DOLO 6
Pure drums and nothing but, by the Future Times boss back in his specialist guise, Dolo Percussion - a big look for all DJs/dancers, RIYL Beatrice Dillon, Karizma, Leonce!
Initialised in 2013 on L.I.E.S. and since dropping on TTT, Dolo Percussion has become one of the fêted guises on Andrew Field-Pickering, who is also beloved for work as half of Beautiful Swimmers and Maxmillion Dunbar, not to mention helming the Lifted ensemble and his programming of Future Times. With ‘Dolo 6’ he’s back on his ones for six tracks of mutably offbeat meter, harnessing various drum machines and samplers into grid-warped rhythms that animate the dance like a funky puppeteer.
We hear the influence of his native Washington’s oft-overlooked go-go sound in the cracking snare punctuation and trills of ‘DOLO 25’, with his emphasis on rhythmelodic accenting in full effect. He continues to pronounce percussion with a mean purpose across the EP, hingeing around saltiest claps and delay stuttered syncopation on ‘DOLO 26’, and juking the tempo to ghettotech pace on the nervy skirmish ‘DOLO 27’, or recalling Ueno Masaki’s nano-edited ‘Vortices’ for Raster-Noton’s unun series in ‘DOLO 30’, whilst hustling something like a a robot marching band in the clattering trample of ‘DOLO 28’, and dicing with the sort of jiggy R&B craft of Timba and The Neptunes, or prevailing Latin club currents, in a standout ‘DOLO 29’.
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Pure drums and nothing but, by the Future Times boss back in his specialist guise, Dolo Percussion - a big look for all DJs/dancers, RIYL Beatrice Dillon, Karizma, Leonce!
Initialised in 2013 on L.I.E.S. and since dropping on TTT, Dolo Percussion has become one of the fêted guises on Andrew Field-Pickering, who is also beloved for work as half of Beautiful Swimmers and Maxmillion Dunbar, not to mention helming the Lifted ensemble and his programming of Future Times. With ‘Dolo 6’ he’s back on his ones for six tracks of mutably offbeat meter, harnessing various drum machines and samplers into grid-warped rhythms that animate the dance like a funky puppeteer.
We hear the influence of his native Washington’s oft-overlooked go-go sound in the cracking snare punctuation and trills of ‘DOLO 25’, with his emphasis on rhythmelodic accenting in full effect. He continues to pronounce percussion with a mean purpose across the EP, hingeing around saltiest claps and delay stuttered syncopation on ‘DOLO 26’, and juking the tempo to ghettotech pace on the nervy skirmish ‘DOLO 27’, or recalling Ueno Masaki’s nano-edited ‘Vortices’ for Raster-Noton’s unun series in ‘DOLO 30’, whilst hustling something like a a robot marching band in the clattering trample of ‘DOLO 28’, and dicing with the sort of jiggy R&B craft of Timba and The Neptunes, or prevailing Latin club currents, in a standout ‘DOLO 29’.
Pure drums and nothing but, by the Future Times boss back in his specialist guise, Dolo Percussion - a big look for all DJs/dancers, RIYL Beatrice Dillon, Karizma, Leonce!
Initialised in 2013 on L.I.E.S. and since dropping on TTT, Dolo Percussion has become one of the fêted guises on Andrew Field-Pickering, who is also beloved for work as half of Beautiful Swimmers and Maxmillion Dunbar, not to mention helming the Lifted ensemble and his programming of Future Times. With ‘Dolo 6’ he’s back on his ones for six tracks of mutably offbeat meter, harnessing various drum machines and samplers into grid-warped rhythms that animate the dance like a funky puppeteer.
We hear the influence of his native Washington’s oft-overlooked go-go sound in the cracking snare punctuation and trills of ‘DOLO 25’, with his emphasis on rhythmelodic accenting in full effect. He continues to pronounce percussion with a mean purpose across the EP, hingeing around saltiest claps and delay stuttered syncopation on ‘DOLO 26’, and juking the tempo to ghettotech pace on the nervy skirmish ‘DOLO 27’, or recalling Ueno Masaki’s nano-edited ‘Vortices’ for Raster-Noton’s unun series in ‘DOLO 30’, whilst hustling something like a a robot marching band in the clattering trample of ‘DOLO 28’, and dicing with the sort of jiggy R&B craft of Timba and The Neptunes, or prevailing Latin club currents, in a standout ‘DOLO 29’.
Pure drums and nothing but, by the Future Times boss back in his specialist guise, Dolo Percussion - a big look for all DJs/dancers, RIYL Beatrice Dillon, Karizma, Leonce!
Initialised in 2013 on L.I.E.S. and since dropping on TTT, Dolo Percussion has become one of the fêted guises on Andrew Field-Pickering, who is also beloved for work as half of Beautiful Swimmers and Maxmillion Dunbar, not to mention helming the Lifted ensemble and his programming of Future Times. With ‘Dolo 6’ he’s back on his ones for six tracks of mutably offbeat meter, harnessing various drum machines and samplers into grid-warped rhythms that animate the dance like a funky puppeteer.
We hear the influence of his native Washington’s oft-overlooked go-go sound in the cracking snare punctuation and trills of ‘DOLO 25’, with his emphasis on rhythmelodic accenting in full effect. He continues to pronounce percussion with a mean purpose across the EP, hingeing around saltiest claps and delay stuttered syncopation on ‘DOLO 26’, and juking the tempo to ghettotech pace on the nervy skirmish ‘DOLO 27’, or recalling Ueno Masaki’s nano-edited ‘Vortices’ for Raster-Noton’s unun series in ‘DOLO 30’, whilst hustling something like a a robot marching band in the clattering trample of ‘DOLO 28’, and dicing with the sort of jiggy R&B craft of Timba and The Neptunes, or prevailing Latin club currents, in a standout ‘DOLO 29’.