TAKESHI TERAUCHI
Eleki Bushi 1966-1974
Boomkat Product Review:
Takeshi Terauchi was one of Japan's first guitar heroes and "Eleki Bushi" is an ideal primer, collecting the best moments from his most enduring period, when he crossed US and UK garage rock with traditional Japanese folk.
Rock 'n roll was unfathomably popular in Japan in the aftermath of World War II, to the point where it inspired a generation of teenagers to develop a sound that became known as "eleki". Using electric guitars to emulate surf rock and working without vocals, bands like The Vultures caused a rush of excitement around this new sound, and young guitarist Terauchi would become one of the country's first axe wielding superstars. In 1962 he founded Takeshi Terauchi & Blue Jeans and achieved massive popularity, but between 1966 and 1974 he concentrated his efforts on a fusion of surf rock and Japanese folk that still sounds completely novel.
Terauchi's mother had been a music teacher and shamisen player, and while Terauchi started playing the guitar when he was just five years old, he took on some of his mother's techniques. Opening track 'Rashoumon' begins with evocative flutes and crashing drums, and when Terauchi's guitar finally enters the picture it takes on the role of the shamisen before speeding into a Doors-inspired organ duet and Shadows-esque instrumental buzz. 'Tsugaru Jongara Bushi' is harder to place but no less bizarre; here Terauchi plays his guitar against a wiry monosynth lead, pushing the tempo in-and-out of traditional and contemporary templates.
The jagged fusion might be confusing to some ears but like the library records emerging from Italy, France and the UK in the same era, it's remarkably funky. It wouldn't be completely unexpected if you heard any of these riffs or broken rhythms on some Madlib tape or other - diggers take note.
View more
Boomkat Product Review:
Takeshi Terauchi was one of Japan's first guitar heroes and "Eleki Bushi" is an ideal primer, collecting the best moments from his most enduring period, when he crossed US and UK garage rock with traditional Japanese folk.
Rock 'n roll was unfathomably popular in Japan in the aftermath of World War II, to the point where it inspired a generation of teenagers to develop a sound that became known as "eleki". Using electric guitars to emulate surf rock and working without vocals, bands like The Vultures caused a rush of excitement around this new sound, and young guitarist Terauchi would become one of the country's first axe wielding superstars. In 1962 he founded Takeshi Terauchi & Blue Jeans and achieved massive popularity, but between 1966 and 1974 he concentrated his efforts on a fusion of surf rock and Japanese folk that still sounds completely novel.
Terauchi's mother had been a music teacher and shamisen player, and while Terauchi started playing the guitar when he was just five years old, he took on some of his mother's techniques. Opening track 'Rashoumon' begins with evocative flutes and crashing drums, and when Terauchi's guitar finally enters the picture it takes on the role of the shamisen before speeding into a Doors-inspired organ duet and Shadows-esque instrumental buzz. 'Tsugaru Jongara Bushi' is harder to place but no less bizarre; here Terauchi plays his guitar against a wiry monosynth lead, pushing the tempo in-and-out of traditional and contemporary templates.
The jagged fusion might be confusing to some ears but like the library records emerging from Italy, France and the UK in the same era, it's remarkably funky. It wouldn't be completely unexpected if you heard any of these riffs or broken rhythms on some Madlib tape or other - diggers take note.
Boomkat Product Review:
Takeshi Terauchi was one of Japan's first guitar heroes and "Eleki Bushi" is an ideal primer, collecting the best moments from his most enduring period, when he crossed US and UK garage rock with traditional Japanese folk.
Rock 'n roll was unfathomably popular in Japan in the aftermath of World War II, to the point where it inspired a generation of teenagers to develop a sound that became known as "eleki". Using electric guitars to emulate surf rock and working without vocals, bands like The Vultures caused a rush of excitement around this new sound, and young guitarist Terauchi would become one of the country's first axe wielding superstars. In 1962 he founded Takeshi Terauchi & Blue Jeans and achieved massive popularity, but between 1966 and 1974 he concentrated his efforts on a fusion of surf rock and Japanese folk that still sounds completely novel.
Terauchi's mother had been a music teacher and shamisen player, and while Terauchi started playing the guitar when he was just five years old, he took on some of his mother's techniques. Opening track 'Rashoumon' begins with evocative flutes and crashing drums, and when Terauchi's guitar finally enters the picture it takes on the role of the shamisen before speeding into a Doors-inspired organ duet and Shadows-esque instrumental buzz. 'Tsugaru Jongara Bushi' is harder to place but no less bizarre; here Terauchi plays his guitar against a wiry monosynth lead, pushing the tempo in-and-out of traditional and contemporary templates.
The jagged fusion might be confusing to some ears but like the library records emerging from Italy, France and the UK in the same era, it's remarkably funky. It wouldn't be completely unexpected if you heard any of these riffs or broken rhythms on some Madlib tape or other - diggers take note.
Boomkat Product Review:
Takeshi Terauchi was one of Japan's first guitar heroes and "Eleki Bushi" is an ideal primer, collecting the best moments from his most enduring period, when he crossed US and UK garage rock with traditional Japanese folk.
