Electro Rapide
JEAN-CLAUDE VANNIER
Electro Rapide
Boomkat Product Review:
**Finders Keepers mark their 50th release with a return to the vaults of Serge Gainsbourg accomplice, Jean-Claude Vannier, whose imaginary soundtrack 'L'Enfant Assassin Des Mouches' was the label's first release back in 2005** "'Electro Rapide' is a collection of rare and unreleased archive material from the studio archives of legendary French orchestral pop composer Jean-Claude Vannier. Taken from the period before and during his revered creative relationship with Serge Gainsbourg (reaching their halcyon with 1971's 'Histoire De melody Nelson') these tracks reveal a rare glimpse of Vannier's self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of France's most in demand arrangers and composers of the post Mai-68 generation. Alongside a handful of his contemporaries and collaborators such as Michel Colombier, Serge Gainsbourg, François de Roubaix, Brigitte Fontaine, Claude Nougaro and Gerard Manset, composer and orchestral arranger Jean-Claude Vannier is globally recognised as one of the key exponents of the Gallic pop cognoscenti to make the significant change from 60s yé-yé to the brooding conceptual pop which defined the following decade. His own masterworks, 'Histoire De Melody Nelson' and 'L'Enfant Assassin Des Mouches' (both of which benefitted from the poetic prose of Serge Gainsbourg), are two such productions that continue to inspire and challenge popular music as long as five decades since they were first released to moderate audiences in the early 1970s. 'Electro Rapide' is a collection of similarly underexposed instrumental works that combine a mixture of Jean-Claude Vannier's familiar trademark motifs and stylings from his coveted work for idiosyncratic French pop vocalists (such as Fontaine, Nougaro, Leonie and Anna St. Clair) with the seldom heard experimental music for ballets, fashion shows as well as his infamous film music (such as the soundtracks for 'Cannabis' and 'La Horse')."
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Boomkat Product Review:
**Finders Keepers mark their 50th release with a return to the vaults of Serge Gainsbourg accomplice, Jean-Claude Vannier, whose imaginary soundtrack 'L'Enfant Assassin Des Mouches' was the label's first release back in 2005** "'Electro Rapide' is a collection of rare and unreleased archive material from the studio archives of legendary French orchestral pop composer Jean-Claude Vannier. Taken from the period before and during his revered creative relationship with Serge Gainsbourg (reaching their halcyon with 1971's 'Histoire De melody Nelson') these tracks reveal a rare glimpse of Vannier's self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of France's most in demand arrangers and composers of the post Mai-68 generation. Alongside a handful of his contemporaries and collaborators such as Michel Colombier, Serge Gainsbourg, François de Roubaix, Brigitte Fontaine, Claude Nougaro and Gerard Manset, composer and orchestral arranger Jean-Claude Vannier is globally recognised as one of the key exponents of the Gallic pop cognoscenti to make the significant change from 60s yé-yé to the brooding conceptual pop which defined the following decade. His own masterworks, 'Histoire De Melody Nelson' and 'L'Enfant Assassin Des Mouches' (both of which benefitted from the poetic prose of Serge Gainsbourg), are two such productions that continue to inspire and challenge popular music as long as five decades since they were first released to moderate audiences in the early 1970s. 'Electro Rapide' is a collection of similarly underexposed instrumental works that combine a mixture of Jean-Claude Vannier's familiar trademark motifs and stylings from his coveted work for idiosyncratic French pop vocalists (such as Fontaine, Nougaro, Leonie and Anna St. Clair) with the seldom heard experimental music for ballets, fashion shows as well as his infamous film music (such as the soundtracks for 'Cannabis' and 'La Horse')."
Boomkat Product Review:
**Finders Keepers mark their 50th release with a return to the vaults of Serge Gainsbourg accomplice, Jean-Claude Vannier, whose imaginary soundtrack 'L'Enfant Assassin Des Mouches' was the label's first release back in 2005** "'Electro Rapide' is a collection of rare and unreleased archive material from the studio archives of legendary French orchestral pop composer Jean-Claude Vannier. Taken from the period before and during his revered creative relationship with Serge Gainsbourg (reaching their halcyon with 1971's 'Histoire De melody Nelson') these tracks reveal a rare glimpse of Vannier's self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of France's most in demand arrangers and composers of the post Mai-68 generation. Alongside a handful of his contemporaries and collaborators such as Michel Colombier, Serge Gainsbourg, François de Roubaix, Brigitte Fontaine, Claude Nougaro and Gerard Manset, composer and orchestral arranger Jean-Claude Vannier is globally recognised as one of the key exponents of the Gallic pop cognoscenti to make the significant change from 60s yé-yé to the brooding conceptual pop which defined the following decade. His own masterworks, 'Histoire De Melody Nelson' and 'L'Enfant Assassin Des Mouches' (both of which benefitted from the poetic prose of Serge Gainsbourg), are two such productions that continue to inspire and challenge popular music as long as five decades since they were first released to moderate audiences in the early 1970s. 'Electro Rapide' is a collection of similarly underexposed instrumental works that combine a mixture of Jean-Claude Vannier's familiar trademark motifs and stylings from his coveted work for idiosyncratic French pop vocalists (such as Fontaine, Nougaro, Leonie and Anna St. Clair) with the seldom heard experimental music for ballets, fashion shows as well as his infamous film music (such as the soundtracks for 'Cannabis' and 'La Horse')."
