Digging Central Asia: Musical Archaeology along the Silk Road
Death is Not the End's latest set is a collection of Central Asian synthy psych-folk rarities assembled by Tashkent-based collector and producer Anvar Kalandarov.
If you copped last year's 'Synthesizing the Silk Roads', you'll have a good handle on where this is going. Kalandarov, who runs the Maqom Soul imprint, has a knack for extracting the region's most vital oddities, and he follows up his last set with a mixtape that traces psychedelic music as it crossed the Silk Road between the 1970s and '90s. Filled with transcendent hybridized oddities - sadly without credits - it's a deep dive into soundscapes that rarely leave Central Asia. If you're into the Sublime Frequencies radio recordings, this'll hit the spot.
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Death is Not the End's latest set is a collection of Central Asian synthy psych-folk rarities assembled by Tashkent-based collector and producer Anvar Kalandarov.
If you copped last year's 'Synthesizing the Silk Roads', you'll have a good handle on where this is going. Kalandarov, who runs the Maqom Soul imprint, has a knack for extracting the region's most vital oddities, and he follows up his last set with a mixtape that traces psychedelic music as it crossed the Silk Road between the 1970s and '90s. Filled with transcendent hybridized oddities - sadly without credits - it's a deep dive into soundscapes that rarely leave Central Asia. If you're into the Sublime Frequencies radio recordings, this'll hit the spot.
Death is Not the End's latest set is a collection of Central Asian synthy psych-folk rarities assembled by Tashkent-based collector and producer Anvar Kalandarov.
If you copped last year's 'Synthesizing the Silk Roads', you'll have a good handle on where this is going. Kalandarov, who runs the Maqom Soul imprint, has a knack for extracting the region's most vital oddities, and he follows up his last set with a mixtape that traces psychedelic music as it crossed the Silk Road between the 1970s and '90s. Filled with transcendent hybridized oddities - sadly without credits - it's a deep dive into soundscapes that rarely leave Central Asia. If you're into the Sublime Frequencies radio recordings, this'll hit the spot.
Death is Not the End's latest set is a collection of Central Asian synthy psych-folk rarities assembled by Tashkent-based collector and producer Anvar Kalandarov.
If you copped last year's 'Synthesizing the Silk Roads', you'll have a good handle on where this is going. Kalandarov, who runs the Maqom Soul imprint, has a knack for extracting the region's most vital oddities, and he follows up his last set with a mixtape that traces psychedelic music as it crossed the Silk Road between the 1970s and '90s. Filled with transcendent hybridized oddities - sadly without credits - it's a deep dive into soundscapes that rarely leave Central Asia. If you're into the Sublime Frequencies radio recordings, this'll hit the spot.
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Death is Not the End's latest set is a collection of Central Asian synthy psych-folk rarities assembled by Tashkent-based collector and producer Anvar Kalandarov.
If you copped last year's 'Synthesizing the Silk Roads', you'll have a good handle on where this is going. Kalandarov, who runs the Maqom Soul imprint, has a knack for extracting the region's most vital oddities, and he follows up his last set with a mixtape that traces psychedelic music as it crossed the Silk Road between the 1970s and '90s. Filled with transcendent hybridized oddities - sadly without credits - it's a deep dive into soundscapes that rarely leave Central Asia. If you're into the Sublime Frequencies radio recordings, this'll hit the spot.