Lamusa II
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Boomkat Product Review:
The superb first vinyl on Jay Glass Dubs’ Extended Techniques label is an absolute pearl of post-punk x trip hop by Milan’s Lamusa II, featuring guests Marie Davidson, Zara Colombo, and Assembly Group, and destined for the shelves of HTRK, Lena Platonos, or Leslie Winer fans.
Jay Glass Dubs finds a mutual, moody South European spirit in Milan’s Lamusa II, whose handfuls of work as Lamusa and as part of Maledetti share an attractively brooding, dub-wise quality with Jay’s own work. The album notably revolves a standout ‘I Am the Void’, featuring a dead sultry Marie Davidson on the same funky drummer break used by Public Enemy, Madonna and MBV, which can be heard as emblematic of the album’s sensuous appeal and downbeat traction, which is primed to be played end-to-end, no skipping.
Congruous with the vibe of nocturnal Milanese streets and bedrooms, as much as Athens or Manchester for that matter, the 15 songs are concise, if tinted, windows onto the way Lamusa distills omnivorous tastes for ‘80s new wave and post-punk, ’90s trip hop and electronic rock, and prevailing 2020’s tastes for slanted and enchanted downbeats that leave the cheese in the fridge. Everything is low slung and toned to absorb the late night mind, with the regular presence of Zara Colombo’s softly spoken vocal surely resembling Greek alt.pop goddess Lena Platonos as much as Jay Glass Dub’s collaborator, Leslie Winer, and acting as a guiding light thru its ginnels and backstreet Lynchian speakeasy spaces.
From its warped jazz noir intro, the session settles in like strong liquor as songs strafe from the lounge lizard sashay of ‘Proxima Parada’, thru percussive ritual that resolves in sleazy Winer-esque trip hop on ‘And I Hated It’, to the stepping ’90s rock downstrokes of ‘La Mecánica’ and ‘Get Your Job Done’. In its 2nd half, booze in bloodstream, things gets frayed with the Bark Psychosis-like breaks of ‘Objects’ and shore up in succinct vignettes of jazz-dub wooze and illbient lean that lend it a cracking, long finish on the palate.
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Boomkat Product Review:
The superb first vinyl on Jay Glass Dubs’ Extended Techniques label is an absolute pearl of post-punk x trip hop by Milan’s Lamusa II, featuring guests Marie Davidson, Zara Colombo, and Assembly Group, and destined for the shelves of HTRK, Lena Platonos, or Leslie Winer fans.
Jay Glass Dubs finds a mutual, moody South European spirit in Milan’s Lamusa II, whose handfuls of work as Lamusa and as part of Maledetti share an attractively brooding, dub-wise quality with Jay’s own work. The album notably revolves a standout ‘I Am the Void’, featuring a dead sultry Marie Davidson on the same funky drummer break used by Public Enemy, Madonna and MBV, which can be heard as emblematic of the album’s sensuous appeal and downbeat traction, which is primed to be played end-to-end, no skipping.
Congruous with the vibe of nocturnal Milanese streets and bedrooms, as much as Athens or Manchester for that matter, the 15 songs are concise, if tinted, windows onto the way Lamusa distills omnivorous tastes for ‘80s new wave and post-punk, ’90s trip hop and electronic rock, and prevailing 2020’s tastes for slanted and enchanted downbeats that leave the cheese in the fridge. Everything is low slung and toned to absorb the late night mind, with the regular presence of Zara Colombo’s softly spoken vocal surely resembling Greek alt.pop goddess Lena Platonos as much as Jay Glass Dub’s collaborator, Leslie Winer, and acting as a guiding light thru its ginnels and backstreet Lynchian speakeasy spaces.
From its warped jazz noir intro, the session settles in like strong liquor as songs strafe from the lounge lizard sashay of ‘Proxima Parada’, thru percussive ritual that resolves in sleazy Winer-esque trip hop on ‘And I Hated It’, to the stepping ’90s rock downstrokes of ‘La Mecánica’ and ‘Get Your Job Done’. In its 2nd half, booze in bloodstream, things gets frayed with the Bark Psychosis-like breaks of ‘Objects’ and shore up in succinct vignettes of jazz-dub wooze and illbient lean that lend it a cracking, long finish on the palate.
Boomkat Product Review:
The superb first vinyl on Jay Glass Dubs’ Extended Techniques label is an absolute pearl of post-punk x trip hop by Milan’s Lamusa II, featuring guests Marie Davidson, Zara Colombo, and Assembly Group, and destined for the shelves of HTRK, Lena Platonos, or Leslie Winer fans.
Jay Glass Dubs finds a mutual, moody South European spirit in Milan’s Lamusa II, whose handfuls of work as Lamusa and as part of Maledetti share an attractively brooding, dub-wise quality with Jay’s own work. The album notably revolves a standout ‘I Am the Void’, featuring a dead sultry Marie Davidson on the same funky drummer break used by Public Enemy, Madonna and MBV, which can be heard as emblematic of the album’s sensuous appeal and downbeat traction, which is primed to be played end-to-end, no skipping.
