The Börft boss serves a sick volley of pumping jack trax and dancefloor bullets tweaked for all oddballs on the axis from early Irdial Discs to Smersh x classic Joyrex.
Jan Svensson has been a standard bearer of underground moves since 1987, and Joachim Nordwall, his onetime label co-pilot and bandmate from the duo Alvars Orkester, now hosts his most unhinged project on iDEAL with ‘Dreaming of Guitars and Banjos’, a snaggy set of machine melters dripping laggy swag and bugged-out psychoactive fumes built for the sweatiest floors.
As DJ Willie Oboe, Svensson keeps it locked to a classic hardware thrust on eight counts, favouring a combo of claggy circuitry yoked to bucking rhythms, made to impact dancing wormholers. With the train-track momentum to ‘Dreaming of Guitars and Banjos’ he hints at techno as rooted in the blues and folk as much as the motorik fuel of Kraftwerk, and explores that brief to supremely gritty effect throughout.
‘Guitar Players Dream’ teases rusty dub techno on a dirty-spurred step like Sam Esh recording for Chain Reaction, and ‘Test Beta Zero’ trades in butterfly Chicago house groove with something like an Alan Vega jack in ‘Monotonous Conversations’, while ‘VD400’ works in a slipstream of Silent Servant’s fizzing lag. ‘Lapop’ is peak time mania, with a martial beat pursued by a swarm of bees, and ‘Enchanted Execution’ herds bodies into nagging synth screwball ‘Paranormal Pop & Popcorn’ co-produced with Nebula, making no concessions to owt.
Big and mad.
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Edition of 50 copies, comes with a download of the album dropped to your account.
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The Börft boss serves a sick volley of pumping jack trax and dancefloor bullets tweaked for all oddballs on the axis from early Irdial Discs to Smersh x classic Joyrex.
Jan Svensson has been a standard bearer of underground moves since 1987, and Joachim Nordwall, his onetime label co-pilot and bandmate from the duo Alvars Orkester, now hosts his most unhinged project on iDEAL with ‘Dreaming of Guitars and Banjos’, a snaggy set of machine melters dripping laggy swag and bugged-out psychoactive fumes built for the sweatiest floors.
As DJ Willie Oboe, Svensson keeps it locked to a classic hardware thrust on eight counts, favouring a combo of claggy circuitry yoked to bucking rhythms, made to impact dancing wormholers. With the train-track momentum to ‘Dreaming of Guitars and Banjos’ he hints at techno as rooted in the blues and folk as much as the motorik fuel of Kraftwerk, and explores that brief to supremely gritty effect throughout.
‘Guitar Players Dream’ teases rusty dub techno on a dirty-spurred step like Sam Esh recording for Chain Reaction, and ‘Test Beta Zero’ trades in butterfly Chicago house groove with something like an Alan Vega jack in ‘Monotonous Conversations’, while ‘VD400’ works in a slipstream of Silent Servant’s fizzing lag. ‘Lapop’ is peak time mania, with a martial beat pursued by a swarm of bees, and ‘Enchanted Execution’ herds bodies into nagging synth screwball ‘Paranormal Pop & Popcorn’ co-produced with Nebula, making no concessions to owt.
Big and mad.