Feeding strings through an array of modular synthesisers, Ben Chatwin remoulds his recent ‘Staccato Signals’ album into new microscopic electronic textures. ‘Drone Signals’, a companion piece to the original album.
"With all of the ‘Staccato’ material on hand, the task became dismantling the tracks - stripping them apart to see what was left, letting certain sounds or instruments become the focus and then rebuilding the arrangements around them. This allowed elements to breathe yet also to become more static. The less chaotic and more ambient nature of these pieces suggested a related album of versions, a conceptual sibling.
‘Drone Signals’ might best be understood as the aftermath of ‘Staccato Signals’, retaining much that made the latter such a rewarding album - its mournful beauty, the tense,ambiguous relationship between electronic and acoustic elements and a delicate if not volatile balance between elegance and intensity. ‘Drone Signals’ will no doubt appeal to fans of the experimental world-building of recording artists and soundtrack composers such as Ben Frost, Hildur Guðnadóttir, Max Richter, Johann Johannsson and Ryuichi Sakamoto."
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Feeding strings through an array of modular synthesisers, Ben Chatwin remoulds his recent ‘Staccato Signals’ album into new microscopic electronic textures. ‘Drone Signals’, a companion piece to the original album.
"With all of the ‘Staccato’ material on hand, the task became dismantling the tracks - stripping them apart to see what was left, letting certain sounds or instruments become the focus and then rebuilding the arrangements around them. This allowed elements to breathe yet also to become more static. The less chaotic and more ambient nature of these pieces suggested a related album of versions, a conceptual sibling.
‘Drone Signals’ might best be understood as the aftermath of ‘Staccato Signals’, retaining much that made the latter such a rewarding album - its mournful beauty, the tense,ambiguous relationship between electronic and acoustic elements and a delicate if not volatile balance between elegance and intensity. ‘Drone Signals’ will no doubt appeal to fans of the experimental world-building of recording artists and soundtrack composers such as Ben Frost, Hildur Guðnadóttir, Max Richter, Johann Johannsson and Ryuichi Sakamoto."
Feeding strings through an array of modular synthesisers, Ben Chatwin remoulds his recent ‘Staccato Signals’ album into new microscopic electronic textures. ‘Drone Signals’, a companion piece to the original album.
"With all of the ‘Staccato’ material on hand, the task became dismantling the tracks - stripping them apart to see what was left, letting certain sounds or instruments become the focus and then rebuilding the arrangements around them. This allowed elements to breathe yet also to become more static. The less chaotic and more ambient nature of these pieces suggested a related album of versions, a conceptual sibling.
‘Drone Signals’ might best be understood as the aftermath of ‘Staccato Signals’, retaining much that made the latter such a rewarding album - its mournful beauty, the tense,ambiguous relationship between electronic and acoustic elements and a delicate if not volatile balance between elegance and intensity. ‘Drone Signals’ will no doubt appeal to fans of the experimental world-building of recording artists and soundtrack composers such as Ben Frost, Hildur Guðnadóttir, Max Richter, Johann Johannsson and Ryuichi Sakamoto."
Feeding strings through an array of modular synthesisers, Ben Chatwin remoulds his recent ‘Staccato Signals’ album into new microscopic electronic textures. ‘Drone Signals’, a companion piece to the original album.
"With all of the ‘Staccato’ material on hand, the task became dismantling the tracks - stripping them apart to see what was left, letting certain sounds or instruments become the focus and then rebuilding the arrangements around them. This allowed elements to breathe yet also to become more static. The less chaotic and more ambient nature of these pieces suggested a related album of versions, a conceptual sibling.
‘Drone Signals’ might best be understood as the aftermath of ‘Staccato Signals’, retaining much that made the latter such a rewarding album - its mournful beauty, the tense,ambiguous relationship between electronic and acoustic elements and a delicate if not volatile balance between elegance and intensity. ‘Drone Signals’ will no doubt appeal to fans of the experimental world-building of recording artists and soundtrack composers such as Ben Frost, Hildur Guðnadóttir, Max Richter, Johann Johannsson and Ryuichi Sakamoto."
180G heavyweight vinyl comes packaged with beautiful black and white printed inner sleeve on durable paper card
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Feeding strings through an array of modular synthesisers, Ben Chatwin remoulds his recent ‘Staccato Signals’ album into new microscopic electronic textures. ‘Drone Signals’, a companion piece to the original album.
"With all of the ‘Staccato’ material on hand, the task became dismantling the tracks - stripping them apart to see what was left, letting certain sounds or instruments become the focus and then rebuilding the arrangements around them. This allowed elements to breathe yet also to become more static. The less chaotic and more ambient nature of these pieces suggested a related album of versions, a conceptual sibling.
‘Drone Signals’ might best be understood as the aftermath of ‘Staccato Signals’, retaining much that made the latter such a rewarding album - its mournful beauty, the tense,ambiguous relationship between electronic and acoustic elements and a delicate if not volatile balance between elegance and intensity. ‘Drone Signals’ will no doubt appeal to fans of the experimental world-building of recording artists and soundtrack composers such as Ben Frost, Hildur Guðnadóttir, Max Richter, Johann Johannsson and Ryuichi Sakamoto."
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Feeding strings through an array of modular synthesisers, Ben Chatwin remoulds his recent ‘Staccato Signals’ album into new microscopic electronic textures. ‘Drone Signals’, a companion piece to the original album.
"With all of the ‘Staccato’ material on hand, the task became dismantling the tracks - stripping them apart to see what was left, letting certain sounds or instruments become the focus and then rebuilding the arrangements around them. This allowed elements to breathe yet also to become more static. The less chaotic and more ambient nature of these pieces suggested a related album of versions, a conceptual sibling.
‘Drone Signals’ might best be understood as the aftermath of ‘Staccato Signals’, retaining much that made the latter such a rewarding album - its mournful beauty, the tense,ambiguous relationship between electronic and acoustic elements and a delicate if not volatile balance between elegance and intensity. ‘Drone Signals’ will no doubt appeal to fans of the experimental world-building of recording artists and soundtrack composers such as Ben Frost, Hildur Guðnadóttir, Max Richter, Johann Johannsson and Ryuichi Sakamoto."