Brooding post-industrial tribalism and junglist prang-outs by London’s Kyyberwall featuring Susu Laroche and new for Milan’s Haunter Records.
Leading on from their 2022 debut with Xquisite Releases, Kyyberwall takes their menacing bristle to Haunter with a sort of soundtrack to imaginary places populated with the ghosts of Muslimgauze, Christoph de Babalon and Moin, resonating with like-minded aesthetics and spirits of Downwards’ Nonexistant or percussive warehouse/back alley/industrial zone disciplines of Vivid Oblivion and even Cut Hands.
There’s little melody or vocals to latch on to, but the info is all in the drums and the reverberating space between, with tracks ranging from the worm-charming bass and serpentine slither of ‘Not Far From The Tree’ on a Cut Hands tip, to bone-clak brukouts in ‘Gil Boy Son’ and the rictus twitch of ‘Underscore_’, with a standout in the silo-drumming thrum of ’55FF’ suffused with Susu Laroche’s wraithlike goth vox and suggestions of Arabic enigma, and swaggering post punk goth in ‘Drone Drum Function’.
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Brooding post-industrial tribalism and junglist prang-outs by London’s Kyyberwall featuring Susu Laroche and new for Milan’s Haunter Records.
Leading on from their 2022 debut with Xquisite Releases, Kyyberwall takes their menacing bristle to Haunter with a sort of soundtrack to imaginary places populated with the ghosts of Muslimgauze, Christoph de Babalon and Moin, resonating with like-minded aesthetics and spirits of Downwards’ Nonexistant or percussive warehouse/back alley/industrial zone disciplines of Vivid Oblivion and even Cut Hands.
There’s little melody or vocals to latch on to, but the info is all in the drums and the reverberating space between, with tracks ranging from the worm-charming bass and serpentine slither of ‘Not Far From The Tree’ on a Cut Hands tip, to bone-clak brukouts in ‘Gil Boy Son’ and the rictus twitch of ‘Underscore_’, with a standout in the silo-drumming thrum of ’55FF’ suffused with Susu Laroche’s wraithlike goth vox and suggestions of Arabic enigma, and swaggering post punk goth in ‘Drone Drum Function’.
Brooding post-industrial tribalism and junglist prang-outs by London’s Kyyberwall featuring Susu Laroche and new for Milan’s Haunter Records.
Leading on from their 2022 debut with Xquisite Releases, Kyyberwall takes their menacing bristle to Haunter with a sort of soundtrack to imaginary places populated with the ghosts of Muslimgauze, Christoph de Babalon and Moin, resonating with like-minded aesthetics and spirits of Downwards’ Nonexistant or percussive warehouse/back alley/industrial zone disciplines of Vivid Oblivion and even Cut Hands.
There’s little melody or vocals to latch on to, but the info is all in the drums and the reverberating space between, with tracks ranging from the worm-charming bass and serpentine slither of ‘Not Far From The Tree’ on a Cut Hands tip, to bone-clak brukouts in ‘Gil Boy Son’ and the rictus twitch of ‘Underscore_’, with a standout in the silo-drumming thrum of ’55FF’ suffused with Susu Laroche’s wraithlike goth vox and suggestions of Arabic enigma, and swaggering post punk goth in ‘Drone Drum Function’.
Brooding post-industrial tribalism and junglist prang-outs by London’s Kyyberwall featuring Susu Laroche and new for Milan’s Haunter Records.
Leading on from their 2022 debut with Xquisite Releases, Kyyberwall takes their menacing bristle to Haunter with a sort of soundtrack to imaginary places populated with the ghosts of Muslimgauze, Christoph de Babalon and Moin, resonating with like-minded aesthetics and spirits of Downwards’ Nonexistant or percussive warehouse/back alley/industrial zone disciplines of Vivid Oblivion and even Cut Hands.
There’s little melody or vocals to latch on to, but the info is all in the drums and the reverberating space between, with tracks ranging from the worm-charming bass and serpentine slither of ‘Not Far From The Tree’ on a Cut Hands tip, to bone-clak brukouts in ‘Gil Boy Son’ and the rictus twitch of ‘Underscore_’, with a standout in the silo-drumming thrum of ’55FF’ suffused with Susu Laroche’s wraithlike goth vox and suggestions of Arabic enigma, and swaggering post punk goth in ‘Drone Drum Function’.
Limited edition of 100, with handmade sleeves individually crafted by Rat Section Enterprises.
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Brooding post-industrial tribalism and junglist prang-outs by London’s Kyyberwall featuring Susu Laroche and new for Milan’s Haunter Records.
Leading on from their 2022 debut with Xquisite Releases, Kyyberwall takes their menacing bristle to Haunter with a sort of soundtrack to imaginary places populated with the ghosts of Muslimgauze, Christoph de Babalon and Moin, resonating with like-minded aesthetics and spirits of Downwards’ Nonexistant or percussive warehouse/back alley/industrial zone disciplines of Vivid Oblivion and even Cut Hands.
There’s little melody or vocals to latch on to, but the info is all in the drums and the reverberating space between, with tracks ranging from the worm-charming bass and serpentine slither of ‘Not Far From The Tree’ on a Cut Hands tip, to bone-clak brukouts in ‘Gil Boy Son’ and the rictus twitch of ‘Underscore_’, with a standout in the silo-drumming thrum of ’55FF’ suffused with Susu Laroche’s wraithlike goth vox and suggestions of Arabic enigma, and swaggering post punk goth in ‘Drone Drum Function’.