DJ Richard
Dies Irae Xerox
Boomkat Product Review:
DJ Richard follows the ‘Path of Ruin’ to his discopocalytic sophomore LP, ‘Dies Irae Xerox’; a super robust collection of darkwave ambient, EBM and Memphis rap-style instrumentals inspired by “depictions and philosophies of the antichrist and end-times”
Picking up where he left us with the darker themes of Grind [2015], the NYC/Berlin-stationed producer pretty much leaves the slinkier house and techno themes for dust in order to better explore mutant, classic hardcore strains of electronic music in his own way.
Opener Dies Irae Xerox could easily be mistaken for the work of Hospital Productions orderly, while the scowling 808 slap downs of Pitfall and Gate Of Roses explore rugged hip hop/electro somewhere between Pametex, SALEM and Tommy Wright III. They’re some of our favourites, along with the curdling sewer juice of Tunnel Stalker and the Cortini-esque Old Winter’s Way, but the rest of the album is strong, too; especially on its fanged dancefloor aces such as the needle-toothed EBM of Vanguard, and the doomcore slug of In Broad Daylight.
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Boomkat Product Review:
DJ Richard follows the ‘Path of Ruin’ to his discopocalytic sophomore LP, ‘Dies Irae Xerox’; a super robust collection of darkwave ambient, EBM and Memphis rap-style instrumentals inspired by “depictions and philosophies of the antichrist and end-times”
Picking up where he left us with the darker themes of Grind [2015], the NYC/Berlin-stationed producer pretty much leaves the slinkier house and techno themes for dust in order to better explore mutant, classic hardcore strains of electronic music in his own way.
Opener Dies Irae Xerox could easily be mistaken for the work of Hospital Productions orderly, while the scowling 808 slap downs of Pitfall and Gate Of Roses explore rugged hip hop/electro somewhere between Pametex, SALEM and Tommy Wright III. They’re some of our favourites, along with the curdling sewer juice of Tunnel Stalker and the Cortini-esque Old Winter’s Way, but the rest of the album is strong, too; especially on its fanged dancefloor aces such as the needle-toothed EBM of Vanguard, and the doomcore slug of In Broad Daylight.
Boomkat Product Review:
DJ Richard follows the ‘Path of Ruin’ to his discopocalytic sophomore LP, ‘Dies Irae Xerox’; a super robust collection of darkwave ambient, EBM and Memphis rap-style instrumentals inspired by “depictions and philosophies of the antichrist and end-times”
Picking up where he left us with the darker themes of Grind [2015], the NYC/Berlin-stationed producer pretty much leaves the slinkier house and techno themes for dust in order to better explore mutant, classic hardcore strains of electronic music in his own way.
Opener Dies Irae Xerox could easily be mistaken for the work of Hospital Productions orderly, while the scowling 808 slap downs of Pitfall and Gate Of Roses explore rugged hip hop/electro somewhere between Pametex, SALEM and Tommy Wright III. They’re some of our favourites, along with the curdling sewer juice of Tunnel Stalker and the Cortini-esque Old Winter’s Way, but the rest of the album is strong, too; especially on its fanged dancefloor aces such as the needle-toothed EBM of Vanguard, and the doomcore slug of In Broad Daylight.
Boomkat Product Review:
DJ Richard follows the ‘Path of Ruin’ to his discopocalytic sophomore LP, ‘Dies Irae Xerox’; a super robust collection of darkwave ambient, EBM and Memphis rap-style instrumentals inspired by “depictions and philosophies of the antichrist and end-times”
Picking up where he left us with the darker themes of Grind [2015], the NYC/Berlin-stationed producer pretty much leaves the slinkier house and techno themes for dust in order to better explore mutant, classic hardcore strains of electronic music in his own way.
Opener Dies Irae Xerox could easily be mistaken for the work of Hospital Productions orderly, while the scowling 808 slap downs of Pitfall and Gate Of Roses explore rugged hip hop/electro somewhere between Pametex, SALEM and Tommy Wright III. They’re some of our favourites, along with the curdling sewer juice of Tunnel Stalker and the Cortini-esque Old Winter’s Way, but the rest of the album is strong, too; especially on its fanged dancefloor aces such as the needle-toothed EBM of Vanguard, and the doomcore slug of In Broad Daylight.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
DJ Richard follows the ‘Path of Ruin’ to his discopocalytic sophomore LP, ‘Dies Irae Xerox’; a super robust collection of darkwave ambient, EBM and Memphis rap-style instrumentals inspired by “depictions and philosophies of the antichrist and end-times”
Picking up where he left us with the darker themes of Grind [2015], the NYC/Berlin-stationed producer pretty much leaves the slinkier house and techno themes for dust in order to better explore mutant, classic hardcore strains of electronic music in his own way.
Opener Dies Irae Xerox could easily be mistaken for the work of Hospital Productions orderly, while the scowling 808 slap downs of Pitfall and Gate Of Roses explore rugged hip hop/electro somewhere between Pametex, SALEM and Tommy Wright III. They’re some of our favourites, along with the curdling sewer juice of Tunnel Stalker and the Cortini-esque Old Winter’s Way, but the rest of the album is strong, too; especially on its fanged dancefloor aces such as the needle-toothed EBM of Vanguard, and the doomcore slug of In Broad Daylight.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
DJ Richard follows the ‘Path of Ruin’ to his discopocalytic sophomore LP, ‘Dies Irae Xerox’; a super robust collection of darkwave ambient, EBM and Memphis rap-style instrumentals inspired by “depictions and philosophies of the antichrist and end-times”
Picking up where he left us with the darker themes of Grind [2015], the NYC/Berlin-stationed producer pretty much leaves the slinkier house and techno themes for dust in order to better explore mutant, classic hardcore strains of electronic music in his own way.
Opener Dies Irae Xerox could easily be mistaken for the work of Hospital Productions orderly, while the scowling 808 slap downs of Pitfall and Gate Of Roses explore rugged hip hop/electro somewhere between Pametex, SALEM and Tommy Wright III. They’re some of our favourites, along with the curdling sewer juice of Tunnel Stalker and the Cortini-esque Old Winter’s Way, but the rest of the album is strong, too; especially on its fanged dancefloor aces such as the needle-toothed EBM of Vanguard, and the doomcore slug of In Broad Daylight.
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