available on their blog since 2010 and only now sees a proper reissue, rendering a spellbinding session of quicksilver melody and buzzing harmonies on the 21-string instrument, sometimes combined with vocals, as on the arresting, almost rap style of ‘Djonol’ or the anxious melancholy of ‘Dioula’
“Sourakata Koite is a Paris-dwelling kora-player from Senegal. He is a griot, which means he is a story- and history-teller and singer. He accompanies himself on the kora. The kora is the most representative instrument of Manding music and culture. It is a harp-lute with 21 strings. The instrument is more than 600 years old and has existed in its present form for about 400 years. The griots often make their koras themselves, using a great dried gourd, a thick stick and two smaller sticks and a scraped goatskin. In the old days they used strings of skin, but nowadays often plastic fikshingline is used. The kora is held with the last three fingers of each hand at the small sticks on both sides of the strings. The strings are played by both thumbs and forefingers. With one hand the accompanying part is played and with the other the more free melody. Koite has performed in most African countries and also in a great deal of Europe.’
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Kora-player Sourakata Koité’s ‘en Hollande’ is one of ATFA’s most treasured digs. It’s been available on their blog since 2010 and only now sees a proper reissue, rendering a spellbinding session of quicksilver melody and buzzing harmonies on the 21-string instrument, sometimes combined with vocals, as on the arresting, almost rap style of ‘Djonol’ or the anxious melancholy of ‘Dioula’
“Sourakata Koite is a Paris-dwelling kora-player from Senegal. He is a griot, which means he is a story- and history-teller and singer. He accompanies himself on the kora. The kora is the most representative instrument of Manding music and culture. It is a harp-lute with 21 strings. The instrument is more than 600 years old and has existed in its present form for about 400 years. The griots often make their koras themselves, using a great dried gourd, a thick stick and two smaller sticks and a scraped goatskin. In the old days they used strings of skin, but nowadays often plastic fikshingline is used. The kora is held with the last three fingers of each hand at the small sticks on both sides of the strings. The strings are played by both thumbs and forefingers. With one hand the accompanying part is played and with the other the more free melody. Koite has performed in most African countries and also in a great deal of Europe.’
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Kora-player Sourakata Koité’s ‘en Hollande’ is one of ATFA’s most treasured digs. It’s been available on their blog since 2010 and only now sees a proper reissue, rendering a spellbinding session of quicksilver melody and buzzing harmonies on the 21-string instrument, sometimes combined with vocals, as on the arresting, almost rap style of ‘Djonol’ or the anxious melancholy of ‘Dioula’
“Sourakata Koite is a Paris-dwelling kora-player from Senegal. He is a griot, which means he is a story- and history-teller and singer. He accompanies himself on the kora. The kora is the most representative instrument of Manding music and culture. It is a harp-lute with 21 strings. The instrument is more than 600 years old and has existed in its present form for about 400 years. The griots often make their koras themselves, using a great dried gourd, a thick stick and two smaller sticks and a scraped goatskin. In the old days they used strings of skin, but nowadays often plastic fikshingline is used. The kora is held with the last three fingers of each hand at the small sticks on both sides of the strings. The strings are played by both thumbs and forefingers. With one hand the accompanying part is played and with the other the more free melody. Koite has performed in most African countries and also in a great deal of Europe.’
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