Don't Get Me Started / Instant Psalm (Remixes)
Thom Yorke, Jonny Greenwood and Tom Skinner hand over the stems from two 'Cutouts' highlights to American woodwind virtuoso Robert Stillman and Border Community boss James Holden.
Trust Holden to make perfect sense of The Smile's psychedelia. His take on 'Don't Get My Started', one of the album's best tracks, completely jumbles its internal logic - exactly what a good remix should do. Greenwood's low-lit synths are thrown off the grid and muddled with Holden's own cosmic vamps, while Skinner's drums are folded into oscillating, trance-y cycles, creating a lysergic meditation on the original theme.
Stillman meanwhile, who's played with The Smile extensively, does almost as well with the source material, stretching 'Instant Psalm' out until it sounds more like The Beatles' 'Tomorrow Never Knows'.
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Thom Yorke, Jonny Greenwood and Tom Skinner hand over the stems from two 'Cutouts' highlights to American woodwind virtuoso Robert Stillman and Border Community boss James Holden.
Trust Holden to make perfect sense of The Smile's psychedelia. His take on 'Don't Get My Started', one of the album's best tracks, completely jumbles its internal logic - exactly what a good remix should do. Greenwood's low-lit synths are thrown off the grid and muddled with Holden's own cosmic vamps, while Skinner's drums are folded into oscillating, trance-y cycles, creating a lysergic meditation on the original theme.
Stillman meanwhile, who's played with The Smile extensively, does almost as well with the source material, stretching 'Instant Psalm' out until it sounds more like The Beatles' 'Tomorrow Never Knows'.
Thom Yorke, Jonny Greenwood and Tom Skinner hand over the stems from two 'Cutouts' highlights to American woodwind virtuoso Robert Stillman and Border Community boss James Holden.
Trust Holden to make perfect sense of The Smile's psychedelia. His take on 'Don't Get My Started', one of the album's best tracks, completely jumbles its internal logic - exactly what a good remix should do. Greenwood's low-lit synths are thrown off the grid and muddled with Holden's own cosmic vamps, while Skinner's drums are folded into oscillating, trance-y cycles, creating a lysergic meditation on the original theme.
Stillman meanwhile, who's played with The Smile extensively, does almost as well with the source material, stretching 'Instant Psalm' out until it sounds more like The Beatles' 'Tomorrow Never Knows'.
Thom Yorke, Jonny Greenwood and Tom Skinner hand over the stems from two 'Cutouts' highlights to American woodwind virtuoso Robert Stillman and Border Community boss James Holden.
Trust Holden to make perfect sense of The Smile's psychedelia. His take on 'Don't Get My Started', one of the album's best tracks, completely jumbles its internal logic - exactly what a good remix should do. Greenwood's low-lit synths are thrown off the grid and muddled with Holden's own cosmic vamps, while Skinner's drums are folded into oscillating, trance-y cycles, creating a lysergic meditation on the original theme.
Stillman meanwhile, who's played with The Smile extensively, does almost as well with the source material, stretching 'Instant Psalm' out until it sounds more like The Beatles' 'Tomorrow Never Knows'.
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Thom Yorke, Jonny Greenwood and Tom Skinner hand over the stems from two 'Cutouts' highlights to American woodwind virtuoso Robert Stillman and Border Community boss James Holden.
Trust Holden to make perfect sense of The Smile's psychedelia. His take on 'Don't Get My Started', one of the album's best tracks, completely jumbles its internal logic - exactly what a good remix should do. Greenwood's low-lit synths are thrown off the grid and muddled with Holden's own cosmic vamps, while Skinner's drums are folded into oscillating, trance-y cycles, creating a lysergic meditation on the original theme.
Stillman meanwhile, who's played with The Smile extensively, does almost as well with the source material, stretching 'Instant Psalm' out until it sounds more like The Beatles' 'Tomorrow Never Knows'.