The first taste of new material from Jessy Lanza since 2020's "All the Time" is an uptempo euphoric duster that's part groove-fwd FM house, part bubblegum pop. It's the first single she's written and produced since moving to LA.
Lanza's particular brand of hooky vocal pop has an ideal home on Hyperdub. Never quite one thing or another, her music rounds up ideas from the MTV pop canon and galvanizes them with production techniques snipped from footwork, dubstep and dusty outsider house. 'Don't Leave Me Now' does what so many have tried before and pairs saccharine schoolyard melodies with a tuff FM bassline straight out the Chicago playbook. The difference here is that Lanza has the presence and personality to bring the elements together harmoniously, referencing disposable pop while crafting music that's sneakily complex. One for any of you looking for a cross between Whigfield and Omar-S - gold, basically.
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The first taste of new material from Jessy Lanza since 2020's "All the Time" is an uptempo euphoric duster that's part groove-fwd FM house, part bubblegum pop. It's the first single she's written and produced since moving to LA.
Lanza's particular brand of hooky vocal pop has an ideal home on Hyperdub. Never quite one thing or another, her music rounds up ideas from the MTV pop canon and galvanizes them with production techniques snipped from footwork, dubstep and dusty outsider house. 'Don't Leave Me Now' does what so many have tried before and pairs saccharine schoolyard melodies with a tuff FM bassline straight out the Chicago playbook. The difference here is that Lanza has the presence and personality to bring the elements together harmoniously, referencing disposable pop while crafting music that's sneakily complex. One for any of you looking for a cross between Whigfield and Omar-S - gold, basically.
The first taste of new material from Jessy Lanza since 2020's "All the Time" is an uptempo euphoric duster that's part groove-fwd FM house, part bubblegum pop. It's the first single she's written and produced since moving to LA.
Lanza's particular brand of hooky vocal pop has an ideal home on Hyperdub. Never quite one thing or another, her music rounds up ideas from the MTV pop canon and galvanizes them with production techniques snipped from footwork, dubstep and dusty outsider house. 'Don't Leave Me Now' does what so many have tried before and pairs saccharine schoolyard melodies with a tuff FM bassline straight out the Chicago playbook. The difference here is that Lanza has the presence and personality to bring the elements together harmoniously, referencing disposable pop while crafting music that's sneakily complex. One for any of you looking for a cross between Whigfield and Omar-S - gold, basically.
The first taste of new material from Jessy Lanza since 2020's "All the Time" is an uptempo euphoric duster that's part groove-fwd FM house, part bubblegum pop. It's the first single she's written and produced since moving to LA.
Lanza's particular brand of hooky vocal pop has an ideal home on Hyperdub. Never quite one thing or another, her music rounds up ideas from the MTV pop canon and galvanizes them with production techniques snipped from footwork, dubstep and dusty outsider house. 'Don't Leave Me Now' does what so many have tried before and pairs saccharine schoolyard melodies with a tuff FM bassline straight out the Chicago playbook. The difference here is that Lanza has the presence and personality to bring the elements together harmoniously, referencing disposable pop while crafting music that's sneakily complex. One for any of you looking for a cross between Whigfield and Omar-S - gold, basically.