Russell Burden & Craig Tattersall
Diagenesis
Russell Burden & Craig Tattersall
Diagenesis
Boomkat Product Review:
Ambient accomplices Russell Burden (Being) and Craig Tattersall (The Humble Bee) depict the interaction of water and rocks in a soothing suite that continues their quiet work found on the ‘Atlantic Cables’ project
Typically taking their cues from the natural world, Burden & Tattersall converge from the english south coast and Lancashire, respectively, upon a glistening flow of textured electronics embedded with impressions of field recordings and sedimentary sentiment. The four parts were pieced remotely, each artist modestly inflecting the work with a mutually meditative spirit that prizes the materiality of the sounds over musicality, dissolving into a gauzy blur that loosely limns a process of “watery interactions, microbial activities, alterations, compactions, and chemical transformations of sediments slowly converting to rock.”
It’s not difficult to hear how the likes of Huerco S. and a new wave of ambient modernists have emulated this sound, and on a wider scale the sensitivities of Tattersall’s peerless, fathomless oeuvre at large, but still few, if none, can bring what Lancashire’s quiet man can to the mix, with his signature touches of glitchy diffraction, elusive melodies and windswept, ephemeral folk quintessence all secreted in the sound here.
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Boomkat Product Review:
Ambient accomplices Russell Burden (Being) and Craig Tattersall (The Humble Bee) depict the interaction of water and rocks in a soothing suite that continues their quiet work found on the ‘Atlantic Cables’ project
Typically taking their cues from the natural world, Burden & Tattersall converge from the english south coast and Lancashire, respectively, upon a glistening flow of textured electronics embedded with impressions of field recordings and sedimentary sentiment. The four parts were pieced remotely, each artist modestly inflecting the work with a mutually meditative spirit that prizes the materiality of the sounds over musicality, dissolving into a gauzy blur that loosely limns a process of “watery interactions, microbial activities, alterations, compactions, and chemical transformations of sediments slowly converting to rock.”
It’s not difficult to hear how the likes of Huerco S. and a new wave of ambient modernists have emulated this sound, and on a wider scale the sensitivities of Tattersall’s peerless, fathomless oeuvre at large, but still few, if none, can bring what Lancashire’s quiet man can to the mix, with his signature touches of glitchy diffraction, elusive melodies and windswept, ephemeral folk quintessence all secreted in the sound here.
Boomkat Product Review:
Ambient accomplices Russell Burden (Being) and Craig Tattersall (The Humble Bee) depict the interaction of water and rocks in a soothing suite that continues their quiet work found on the ‘Atlantic Cables’ project
Typically taking their cues from the natural world, Burden & Tattersall converge from the english south coast and Lancashire, respectively, upon a glistening flow of textured electronics embedded with impressions of field recordings and sedimentary sentiment. The four parts were pieced remotely, each artist modestly inflecting the work with a mutually meditative spirit that prizes the materiality of the sounds over musicality, dissolving into a gauzy blur that loosely limns a process of “watery interactions, microbial activities, alterations, compactions, and chemical transformations of sediments slowly converting to rock.”
It’s not difficult to hear how the likes of Huerco S. and a new wave of ambient modernists have emulated this sound, and on a wider scale the sensitivities of Tattersall’s peerless, fathomless oeuvre at large, but still few, if none, can bring what Lancashire’s quiet man can to the mix, with his signature touches of glitchy diffraction, elusive melodies and windswept, ephemeral folk quintessence all secreted in the sound here.
Boomkat Product Review:
Ambient accomplices Russell Burden (Being) and Craig Tattersall (The Humble Bee) depict the interaction of water and rocks in a soothing suite that continues their quiet work found on the ‘Atlantic Cables’ project
Typically taking their cues from the natural world, Burden & Tattersall converge from the english south coast and Lancashire, respectively, upon a glistening flow of textured electronics embedded with impressions of field recordings and sedimentary sentiment. The four parts were pieced remotely, each artist modestly inflecting the work with a mutually meditative spirit that prizes the materiality of the sounds over musicality, dissolving into a gauzy blur that loosely limns a process of “watery interactions, microbial activities, alterations, compactions, and chemical transformations of sediments slowly converting to rock.”
It’s not difficult to hear how the likes of Huerco S. and a new wave of ambient modernists have emulated this sound, and on a wider scale the sensitivities of Tattersall’s peerless, fathomless oeuvre at large, but still few, if none, can bring what Lancashire’s quiet man can to the mix, with his signature touches of glitchy diffraction, elusive melodies and windswept, ephemeral folk quintessence all secreted in the sound here.
Green transparent vinyl. Hand numbered / Limited edition to 300 copies.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Ambient accomplices Russell Burden (Being) and Craig Tattersall (The Humble Bee) depict the interaction of water and rocks in a soothing suite that continues their quiet work found on the ‘Atlantic Cables’ project
Typically taking their cues from the natural world, Burden & Tattersall converge from the english south coast and Lancashire, respectively, upon a glistening flow of textured electronics embedded with impressions of field recordings and sedimentary sentiment. The four parts were pieced remotely, each artist modestly inflecting the work with a mutually meditative spirit that prizes the materiality of the sounds over musicality, dissolving into a gauzy blur that loosely limns a process of “watery interactions, microbial activities, alterations, compactions, and chemical transformations of sediments slowly converting to rock.”
It’s not difficult to hear how the likes of Huerco S. and a new wave of ambient modernists have emulated this sound, and on a wider scale the sensitivities of Tattersall’s peerless, fathomless oeuvre at large, but still few, if none, can bring what Lancashire’s quiet man can to the mix, with his signature touches of glitchy diffraction, elusive melodies and windswept, ephemeral folk quintessence all secreted in the sound here.
Digisleeve. Hand numbered / Limited edition to 200 copies, sealed.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Ambient accomplices Russell Burden (Being) and Craig Tattersall (The Humble Bee) depict the interaction of water and rocks in a soothing suite that continues their quiet work found on the ‘Atlantic Cables’ project
Typically taking their cues from the natural world, Burden & Tattersall converge from the english south coast and Lancashire, respectively, upon a glistening flow of textured electronics embedded with impressions of field recordings and sedimentary sentiment. The four parts were pieced remotely, each artist modestly inflecting the work with a mutually meditative spirit that prizes the materiality of the sounds over musicality, dissolving into a gauzy blur that loosely limns a process of “watery interactions, microbial activities, alterations, compactions, and chemical transformations of sediments slowly converting to rock.”
It’s not difficult to hear how the likes of Huerco S. and a new wave of ambient modernists have emulated this sound, and on a wider scale the sensitivities of Tattersall’s peerless, fathomless oeuvre at large, but still few, if none, can bring what Lancashire’s quiet man can to the mix, with his signature touches of glitchy diffraction, elusive melodies and windswept, ephemeral folk quintessence all secreted in the sound here.
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