Rock 'n roll was unfathomably popular in Japan in the aftermath of World War II, to the point where it inspired a generation of teenagers to develop a sound that became known as "eleki". Using electric guitars to emulate surf rock and working without vocals, bands like The Vultures caused a rush of excitement around this new sound, and young guitarist Terauchi would become one of the country's first axe wielding superstars. In 1962 he founded Takeshi Terauchi & Blue Jeans and achieved massive popularity, but between 1966 and 1974 he concentrated his efforts on a fusion of surf rock and Japanese folk that still sounds completely novel.
Terauchi's mother had been a music teacher and shamisen player, and while Terauchi started playing the guitar when he was just five years old, he took on some of his mother's techniques. Opening track 'Rashoumon' begins with evocative flutes and crashing drums, and when Terauchi's guitar finally enters the picture it takes on the role of the shamisen before speeding into a Doors-inspired organ duet and Shadows-esque instrumental buzz. 'Tsugaru Jongara Bushi' is harder to place but no less bizarre; here Terauchi plays his guitar against a wiry monosynth lead, pushing the tempo in-and-out of traditional and contemporary templates.
The jagged fusion might be confusing to some ears but like the library records emerging from Italy, France and the UK in the same era, it's remarkably funky. It wouldn't be completely unexpected if you heard any of these riffs or broken rhythms on some Madlib tape or other - diggers take note.
Gatefold 180g heavy vinyl LP, reverse board print. Comes with extensive liner notes.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Takeshi Terauchi was one of Japan's first guitar heroes and "Eleki Bushi" is an ideal primer, collecting the best moments from his most enduring period, when he crossed US and UK garage rock with traditional Japanese folk.
Rock 'n roll was unfathomably popular in Japan in the aftermath of World War II, to the point where it inspired a generation of teenagers to develop a sound that became known as "eleki". Using electric guitars to emulate surf rock and working without vocals, bands like The Vultures caused a rush of excitement around this new sound, and young guitarist Terauchi would become one of the country's first axe wielding superstars. In 1962 he founded Takeshi Terauchi & Blue Jeans and achieved massive popularity, but between 1966 and 1974 he concentrated his efforts on a fusion of surf rock and Japanese folk that still sounds completely novel.
Terauchi's mother had been a music teacher and shamisen player, and while Terauchi started playing the guitar when he was just five years old, he took on some of his mother's techniques. Opening track 'Rashoumon' begins with evocative flutes and crashing drums, and when Terauchi's guitar finally enters the picture it takes on the role of the shamisen before speeding into a Doors-inspired organ duet and Shadows-esque instrumental buzz. 'Tsugaru Jongara Bushi' is harder to place but no less bizarre; here Terauchi plays his guitar against a wiry monosynth lead, pushing the tempo in-and-out of traditional and contemporary templates.
The jagged fusion might be confusing to some ears but like the library records emerging from Italy, France and the UK in the same era, it's remarkably funky. It wouldn't be completely unexpected if you heard any of these riffs or broken rhythms on some Madlib tape or other - diggers take note.
More from 180g:
-
Various Artists WaJazz: Japanese Jazz Spectacle Vol.II - Deep, Heavy and Beautiful Jazz from Japan 1962-1985 - The King Records Masters 180g Jazz / Fusion- 2LP (Black Vinyl)
-
FREE MP3 WITH VINYLMinoru Fushimi Thanatos Of Funk 180g Disco / Boogie / Funk
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLVarious Artists WaJazz: Japanese Jazz Spectacle Vol.I - Deep, Heavy and Beautiful Jazz from Japan 1968-1984 - The Nippon Columbia masters 180g Jazz / Fusion
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)
-
FREE MP3 WITH VINYLKiyoshi Yamaya Wamono Groove: Shakuhachi & Koto Jazz Funk '76 180g Disco / Boogie / Funk
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Hoodoo Fushimi Kenka Oyaji 180g Disco / Boogie / Funk
- MP3
- FLAC
- WAV
People who bought this also bought:
-
KARATE Time Expired Numero Group Indie / Alternative
- MP3
- FLAC
- WAV
- 5LP BOX SET
-
Various Artists Bound For Hell: On The Sunset Strip Numero Group Indie / Alternative
- MP3
- FLAC
- WAV
- CD
-
ARCTIC MONKEYS The Car Domino Recording Co Indie / Alternative
- MP3
- FLAC
- WAV
-
Mdou Moctar Niger EP Vol. 2 Matador Indie / Alternative
- MP3
- FLAC
- WAV
- Colour 12"
-
Unknown Mortal Orchestra V Jagjaguwar Indie / Alternative
- MP3
- FLAC
- WAV
- Colour 2LP
- 2LP (Black Vinyl)
- CD
- Cassette
-
NAGISA NI TE The Same As A Flower Jagjaguwar Folk / Roots
- MP3
- FLAC
- WAV
-
MANUEL GOTTSCHING Inventions For Electric Guitar MG.ART / MG ART Electronic
- MP3
- FLAC
- WAV
-
TOSCA Osam !K7 Records Electronic
- MP3
- FLAC
- WAV
-
Ebo Taylor Life Stories Strut World
- MP3
- FLAC
- WAV
-
Never Normal Soundsystem, Anti-Mass Collective GUKUBA Never Normal Records Electronic
- MP3
- FLAC
- WAV