Devotional Songs (with Ernesto Tomasini)
Devotional Songs marks a necessary and refreshing change of direction by Shackleton; collaborating with London-based Italian castrato-style singer Ernesto Tomasini to sound like some lost Coil recordings.
The whirligig drawbar organs of Shackleton’s releases since 2012 are still in effect, but tempered in balance with Tomasini’s remarkable vocal range and some really lush, almost Detroit-style synth harmonies and ritual atmospheres whilst his signature palette of bass and drums hints at some Far and South East Asian influence in the vein of Sleazy’s Threshold HouseBoys Choir recordings.
It’s a beautifully self-contained project covering a broad range of esoteric topography from the detoxing vibrations of Rinse out All Contaminants to the sweepingly epic resolution of Father, Yiou Have Left Me, whilst unmistakably referencing some of Coil or Current 93’s most haunting moments in the chiming harmonic haze, swelling chorales and operatic drama of You Are The One, and the spirit-rousing string arrangements in Twelve Shared Addictions.
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Devotional Songs marks a necessary and refreshing change of direction by Shackleton; collaborating with London-based Italian castrato-style singer Ernesto Tomasini to sound like some lost Coil recordings.
The whirligig drawbar organs of Shackleton’s releases since 2012 are still in effect, but tempered in balance with Tomasini’s remarkable vocal range and some really lush, almost Detroit-style synth harmonies and ritual atmospheres whilst his signature palette of bass and drums hints at some Far and South East Asian influence in the vein of Sleazy’s Threshold HouseBoys Choir recordings.
It’s a beautifully self-contained project covering a broad range of esoteric topography from the detoxing vibrations of Rinse out All Contaminants to the sweepingly epic resolution of Father, Yiou Have Left Me, whilst unmistakably referencing some of Coil or Current 93’s most haunting moments in the chiming harmonic haze, swelling chorales and operatic drama of You Are The One, and the spirit-rousing string arrangements in Twelve Shared Addictions.
Devotional Songs marks a necessary and refreshing change of direction by Shackleton; collaborating with London-based Italian castrato-style singer Ernesto Tomasini to sound like some lost Coil recordings.
The whirligig drawbar organs of Shackleton’s releases since 2012 are still in effect, but tempered in balance with Tomasini’s remarkable vocal range and some really lush, almost Detroit-style synth harmonies and ritual atmospheres whilst his signature palette of bass and drums hints at some Far and South East Asian influence in the vein of Sleazy’s Threshold HouseBoys Choir recordings.
It’s a beautifully self-contained project covering a broad range of esoteric topography from the detoxing vibrations of Rinse out All Contaminants to the sweepingly epic resolution of Father, Yiou Have Left Me, whilst unmistakably referencing some of Coil or Current 93’s most haunting moments in the chiming harmonic haze, swelling chorales and operatic drama of You Are The One, and the spirit-rousing string arrangements in Twelve Shared Addictions.
Devotional Songs marks a necessary and refreshing change of direction by Shackleton; collaborating with London-based Italian castrato-style singer Ernesto Tomasini to sound like some lost Coil recordings.
The whirligig drawbar organs of Shackleton’s releases since 2012 are still in effect, but tempered in balance with Tomasini’s remarkable vocal range and some really lush, almost Detroit-style synth harmonies and ritual atmospheres whilst his signature palette of bass and drums hints at some Far and South East Asian influence in the vein of Sleazy’s Threshold HouseBoys Choir recordings.
It’s a beautifully self-contained project covering a broad range of esoteric topography from the detoxing vibrations of Rinse out All Contaminants to the sweepingly epic resolution of Father, Yiou Have Left Me, whilst unmistakably referencing some of Coil or Current 93’s most haunting moments in the chiming harmonic haze, swelling chorales and operatic drama of You Are The One, and the spirit-rousing string arrangements in Twelve Shared Addictions.
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Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Devotional Songs marks a necessary and refreshing change of direction by Shackleton; collaborating with London-based Italian castrato-style singer Ernesto Tomasini to sound like some lost Coil recordings.
The whirligig drawbar organs of Shackleton’s releases since 2012 are still in effect, but tempered in balance with Tomasini’s remarkable vocal range and some really lush, almost Detroit-style synth harmonies and ritual atmospheres whilst his signature palette of bass and drums hints at some Far and South East Asian influence in the vein of Sleazy’s Threshold HouseBoys Choir recordings.
It’s a beautifully self-contained project covering a broad range of esoteric topography from the detoxing vibrations of Rinse out All Contaminants to the sweepingly epic resolution of Father, Yiou Have Left Me, whilst unmistakably referencing some of Coil or Current 93’s most haunting moments in the chiming harmonic haze, swelling chorales and operatic drama of You Are The One, and the spirit-rousing string arrangements in Twelve Shared Addictions.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Devotional Songs marks a necessary and refreshing change of direction by Shackleton; collaborating with London-based Italian castrato-style singer Ernesto Tomasini to sound like some lost Coil recordings.
The whirligig drawbar organs of Shackleton’s releases since 2012 are still in effect, but tempered in balance with Tomasini’s remarkable vocal range and some really lush, almost Detroit-style synth harmonies and ritual atmospheres whilst his signature palette of bass and drums hints at some Far and South East Asian influence in the vein of Sleazy’s Threshold HouseBoys Choir recordings.
It’s a beautifully self-contained project covering a broad range of esoteric topography from the detoxing vibrations of Rinse out All Contaminants to the sweepingly epic resolution of Father, Yiou Have Left Me, whilst unmistakably referencing some of Coil or Current 93’s most haunting moments in the chiming harmonic haze, swelling chorales and operatic drama of You Are The One, and the spirit-rousing string arrangements in Twelve Shared Addictions.