LA’s Patrick Brian shows sharp anglophilic chops on his tight drill/grime mutations for Sneaker Social Club
Sounding for all intents and purposes like he was bred in South London, the six tracks on Brian’s ‘Early Hours’ EP work classic templates of tungsten-tipped drill and Triton-sculpted grime that have received radio play on Rinse FM with DJ Oblig.
More than half a decade since his debut run with Plastician’s Terrorrhythm, Brian keep it up-to-the-second with the glyding bass and hackled drill drums of ‘Flooring It’ and the sinister creep of ‘Nothing No1’, with a sense of lurking South London drama a la Nammy Wams productions in ‘Big Trouble’. On the other hand he works a tight style of classic grime with the cubist construction of ‘Cry-Baby’, string stabs slung from the hip in ‘Giant’, and the Wizzbit-like ‘Ill Wishes’.
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LA’s Patrick Brian shows sharp anglophilic chops on his tight drill/grime mutations for Sneaker Social Club
Sounding for all intents and purposes like he was bred in South London, the six tracks on Brian’s ‘Early Hours’ EP work classic templates of tungsten-tipped drill and Triton-sculpted grime that have received radio play on Rinse FM with DJ Oblig.
More than half a decade since his debut run with Plastician’s Terrorrhythm, Brian keep it up-to-the-second with the glyding bass and hackled drill drums of ‘Flooring It’ and the sinister creep of ‘Nothing No1’, with a sense of lurking South London drama a la Nammy Wams productions in ‘Big Trouble’. On the other hand he works a tight style of classic grime with the cubist construction of ‘Cry-Baby’, string stabs slung from the hip in ‘Giant’, and the Wizzbit-like ‘Ill Wishes’.
LA’s Patrick Brian shows sharp anglophilic chops on his tight drill/grime mutations for Sneaker Social Club
Sounding for all intents and purposes like he was bred in South London, the six tracks on Brian’s ‘Early Hours’ EP work classic templates of tungsten-tipped drill and Triton-sculpted grime that have received radio play on Rinse FM with DJ Oblig.
More than half a decade since his debut run with Plastician’s Terrorrhythm, Brian keep it up-to-the-second with the glyding bass and hackled drill drums of ‘Flooring It’ and the sinister creep of ‘Nothing No1’, with a sense of lurking South London drama a la Nammy Wams productions in ‘Big Trouble’. On the other hand he works a tight style of classic grime with the cubist construction of ‘Cry-Baby’, string stabs slung from the hip in ‘Giant’, and the Wizzbit-like ‘Ill Wishes’.
LA’s Patrick Brian shows sharp anglophilic chops on his tight drill/grime mutations for Sneaker Social Club
Sounding for all intents and purposes like he was bred in South London, the six tracks on Brian’s ‘Early Hours’ EP work classic templates of tungsten-tipped drill and Triton-sculpted grime that have received radio play on Rinse FM with DJ Oblig.
More than half a decade since his debut run with Plastician’s Terrorrhythm, Brian keep it up-to-the-second with the glyding bass and hackled drill drums of ‘Flooring It’ and the sinister creep of ‘Nothing No1’, with a sense of lurking South London drama a la Nammy Wams productions in ‘Big Trouble’. On the other hand he works a tight style of classic grime with the cubist construction of ‘Cry-Baby’, string stabs slung from the hip in ‘Giant’, and the Wizzbit-like ‘Ill Wishes’.