Elektroworld
About time! Drexciya’s seminal Afrofuturist album finally sees reissue with Clone Classic Cuts, regaling the recordings of four young sons of an electrician from Flint, Michigan, USA, who pay dues to the endless inspiration of Kraftwerk
When it was originally released in 1995 with the prefacing info about four brothers, ‘Elektroworld’ became a crucial part of the Drexciyan mythology. Prefaced by a promo sheet with the suggestive info outlined above, the album was quite easily detectable as a Drexciyan production, but it wasn’t until 2008 when Warpmart spilt the beans, that ‘Elektroworld’ was officially identified as a James Stinson production. For many disciples of the the late great genius, the album includes some of Stinson’s definitive cuts in the spine-freezing ‘Japanese Electronics’ and the elegant funk of ‘Mystery World’ and ‘Midnight Drive’. But that’s not to discount the rest of the set - there’s pure Drexciyan gold in the vocodered ace ‘Future Tone’ and the heart-fluttering chord changes of ’Silicon World’.
100% essential.
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About time! Drexciya’s seminal Afrofuturist album finally sees reissue with Clone Classic Cuts, regaling the recordings of four young sons of an electrician from Flint, Michigan, USA, who pay dues to the endless inspiration of Kraftwerk
When it was originally released in 1995 with the prefacing info about four brothers, ‘Elektroworld’ became a crucial part of the Drexciyan mythology. Prefaced by a promo sheet with the suggestive info outlined above, the album was quite easily detectable as a Drexciyan production, but it wasn’t until 2008 when Warpmart spilt the beans, that ‘Elektroworld’ was officially identified as a James Stinson production. For many disciples of the the late great genius, the album includes some of Stinson’s definitive cuts in the spine-freezing ‘Japanese Electronics’ and the elegant funk of ‘Mystery World’ and ‘Midnight Drive’. But that’s not to discount the rest of the set - there’s pure Drexciyan gold in the vocodered ace ‘Future Tone’ and the heart-fluttering chord changes of ’Silicon World’.
100% essential.
About time! Drexciya’s seminal Afrofuturist album finally sees reissue with Clone Classic Cuts, regaling the recordings of four young sons of an electrician from Flint, Michigan, USA, who pay dues to the endless inspiration of Kraftwerk
When it was originally released in 1995 with the prefacing info about four brothers, ‘Elektroworld’ became a crucial part of the Drexciyan mythology. Prefaced by a promo sheet with the suggestive info outlined above, the album was quite easily detectable as a Drexciyan production, but it wasn’t until 2008 when Warpmart spilt the beans, that ‘Elektroworld’ was officially identified as a James Stinson production. For many disciples of the the late great genius, the album includes some of Stinson’s definitive cuts in the spine-freezing ‘Japanese Electronics’ and the elegant funk of ‘Mystery World’ and ‘Midnight Drive’. But that’s not to discount the rest of the set - there’s pure Drexciyan gold in the vocodered ace ‘Future Tone’ and the heart-fluttering chord changes of ’Silicon World’.
100% essential.
About time! Drexciya’s seminal Afrofuturist album finally sees reissue with Clone Classic Cuts, regaling the recordings of four young sons of an electrician from Flint, Michigan, USA, who pay dues to the endless inspiration of Kraftwerk
When it was originally released in 1995 with the prefacing info about four brothers, ‘Elektroworld’ became a crucial part of the Drexciyan mythology. Prefaced by a promo sheet with the suggestive info outlined above, the album was quite easily detectable as a Drexciyan production, but it wasn’t until 2008 when Warpmart spilt the beans, that ‘Elektroworld’ was officially identified as a James Stinson production. For many disciples of the the late great genius, the album includes some of Stinson’s definitive cuts in the spine-freezing ‘Japanese Electronics’ and the elegant funk of ‘Mystery World’ and ‘Midnight Drive’. But that’s not to discount the rest of the set - there’s pure Drexciyan gold in the vocodered ace ‘Future Tone’ and the heart-fluttering chord changes of ’Silicon World’.
100% essential.
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About time! Drexciya’s seminal Afrofuturist album finally sees reissue with Clone Classic Cuts, regaling the recordings of four young sons of an electrician from Flint, Michigan, USA, who pay dues to the endless inspiration of Kraftwerk
When it was originally released in 1995 with the prefacing info about four brothers, ‘Elektroworld’ became a crucial part of the Drexciyan mythology. Prefaced by a promo sheet with the suggestive info outlined above, the album was quite easily detectable as a Drexciyan production, but it wasn’t until 2008 when Warpmart spilt the beans, that ‘Elektroworld’ was officially identified as a James Stinson production. For many disciples of the the late great genius, the album includes some of Stinson’s definitive cuts in the spine-freezing ‘Japanese Electronics’ and the elegant funk of ‘Mystery World’ and ‘Midnight Drive’. But that’s not to discount the rest of the set - there’s pure Drexciyan gold in the vocodered ace ‘Future Tone’ and the heart-fluttering chord changes of ’Silicon World’.
100% essential.