Boomkat Product Review:
Bedroom Community founder Valgeir Sigurðsson explores the temporal and textural gulf between classical orchestration and electronic production within the three movements of Dissonance, his 4th solo album (first since Architecture of Loss ), and the most aching addition to his illustrious catalogue of solo work and collaborations with everyone from Björk to Tim Hecker and Robert Wyatt.
The latest extension of his world-renowned practice, exposing and rejoining the fissures of Western classical traditions with contemporary sound manipulation, the finely layered symphonic swell and ebb of Dissonance is the artist’s attempt to reflect and consolidate both a period of personal strife and the underlying tensions of the wider world in a way that perhaps shows he’s not alone in feeling that way.
Using a laborious technique of recording each section of the 16-piece orchestra individually, before gilding them in post-production to really bring out their respective nuance and character, Sigurðsson effectively isolates and emphasises the chaotic qualities of massed, off-key strings in order to give himself up to their tumult and better control their, and his, emotions.
The result is a vast, side-long title piece of heaving, weeping, wilting viola da gamba played by Liam Byrne, and so anxious and quietly fraught that they keep slipping off the stave yet fight against the pressure in a perpetual struggle to remain positive and on-course against the odds. It’s not an easy piece but it is rewarding in its execution and resolution.
On the other side, the whole 16-parts of the orchestra come into play on the five parts of No Nights Dark Enough with a very cinematic quality emerging thru Flow to the electronic aurora of Infamy Sings and the pinched peak of Learn to Condemn Light, whilst the three parts of Eighteen Hundred And Seventy-Five appear to nod to Mozart as much as Star Wars.
To be fair, the B-side doesnt quite match up to that stunning A, but it's still an arresting album that comes highly reocmmended.