Boomkat Product Review:
**Finders Keepers mark their 50th release with a return to the vaults of Serge Gainsbourg accomplice, Jean-Claude Vannier, whose imaginary soundtrack 'L'Enfant Assassin Des Mouches' was the label's first release back in 2005** "'Electro Rapide' is a collection of rare and unreleased archive material from the studio archives of legendary French orchestral pop composer Jean-Claude Vannier. Taken from the period before and during his revered creative relationship with Serge Gainsbourg (reaching their halcyon with 1971's 'Histoire De melody Nelson') these tracks reveal a rare glimpse of Vannier's self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of France's most in demand arrangers and composers of the post Mai-68 generation. Alongside a handful of his contemporaries and collaborators such as Michel Colombier, Serge Gainsbourg, François de Roubaix, Brigitte Fontaine, Claude Nougaro and Gerard Manset, composer and orchestral arranger Jean-Claude Vannier is globally recognised as one of the key exponents of the Gallic pop cognoscenti to make the significant change from 60s yé-yé to the brooding conceptual pop which defined the following decade. His own masterworks, 'Histoire De Melody Nelson' and 'L'Enfant Assassin Des Mouches' (both of which benefitted from the poetic prose of Serge Gainsbourg), are two such productions that continue to inspire and challenge popular music as long as five decades since they were first released to moderate audiences in the early 1970s. 'Electro Rapide' is a collection of similarly underexposed instrumental works that combine a mixture of Jean-Claude Vannier's familiar trademark motifs and stylings from his coveted work for idiosyncratic French pop vocalists (such as Fontaine, Nougaro, Leonie and Anna St. Clair) with the seldom heard experimental music for ballets, fashion shows as well as his infamous film music (such as the soundtracks for 'Cannabis' and 'La Horse')."
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
**Finders Keepers mark their 50th release with a return to the vaults of Serge Gainsbourg accomplice, Jean-Claude Vannier, whose imaginary soundtrack 'L'Enfant Assassin Des Mouches' was the label's first release back in 2005** "'Electro Rapide' is a collection of rare and unreleased archive material from the studio archives of legendary French orchestral pop composer Jean-Claude Vannier. Taken from the period before and during his revered creative relationship with Serge Gainsbourg (reaching their halcyon with 1971's 'Histoire De melody Nelson') these tracks reveal a rare glimpse of Vannier's self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of France's most in demand arrangers and composers of the post Mai-68 generation. Alongside a handful of his contemporaries and collaborators such as Michel Colombier, Serge Gainsbourg, François de Roubaix, Brigitte Fontaine, Claude Nougaro and Gerard Manset, composer and orchestral arranger Jean-Claude Vannier is globally recognised as one of the key exponents of the Gallic pop cognoscenti to make the significant change from 60s yé-yé to the brooding conceptual pop which defined the following decade. His own masterworks, 'Histoire De Melody Nelson' and 'L'Enfant Assassin Des Mouches' (both of which benefitted from the poetic prose of Serge Gainsbourg), are two such productions that continue to inspire and challenge popular music as long as five decades since they were first released to moderate audiences in the early 1970s. 'Electro Rapide' is a collection of similarly underexposed instrumental works that combine a mixture of Jean-Claude Vannier's familiar trademark motifs and stylings from his coveted work for idiosyncratic French pop vocalists (such as Fontaine, Nougaro, Leonie and Anna St. Clair) with the seldom heard experimental music for ballets, fashion shows as well as his infamous film music (such as the soundtracks for 'Cannabis' and 'La Horse')."
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
**Finders Keepers mark their 50th release with a return to the vaults of Serge Gainsbourg accomplice, Jean-Claude Vannier, whose imaginary soundtrack 'L'Enfant Assassin Des Mouches' was the label's first release back in 2005** "'Electro Rapide' is a collection of rare and unreleased archive material from the studio archives of legendary French orchestral pop composer Jean-Claude Vannier. Taken from the period before and during his revered creative relationship with Serge Gainsbourg (reaching their halcyon with 1971's 'Histoire De melody Nelson') these tracks reveal a rare glimpse of Vannier's self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of France's most in demand arrangers and composers of the post Mai-68 generation. Alongside a handful of his contemporaries and collaborators such as Michel Colombier, Serge Gainsbourg, François de Roubaix, Brigitte Fontaine, Claude Nougaro and Gerard Manset, composer and orchestral arranger Jean-Claude Vannier is globally recognised as one of the key exponents of the Gallic pop cognoscenti to make the significant change from 60s yé-yé to the brooding conceptual pop which defined the following decade. His own masterworks, 'Histoire De Melody Nelson' and 'L'Enfant Assassin Des Mouches' (both of which benefitted from the poetic prose of Serge Gainsbourg), are two such productions that continue to inspire and challenge popular music as long as five decades since they were first released to moderate audiences in the early 1970s. 'Electro Rapide' is a collection of similarly underexposed instrumental works that combine a mixture of Jean-Claude Vannier's familiar trademark motifs and stylings from his coveted work for idiosyncratic French pop vocalists (such as Fontaine, Nougaro, Leonie and Anna St. Clair) with the seldom heard experimental music for ballets, fashion shows as well as his infamous film music (such as the soundtracks for 'Cannabis' and 'La Horse')."
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