Congruous with the vibe of nocturnal Milanese streets and bedrooms, as much as Athens or Manchester for that matter, the 15 songs are concise, if tinted, windows onto the way Lamusa distills omnivorous tastes for ‘80s new wave and post-punk, ’90s trip hop and electronic rock, and prevailing 2020’s tastes for slanted and enchanted downbeats that leave the cheese in the fridge. Everything is low slung and toned to absorb the late night mind, with the regular presence of Zara Colombo’s softly spoken vocal surely resembling Greek alt.pop goddess Lena Platonos as much as Jay Glass Dub’s collaborator, Leslie Winer, and acting as a guiding light thru its ginnels and backstreet Lynchian speakeasy spaces.
From its warped jazz noir intro, the session settles in like strong liquor as songs strafe from the lounge lizard sashay of ‘Proxima Parada’, thru percussive ritual that resolves in sleazy Winer-esque trip hop on ‘And I Hated It’, to the stepping ’90s rock downstrokes of ‘La Mecánica’ and ‘Get Your Job Done’. In its 2nd half, booze in bloodstream, things gets frayed with the Bark Psychosis-like breaks of ‘Objects’ and shore up in succinct vignettes of jazz-dub wooze and illbient lean that lend it a cracking, long finish on the palate.
Boomkat Product Review:
The superb first vinyl on Jay Glass Dubs’ Extended Techniques label is an absolute pearl of post-punk x trip hop by Milan’s Lamusa II, featuring guests Marie Davidson, Zara Colombo, and Assembly Group, and destined for the shelves of HTRK, Lena Platonos, or Leslie Winer fans.
Jay Glass Dubs finds a mutual, moody South European spirit in Milan’s Lamusa II, whose handfuls of work as Lamusa and as part of Maledetti share an attractively brooding, dub-wise quality with Jay’s own work. The album notably revolves a standout ‘I Am the Void’, featuring a dead sultry Marie Davidson on the same funky drummer break used by Public Enemy, Madonna and MBV, which can be heard as emblematic of the album’s sensuous appeal and downbeat traction, which is primed to be played end-to-end, no skipping.
Congruous with the vibe of nocturnal Milanese streets and bedrooms, as much as Athens or Manchester for that matter, the 15 songs are concise, if tinted, windows onto the way Lamusa distills omnivorous tastes for ‘80s new wave and post-punk, ’90s trip hop and electronic rock, and prevailing 2020’s tastes for slanted and enchanted downbeats that leave the cheese in the fridge. Everything is low slung and toned to absorb the late night mind, with the regular presence of Zara Colombo’s softly spoken vocal surely resembling Greek alt.pop goddess Lena Platonos as much as Jay Glass Dub’s collaborator, Leslie Winer, and acting as a guiding light thru its ginnels and backstreet Lynchian speakeasy spaces.
From its warped jazz noir intro, the session settles in like strong liquor as songs strafe from the lounge lizard sashay of ‘Proxima Parada’, thru percussive ritual that resolves in sleazy Winer-esque trip hop on ‘And I Hated It’, to the stepping ’90s rock downstrokes of ‘La Mecánica’ and ‘Get Your Job Done’. In its 2nd half, booze in bloodstream, things gets frayed with the Bark Psychosis-like breaks of ‘Objects’ and shore up in succinct vignettes of jazz-dub wooze and illbient lean that lend it a cracking, long finish on the palate.
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Boomkat Product Review:
The superb first vinyl on Jay Glass Dubs’ Extended Techniques label is an absolute pearl of post-punk x trip hop by Milan’s Lamusa II, featuring guests Marie Davidson, Zara Colombo, and Assembly Group, and destined for the shelves of HTRK, Lena Platonos, or Leslie Winer fans.
Jay Glass Dubs finds a mutual, moody South European spirit in Milan’s Lamusa II, whose handfuls of work as Lamusa and as part of Maledetti share an attractively brooding, dub-wise quality with Jay’s own work. The album notably revolves a standout ‘I Am the Void’, featuring a dead sultry Marie Davidson on the same funky drummer break used by Public Enemy, Madonna and MBV, which can be heard as emblematic of the album’s sensuous appeal and downbeat traction, which is primed to be played end-to-end, no skipping.
Congruous with the vibe of nocturnal Milanese streets and bedrooms, as much as Athens or Manchester for that matter, the 15 songs are concise, if tinted, windows onto the way Lamusa distills omnivorous tastes for ‘80s new wave and post-punk, ’90s trip hop and electronic rock, and prevailing 2020’s tastes for slanted and enchanted downbeats that leave the cheese in the fridge. Everything is low slung and toned to absorb the late night mind, with the regular presence of Zara Colombo’s softly spoken vocal surely resembling Greek alt.pop goddess Lena Platonos as much as Jay Glass Dub’s collaborator, Leslie Winer, and acting as a guiding light thru its ginnels and backstreet Lynchian speakeasy spaces.
From its warped jazz noir intro, the session settles in like strong liquor as songs strafe from the lounge lizard sashay of ‘Proxima Parada’, thru percussive ritual that resolves in sleazy Winer-esque trip hop on ‘And I Hated It’, to the stepping ’90s rock downstrokes of ‘La Mecánica’ and ‘Get Your Job Done’. In its 2nd half, booze in bloodstream, things gets frayed with the Bark Psychosis-like breaks of ‘Objects’ and shore up in succinct vignettes of jazz-dub wooze and illbient lean that lend it a cracking, long finish on the palate.
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