Yair Elazar Glotman & Mats Erlandsson
Emanate
Boomkat Product Review:
Fat Cat present two of modern composition’s leading experimental voices - EMS and XKathdral’s Mtas Erlandsson, and Berlin-based Yair Elazar Glotman - developing the dissonant language of their debut for Miasmah in a poised and bittersweet 2nd album.
“Both prolific composers in their own right working within the field of modern composition/ new electronic music, Berlin-based Yair Elazar Glotman and Stockholm-based Mats Erlandsson have been collaborating since 2015. ‘Negative Chambers’, their first joint album together was released on Miasmah Recordings in 2017, and saw them exploring new approaches to the use of traditional acoustic instruments. Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, the pair’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a ‘displaced sound’ – combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.
In our oversaturated digital age where omnipresent media connectivity enables instant gratification and a continuous flood of competing interests, we’re frequently lead to make snap judgements as we multitask through a mass of incoming information – continually scanning and skipping over surfaces. Technological advances were supposed to free up creative thinking, but this flood has instead lead to an erosion of our creativity and attention. In many ways, the idea of a longform music is unsuited to and out of phase with these times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon ‘Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds – see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.”
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Boomkat Product Review:
Fat Cat present two of modern composition’s leading experimental voices - EMS and XKathdral’s Mtas Erlandsson, and Berlin-based Yair Elazar Glotman - developing the dissonant language of their debut for Miasmah in a poised and bittersweet 2nd album.
“Both prolific composers in their own right working within the field of modern composition/ new electronic music, Berlin-based Yair Elazar Glotman and Stockholm-based Mats Erlandsson have been collaborating since 2015. ‘Negative Chambers’, their first joint album together was released on Miasmah Recordings in 2017, and saw them exploring new approaches to the use of traditional acoustic instruments. Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, the pair’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a ‘displaced sound’ – combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.
In our oversaturated digital age where omnipresent media connectivity enables instant gratification and a continuous flood of competing interests, we’re frequently lead to make snap judgements as we multitask through a mass of incoming information – continually scanning and skipping over surfaces. Technological advances were supposed to free up creative thinking, but this flood has instead lead to an erosion of our creativity and attention. In many ways, the idea of a longform music is unsuited to and out of phase with these times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon ‘Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds – see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.”
Boomkat Product Review:
Fat Cat present two of modern composition’s leading experimental voices - EMS and XKathdral’s Mtas Erlandsson, and Berlin-based Yair Elazar Glotman - developing the dissonant language of their debut for Miasmah in a poised and bittersweet 2nd album.
“Both prolific composers in their own right working within the field of modern composition/ new electronic music, Berlin-based Yair Elazar Glotman and Stockholm-based Mats Erlandsson have been collaborating since 2015. ‘Negative Chambers’, their first joint album together was released on Miasmah Recordings in 2017, and saw them exploring new approaches to the use of traditional acoustic instruments. Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, the pair’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a ‘displaced sound’ – combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.
In our oversaturated digital age where omnipresent media connectivity enables instant gratification and a continuous flood of competing interests, we’re frequently lead to make snap judgements as we multitask through a mass of incoming information – continually scanning and skipping over surfaces. Technological advances were supposed to free up creative thinking, but this flood has instead lead to an erosion of our creativity and attention. In many ways, the idea of a longform music is unsuited to and out of phase with these times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon ‘Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds – see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.”
Boomkat Product Review:
Fat Cat present two of modern composition’s leading experimental voices - EMS and XKathdral’s Mtas Erlandsson, and Berlin-based Yair Elazar Glotman - developing the dissonant language of their debut for Miasmah in a poised and bittersweet 2nd album.
“Both prolific composers in their own right working within the field of modern composition/ new electronic music, Berlin-based Yair Elazar Glotman and Stockholm-based Mats Erlandsson have been collaborating since 2015. ‘Negative Chambers’, their first joint album together was released on Miasmah Recordings in 2017, and saw them exploring new approaches to the use of traditional acoustic instruments. Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, the pair’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a ‘displaced sound’ – combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.
In our oversaturated digital age where omnipresent media connectivity enables instant gratification and a continuous flood of competing interests, we’re frequently lead to make snap judgements as we multitask through a mass of incoming information – continually scanning and skipping over surfaces. Technological advances were supposed to free up creative thinking, but this flood has instead lead to an erosion of our creativity and attention. In many ways, the idea of a longform music is unsuited to and out of phase with these times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon ‘Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds – see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.”
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Boomkat Product Review:
Fat Cat present two of modern composition’s leading experimental voices - EMS and XKathdral’s Mtas Erlandsson, and Berlin-based Yair Elazar Glotman - developing the dissonant language of their debut for Miasmah in a poised and bittersweet 2nd album.
“Both prolific composers in their own right working within the field of modern composition/ new electronic music, Berlin-based Yair Elazar Glotman and Stockholm-based Mats Erlandsson have been collaborating since 2015. ‘Negative Chambers’, their first joint album together was released on Miasmah Recordings in 2017, and saw them exploring new approaches to the use of traditional acoustic instruments. Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, the pair’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a ‘displaced sound’ – combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.
In our oversaturated digital age where omnipresent media connectivity enables instant gratification and a continuous flood of competing interests, we’re frequently lead to make snap judgements as we multitask through a mass of incoming information – continually scanning and skipping over surfaces. Technological advances were supposed to free up creative thinking, but this flood has instead lead to an erosion of our creativity and attention. In many ways, the idea of a longform music is unsuited to and out of phase with these times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon ‘Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds – see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.”
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