Texan Quiet Time vet Gi Gi returns to the label with a dubby set of kosmische trip-hop, offsetting his psychedelic synths with fittingly faded rolling rhythms. RIYL DJ Python, Kelman Duran, Exael, Mister Water Wet.
On his last Quiet Time album, Gi Gi repurposed samples of Prince, Vangelis, Erykah Badu and Miles Davis, dissolving them into euphoric ambience. 'Dreamliner' takes a different approach; ambient textures still flicker around the edges, but there's a rhythmic drive hat sets it apart from its predecessor. The beat on opening track 'Wicker' shuffles around an uneven kick and barely perceptible castanet clacks, with vertiginous synths and psychedelic vocal dissociations that hint at, but don't fully reveal, what's to come. The title track gives us a few more clues as its rhythm solidifies into a slippery, jazzy patter that starts to ink the outline of trip-hop, while Gi Gi forms his breathy psychedelia into Göttsching-like repeating phrases that lock into the groove immaculately.
It's essentially dance music (of a sort, at least), but Gi Gi never sacrifices the mood for the pulse, keeping it bubbling rather than boiling over. It's ambient music with beats - the kind of mind-altering back room gear that used to be a crucial component of any long night out. 'Plume' is particularly alluring, with its dream pop textures and ASMR voices, and on 'Thistle (Thrown)', Gi Gi distills the essence of dub techno without replicating the aesthetics, swirling white noise around a spacious kick and ghostly, echoing chorals.
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Texan Quiet Time vet Gi Gi returns to the label with a dubby set of kosmische trip-hop, offsetting his psychedelic synths with fittingly faded rolling rhythms. RIYL DJ Python, Kelman Duran, Exael, Mister Water Wet.
On his last Quiet Time album, Gi Gi repurposed samples of Prince, Vangelis, Erykah Badu and Miles Davis, dissolving them into euphoric ambience. 'Dreamliner' takes a different approach; ambient textures still flicker around the edges, but there's a rhythmic drive hat sets it apart from its predecessor. The beat on opening track 'Wicker' shuffles around an uneven kick and barely perceptible castanet clacks, with vertiginous synths and psychedelic vocal dissociations that hint at, but don't fully reveal, what's to come. The title track gives us a few more clues as its rhythm solidifies into a slippery, jazzy patter that starts to ink the outline of trip-hop, while Gi Gi forms his breathy psychedelia into Göttsching-like repeating phrases that lock into the groove immaculately.
It's essentially dance music (of a sort, at least), but Gi Gi never sacrifices the mood for the pulse, keeping it bubbling rather than boiling over. It's ambient music with beats - the kind of mind-altering back room gear that used to be a crucial component of any long night out. 'Plume' is particularly alluring, with its dream pop textures and ASMR voices, and on 'Thistle (Thrown)', Gi Gi distills the essence of dub techno without replicating the aesthetics, swirling white noise around a spacious kick and ghostly, echoing chorals.
Texan Quiet Time vet Gi Gi returns to the label with a dubby set of kosmische trip-hop, offsetting his psychedelic synths with fittingly faded rolling rhythms. RIYL DJ Python, Kelman Duran, Exael, Mister Water Wet.
On his last Quiet Time album, Gi Gi repurposed samples of Prince, Vangelis, Erykah Badu and Miles Davis, dissolving them into euphoric ambience. 'Dreamliner' takes a different approach; ambient textures still flicker around the edges, but there's a rhythmic drive hat sets it apart from its predecessor. The beat on opening track 'Wicker' shuffles around an uneven kick and barely perceptible castanet clacks, with vertiginous synths and psychedelic vocal dissociations that hint at, but don't fully reveal, what's to come. The title track gives us a few more clues as its rhythm solidifies into a slippery, jazzy patter that starts to ink the outline of trip-hop, while Gi Gi forms his breathy psychedelia into Göttsching-like repeating phrases that lock into the groove immaculately.
It's essentially dance music (of a sort, at least), but Gi Gi never sacrifices the mood for the pulse, keeping it bubbling rather than boiling over. It's ambient music with beats - the kind of mind-altering back room gear that used to be a crucial component of any long night out. 'Plume' is particularly alluring, with its dream pop textures and ASMR voices, and on 'Thistle (Thrown)', Gi Gi distills the essence of dub techno without replicating the aesthetics, swirling white noise around a spacious kick and ghostly, echoing chorals.
Texan Quiet Time vet Gi Gi returns to the label with a dubby set of kosmische trip-hop, offsetting his psychedelic synths with fittingly faded rolling rhythms. RIYL DJ Python, Kelman Duran, Exael, Mister Water Wet.
On his last Quiet Time album, Gi Gi repurposed samples of Prince, Vangelis, Erykah Badu and Miles Davis, dissolving them into euphoric ambience. 'Dreamliner' takes a different approach; ambient textures still flicker around the edges, but there's a rhythmic drive hat sets it apart from its predecessor. The beat on opening track 'Wicker' shuffles around an uneven kick and barely perceptible castanet clacks, with vertiginous synths and psychedelic vocal dissociations that hint at, but don't fully reveal, what's to come. The title track gives us a few more clues as its rhythm solidifies into a slippery, jazzy patter that starts to ink the outline of trip-hop, while Gi Gi forms his breathy psychedelia into Göttsching-like repeating phrases that lock into the groove immaculately.
It's essentially dance music (of a sort, at least), but Gi Gi never sacrifices the mood for the pulse, keeping it bubbling rather than boiling over. It's ambient music with beats - the kind of mind-altering back room gear that used to be a crucial component of any long night out. 'Plume' is particularly alluring, with its dream pop textures and ASMR voices, and on 'Thistle (Thrown)', Gi Gi distills the essence of dub techno without replicating the aesthetics, swirling white noise around a spacious kick and ghostly, echoing chorals.
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Texan Quiet Time vet Gi Gi returns to the label with a dubby set of kosmische trip-hop, offsetting his psychedelic synths with fittingly faded rolling rhythms. RIYL DJ Python, Kelman Duran, Exael, Mister Water Wet.
On his last Quiet Time album, Gi Gi repurposed samples of Prince, Vangelis, Erykah Badu and Miles Davis, dissolving them into euphoric ambience. 'Dreamliner' takes a different approach; ambient textures still flicker around the edges, but there's a rhythmic drive hat sets it apart from its predecessor. The beat on opening track 'Wicker' shuffles around an uneven kick and barely perceptible castanet clacks, with vertiginous synths and psychedelic vocal dissociations that hint at, but don't fully reveal, what's to come. The title track gives us a few more clues as its rhythm solidifies into a slippery, jazzy patter that starts to ink the outline of trip-hop, while Gi Gi forms his breathy psychedelia into Göttsching-like repeating phrases that lock into the groove immaculately.
It's essentially dance music (of a sort, at least), but Gi Gi never sacrifices the mood for the pulse, keeping it bubbling rather than boiling over. It's ambient music with beats - the kind of mind-altering back room gear that used to be a crucial component of any long night out. 'Plume' is particularly alluring, with its dream pop textures and ASMR voices, and on 'Thistle (Thrown)', Gi Gi distills the essence of dub techno without replicating the aesthetics, swirling white noise around a spacious kick and ghostly, echoing chorals.