Los Yndeseables
El Perfecto Ruido
Boomkat Product Review:
Spannered DIY post-punk from Lima? Must be another Buh rediscovery. Made using a battery-powered keyboard and acoustic guitars, it's some of the most piercing music we've heard in a while.
Active for only a year between 1984 and 1985, Los Yndeseables was put together by Guillermo Valdivia, a drummer who's best known for founding the more well-known hardcore band Leusemia. Together with Zcuela Cerrada bassist Mario Chirinos, Valdivia set himself up at home to record a demo he titled "El Perfect Ruido" (the perfect noise), using household objects as percussion alongside detuned guitars and a trashy keyboard. As you might imagine it sounds as raw as post-punk can get before it disintegrates into something else - Valdivia and Chirinos's instrumentation is so bizarre that it's constantly fascinating. Sometimes their playing falls into a kind of placeable rhythm, but often it sounds so angular that it practically re-invents the genre completely. Their best-known song is the opening track 'Escapa del control', that was eventually re-recorded and electrified for a later compilation release. Here it sounds snarlingly effective in demo form, with twanging, dissonant strums twisting into staccato bass notes and Valdivia's snotty vocals.
'Depresión' is even more unhinged, sounding as if it might fall to pieces at any moment while Valdivia travels up and down the guitar neck, searching out the most penetrating sounds he can generate. If you squint a little, you can hear exactly how this music doesn't just harmonize with New York's parallel downtown movement, but kinda advances its attitude. Using broken gear but harnessing its limitations rather than dwelling on the what ifs, Los Yndeseables come up with a sound that can't even be copied it sits that far from established logic. Just clap yr ears round the completely battered 'Asquerosa Corrupción' and tell us it's not on some other shit. Recommended.
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Boomkat Product Review:
Spannered DIY post-punk from Lima? Must be another Buh rediscovery. Made using a battery-powered keyboard and acoustic guitars, it's some of the most piercing music we've heard in a while.
Active for only a year between 1984 and 1985, Los Yndeseables was put together by Guillermo Valdivia, a drummer who's best known for founding the more well-known hardcore band Leusemia. Together with Zcuela Cerrada bassist Mario Chirinos, Valdivia set himself up at home to record a demo he titled "El Perfect Ruido" (the perfect noise), using household objects as percussion alongside detuned guitars and a trashy keyboard. As you might imagine it sounds as raw as post-punk can get before it disintegrates into something else - Valdivia and Chirinos's instrumentation is so bizarre that it's constantly fascinating. Sometimes their playing falls into a kind of placeable rhythm, but often it sounds so angular that it practically re-invents the genre completely. Their best-known song is the opening track 'Escapa del control', that was eventually re-recorded and electrified for a later compilation release. Here it sounds snarlingly effective in demo form, with twanging, dissonant strums twisting into staccato bass notes and Valdivia's snotty vocals.
'Depresión' is even more unhinged, sounding as if it might fall to pieces at any moment while Valdivia travels up and down the guitar neck, searching out the most penetrating sounds he can generate. If you squint a little, you can hear exactly how this music doesn't just harmonize with New York's parallel downtown movement, but kinda advances its attitude. Using broken gear but harnessing its limitations rather than dwelling on the what ifs, Los Yndeseables come up with a sound that can't even be copied it sits that far from established logic. Just clap yr ears round the completely battered 'Asquerosa Corrupción' and tell us it's not on some other shit. Recommended.
Boomkat Product Review:
Spannered DIY post-punk from Lima? Must be another Buh rediscovery. Made using a battery-powered keyboard and acoustic guitars, it's some of the most piercing music we've heard in a while.
Active for only a year between 1984 and 1985, Los Yndeseables was put together by Guillermo Valdivia, a drummer who's best known for founding the more well-known hardcore band Leusemia. Together with Zcuela Cerrada bassist Mario Chirinos, Valdivia set himself up at home to record a demo he titled "El Perfect Ruido" (the perfect noise), using household objects as percussion alongside detuned guitars and a trashy keyboard. As you might imagine it sounds as raw as post-punk can get before it disintegrates into something else - Valdivia and Chirinos's instrumentation is so bizarre that it's constantly fascinating. Sometimes their playing falls into a kind of placeable rhythm, but often it sounds so angular that it practically re-invents the genre completely. Their best-known song is the opening track 'Escapa del control', that was eventually re-recorded and electrified for a later compilation release. Here it sounds snarlingly effective in demo form, with twanging, dissonant strums twisting into staccato bass notes and Valdivia's snotty vocals.
