Miami’s Marks pulls back to Coyote Records with a wickedly cold, stripped-down fusion of footwork, drill and grime components. Coming off the back of his Green EP in 2016, this one goes shades darker and ropes in Spokes on a stellar cyberpunk trap remix.
Drain is an icily perfect example of Afro-Cuban drum patterns applied to eerie grime/drill dimensions; South Cold glares with dissonant synths and hard-bitten, reticulated percussion on a tight-belly halfstep[/triplet waltz; Lantern and Dash are like schizzy sides of the same coin - like medieval themes for snow-slinging trap baws.
What those riddims perhaps lack ion spatial sophistication, Spokes makes up for with a staggering remix of Drain that sounds like it was ripped right out of the upcm,going Bladerunner OST, framing the original deeper in-the-mix against snarling brass flares and reverb contrails, precipitating a toxic shower of Salem or Araabmuzik-style hardstyle/trap rhythms.
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Miami’s Marks pulls back to Coyote Records with a wickedly cold, stripped-down fusion of footwork, drill and grime components. Coming off the back of his Green EP in 2016, this one goes shades darker and ropes in Spokes on a stellar cyberpunk trap remix.
Drain is an icily perfect example of Afro-Cuban drum patterns applied to eerie grime/drill dimensions; South Cold glares with dissonant synths and hard-bitten, reticulated percussion on a tight-belly halfstep[/triplet waltz; Lantern and Dash are like schizzy sides of the same coin - like medieval themes for snow-slinging trap baws.
What those riddims perhaps lack ion spatial sophistication, Spokes makes up for with a staggering remix of Drain that sounds like it was ripped right out of the upcm,going Bladerunner OST, framing the original deeper in-the-mix against snarling brass flares and reverb contrails, precipitating a toxic shower of Salem or Araabmuzik-style hardstyle/trap rhythms.
Miami’s Marks pulls back to Coyote Records with a wickedly cold, stripped-down fusion of footwork, drill and grime components. Coming off the back of his Green EP in 2016, this one goes shades darker and ropes in Spokes on a stellar cyberpunk trap remix.
Drain is an icily perfect example of Afro-Cuban drum patterns applied to eerie grime/drill dimensions; South Cold glares with dissonant synths and hard-bitten, reticulated percussion on a tight-belly halfstep[/triplet waltz; Lantern and Dash are like schizzy sides of the same coin - like medieval themes for snow-slinging trap baws.
What those riddims perhaps lack ion spatial sophistication, Spokes makes up for with a staggering remix of Drain that sounds like it was ripped right out of the upcm,going Bladerunner OST, framing the original deeper in-the-mix against snarling brass flares and reverb contrails, precipitating a toxic shower of Salem or Araabmuzik-style hardstyle/trap rhythms.
Miami’s Marks pulls back to Coyote Records with a wickedly cold, stripped-down fusion of footwork, drill and grime components. Coming off the back of his Green EP in 2016, this one goes shades darker and ropes in Spokes on a stellar cyberpunk trap remix.
Drain is an icily perfect example of Afro-Cuban drum patterns applied to eerie grime/drill dimensions; South Cold glares with dissonant synths and hard-bitten, reticulated percussion on a tight-belly halfstep[/triplet waltz; Lantern and Dash are like schizzy sides of the same coin - like medieval themes for snow-slinging trap baws.
What those riddims perhaps lack ion spatial sophistication, Spokes makes up for with a staggering remix of Drain that sounds like it was ripped right out of the upcm,going Bladerunner OST, framing the original deeper in-the-mix against snarling brass flares and reverb contrails, precipitating a toxic shower of Salem or Araabmuzik-style hardstyle/trap rhythms.
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Miami’s Marks pulls back to Coyote Records with a wickedly cold, stripped-down fusion of footwork, drill and grime components. Coming off the back of his Green EP in 2016, this one goes shades darker and ropes in Spokes on a stellar cyberpunk trap remix.
Drain is an icily perfect example of Afro-Cuban drum patterns applied to eerie grime/drill dimensions; South Cold glares with dissonant synths and hard-bitten, reticulated percussion on a tight-belly halfstep[/triplet waltz; Lantern and Dash are like schizzy sides of the same coin - like medieval themes for snow-slinging trap baws.
What those riddims perhaps lack ion spatial sophistication, Spokes makes up for with a staggering remix of Drain that sounds like it was ripped right out of the upcm,going Bladerunner OST, framing the original deeper in-the-mix against snarling brass flares and reverb contrails, precipitating a toxic shower of Salem or Araabmuzik-style hardstyle/trap rhythms.