Boomkat Product Review:
A wonderfully mystic midsummer episode of free improv jazz recorded and reworked in Tokyo, 1976, now rendered and wrapped up for reissue by Belgium’s Aguirre. Original copies trade 2nd hand for the price of a small hatchback with a few miles left on the clock. This one will travel, we promise (no dodgy car dealer chat!)
“Thelonious Monk, Mal Waldron, Don Cherry, Roswell Rudd, Derek Bailey, Musica Elettronica Viva – saxophonist Steve Lacy played with them all. Renowned for remarkable solo concerts that confirmed his mastery of the soprano horn and that carried its instrumental language into previously unexplored regions, Lacy also loved to collaborate with musicians who could inspire him to stretch the boundaries of his own artistry.
During the summer of 1975 Lacy toured Japan, and on June 24th he entered a Nippon Columbia studio in Tokyo with Yuji Takahashi and Takehisa Kosugi, two adventurous kindred spirits, guaranteed to fire Lacy’s creative imagination. The fascinating outcome of that dynamic session is Distant Voices, an album without parallel in Lacy’s extensive discography.
Composer Iannis Xenakis was so impressed when he heard Yuji Takahashi playing piano in 1961 that he later wrote music especially for him. The Japanese virtuoso rose to that formidable challenge and many others as he rapidly established himself as one of the foremost interpreters of contemporary composed music. His repertoire extends back to Bach and Purcell yet for Takahashi music has remained an open quest and a process of discovery.
Takehisa Kosugi on the other hand has been a legendary figure in the international avant garde since the mid-1960s when his work was endorsed by the Fluxus movement. In Japan he was by then already well established as leading practitioner of experimental music and intermedia performance art. At the time Distant Voices was recorded Kosugi had also developed a following for his electric violin playing with the Taj Mahal Travellers, a group whose sound had strong stylistic affinities with psychedelic rock and space music. Subsequently other audiences worldwide came to know Kosugi through his long association as a composer, performer and musical director with the Merce Cunningham Dance Company.
On 24th June 1975 Takahashi sat at a grand piano, with celeste and vibraphone alongside him and small bells attached to his hands. Kosugi was equipped with violin, flute, mouth organ, an electronic modulator, porcelain bowls and at times he used his voice. Lacy played soprano saxophone, of course. Now and then he pressed the mouth of the instrument against the skin of a kettle drum. He occasionally fiddled with a transistor radio, and also found uses for a stepladder, a toothbrush and a spinning wheel. This was in no sense a routine musical session. Distant Voices preserves a unique occasion when three singular musicians joined together to embrace the unknown.”