'Depresión' is even more unhinged, sounding as if it might fall to pieces at any moment while Valdivia travels up and down the guitar neck, searching out the most penetrating sounds he can generate. If you squint a little, you can hear exactly how this music doesn't just harmonize with New York's parallel downtown movement, but kinda advances its attitude. Using broken gear but harnessing its limitations rather than dwelling on the what ifs, Los Yndeseables come up with a sound that can't even be copied it sits that far from established logic. Just clap yr ears round the completely battered 'Asquerosa Corrupción' and tell us it's not on some other shit. Recommended.
Boomkat Product Review:
Spannered DIY post-punk from Lima? Must be another Buh rediscovery. Made using a battery-powered keyboard and acoustic guitars, it's some of the most piercing music we've heard in a while.
Active for only a year between 1984 and 1985, Los Yndeseables was put together by Guillermo Valdivia, a drummer who's best known for founding the more well-known hardcore band Leusemia. Together with Zcuela Cerrada bassist Mario Chirinos, Valdivia set himself up at home to record a demo he titled "El Perfect Ruido" (the perfect noise), using household objects as percussion alongside detuned guitars and a trashy keyboard. As you might imagine it sounds as raw as post-punk can get before it disintegrates into something else - Valdivia and Chirinos's instrumentation is so bizarre that it's constantly fascinating. Sometimes their playing falls into a kind of placeable rhythm, but often it sounds so angular that it practically re-invents the genre completely. Their best-known song is the opening track 'Escapa del control', that was eventually re-recorded and electrified for a later compilation release. Here it sounds snarlingly effective in demo form, with twanging, dissonant strums twisting into staccato bass notes and Valdivia's snotty vocals.
'Depresión' is even more unhinged, sounding as if it might fall to pieces at any moment while Valdivia travels up and down the guitar neck, searching out the most penetrating sounds he can generate. If you squint a little, you can hear exactly how this music doesn't just harmonize with New York's parallel downtown movement, but kinda advances its attitude. Using broken gear but harnessing its limitations rather than dwelling on the what ifs, Los Yndeseables come up with a sound that can't even be copied it sits that far from established logic. Just clap yr ears round the completely battered 'Asquerosa Corrupción' and tell us it's not on some other shit. Recommended.
LP with 7" including the demo El Perfecto Ruido plus two other tracks.
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Boomkat Product Review:
Spannered DIY post-punk from Lima? Must be another Buh rediscovery. Made using a battery-powered keyboard and acoustic guitars, it's some of the most piercing music we've heard in a while.
Active for only a year between 1984 and 1985, Los Yndeseables was put together by Guillermo Valdivia, a drummer who's best known for founding the more well-known hardcore band Leusemia. Together with Zcuela Cerrada bassist Mario Chirinos, Valdivia set himself up at home to record a demo he titled "El Perfect Ruido" (the perfect noise), using household objects as percussion alongside detuned guitars and a trashy keyboard. As you might imagine it sounds as raw as post-punk can get before it disintegrates into something else - Valdivia and Chirinos's instrumentation is so bizarre that it's constantly fascinating. Sometimes their playing falls into a kind of placeable rhythm, but often it sounds so angular that it practically re-invents the genre completely. Their best-known song is the opening track 'Escapa del control', that was eventually re-recorded and electrified for a later compilation release. Here it sounds snarlingly effective in demo form, with twanging, dissonant strums twisting into staccato bass notes and Valdivia's snotty vocals.
'Depresión' is even more unhinged, sounding as if it might fall to pieces at any moment while Valdivia travels up and down the guitar neck, searching out the most penetrating sounds he can generate. If you squint a little, you can hear exactly how this music doesn't just harmonize with New York's parallel downtown movement, but kinda advances its attitude. Using broken gear but harnessing its limitations rather than dwelling on the what ifs, Los Yndeseables come up with a sound that can't even be copied it sits that far from established logic. Just clap yr ears round the completely battered 'Asquerosa Corrupción' and tell us it's not on some other shit. Recommended.
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