Low-light, jazzy meditations and bleak, ominous textures that melt Feldermelder's ambient-experimental electronic techniques into Sara Oswald's inspired cello playing. Fennesz x David Darling = gut ja.
'Drawn' is serious nighttime music that's pitched as a meditation on time, or an attempt to emulate the memories that occur during a near death experience. Thankfully it's not too bleak - the duo use this starting point to create eerie soundscapes that stretch familiar elements into a haze of Swiss continental grandiosity that's interrupted by crunching noise and occasional rhythmic blasts.
It's almost like late-period Fennesz with cello instead of guitar and rooted in jazz instead of rock - all swirling cigarette smoke and digital bleakness. It ain't ambient, that's for sure; Miasmah, ECM, Touch and Rune Grammafon fans, take note!
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Low-light, jazzy meditations and bleak, ominous textures that melt Feldermelder's ambient-experimental electronic techniques into Sara Oswald's inspired cello playing. Fennesz x David Darling = gut ja.
'Drawn' is serious nighttime music that's pitched as a meditation on time, or an attempt to emulate the memories that occur during a near death experience. Thankfully it's not too bleak - the duo use this starting point to create eerie soundscapes that stretch familiar elements into a haze of Swiss continental grandiosity that's interrupted by crunching noise and occasional rhythmic blasts.
It's almost like late-period Fennesz with cello instead of guitar and rooted in jazz instead of rock - all swirling cigarette smoke and digital bleakness. It ain't ambient, that's for sure; Miasmah, ECM, Touch and Rune Grammafon fans, take note!
Low-light, jazzy meditations and bleak, ominous textures that melt Feldermelder's ambient-experimental electronic techniques into Sara Oswald's inspired cello playing. Fennesz x David Darling = gut ja.
'Drawn' is serious nighttime music that's pitched as a meditation on time, or an attempt to emulate the memories that occur during a near death experience. Thankfully it's not too bleak - the duo use this starting point to create eerie soundscapes that stretch familiar elements into a haze of Swiss continental grandiosity that's interrupted by crunching noise and occasional rhythmic blasts.
It's almost like late-period Fennesz with cello instead of guitar and rooted in jazz instead of rock - all swirling cigarette smoke and digital bleakness. It ain't ambient, that's for sure; Miasmah, ECM, Touch and Rune Grammafon fans, take note!
Low-light, jazzy meditations and bleak, ominous textures that melt Feldermelder's ambient-experimental electronic techniques into Sara Oswald's inspired cello playing. Fennesz x David Darling = gut ja.
'Drawn' is serious nighttime music that's pitched as a meditation on time, or an attempt to emulate the memories that occur during a near death experience. Thankfully it's not too bleak - the duo use this starting point to create eerie soundscapes that stretch familiar elements into a haze of Swiss continental grandiosity that's interrupted by crunching noise and occasional rhythmic blasts.
It's almost like late-period Fennesz with cello instead of guitar and rooted in jazz instead of rock - all swirling cigarette smoke and digital bleakness. It ain't ambient, that's for sure; Miasmah, ECM, Touch and Rune Grammafon fans, take note!