Devotion Objects
Troth & Jon Collin
Devotion Objects
Boomkat Product Review:
Prolific sound artist Jon Collin follows up a trio of collabs with Demdike Stare and countless solo recordings for his own Early Music label as well as Discreet Music, Feeding Tube and others, with this majestically hushed album-length session with Aussie drifters Troth, summoned and blessed by Moopie’s A Colourful Storm. Charmed, almost mystical listening, tipped if yr into YL Hooi, Teresa Winter, Islaja, Tongue Depressor.
For their first collaboration, Troth (aka Amelia Besseny and Cooper Bowman) and Collin took advantage of their close proximity while Jon was visiting Australia for some shows in Mulubinba, where Bowman and Besseny used to live. The trio traveled to Nipaluna to absorb the vast Tasmanian landscape and conjured this 8 track suite of hushed marvels, a meeting point between Troth’s hazed dreampop and Collin’s signature, moody world-building.
'Poet's Recollection' finds the trio trading parts through clouds of reverb, with Bessany's shimmering vocal drifting around Collin's zither-like twangs, while woodwind and woody percussion knock just outside the frame. Outlines of more fully formed songs appear and disappear into the aether, like phantom melodies carried across the wind. And when more corporeal forms materialise - like on the rousing 'Whispering Sound' - there's still a prevailing sense of uncertainty, as if everything could dissolve at any moment. Grinding Americana into powder clouds of drone and ritualistic rhythm, they create a rare magic together, as if peering into the past to project an essence, not an aesthetic, in the present.
There's a ramshackle magnificence to 'Lune River' as Besseny chants over swooning strings, and on 'Hallow', the trio smear their recordings with echo, blurring the instruments and voices until only muted colours remain. They eventually emerge from the shadows on 'Nocturnal House'; where Collin takes the lead, dextrously picking out vivid acoustic runs that tangle the mood around Besseny's rippling chorals.
A gorgeous, rare collaboration that feels like so more than the sum of its parts.
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Boomkat Product Review:
Prolific sound artist Jon Collin follows up a trio of collabs with Demdike Stare and countless solo recordings for his own Early Music label as well as Discreet Music, Feeding Tube and others, with this majestically hushed album-length session with Aussie drifters Troth, summoned and blessed by Moopie’s A Colourful Storm. Charmed, almost mystical listening, tipped if yr into YL Hooi, Teresa Winter, Islaja, Tongue Depressor.
For their first collaboration, Troth (aka Amelia Besseny and Cooper Bowman) and Collin took advantage of their close proximity while Jon was visiting Australia for some shows in Mulubinba, where Bowman and Besseny used to live. The trio traveled to Nipaluna to absorb the vast Tasmanian landscape and conjured this 8 track suite of hushed marvels, a meeting point between Troth’s hazed dreampop and Collin’s signature, moody world-building.
'Poet's Recollection' finds the trio trading parts through clouds of reverb, with Bessany's shimmering vocal drifting around Collin's zither-like twangs, while woodwind and woody percussion knock just outside the frame. Outlines of more fully formed songs appear and disappear into the aether, like phantom melodies carried across the wind. And when more corporeal forms materialise - like on the rousing 'Whispering Sound' - there's still a prevailing sense of uncertainty, as if everything could dissolve at any moment. Grinding Americana into powder clouds of drone and ritualistic rhythm, they create a rare magic together, as if peering into the past to project an essence, not an aesthetic, in the present.
There's a ramshackle magnificence to 'Lune River' as Besseny chants over swooning strings, and on 'Hallow', the trio smear their recordings with echo, blurring the instruments and voices until only muted colours remain. They eventually emerge from the shadows on 'Nocturnal House'; where Collin takes the lead, dextrously picking out vivid acoustic runs that tangle the mood around Besseny's rippling chorals.
A gorgeous, rare collaboration that feels like so more than the sum of its parts.
Boomkat Product Review:
Prolific sound artist Jon Collin follows up a trio of collabs with Demdike Stare and countless solo recordings for his own Early Music label as well as Discreet Music, Feeding Tube and others, with this majestically hushed album-length session with Aussie drifters Troth, summoned and blessed by Moopie’s A Colourful Storm. Charmed, almost mystical listening, tipped if yr into YL Hooi, Teresa Winter, Islaja, Tongue Depressor.
For their first collaboration, Troth (aka Amelia Besseny and Cooper Bowman) and Collin took advantage of their close proximity while Jon was visiting Australia for some shows in Mulubinba, where Bowman and Besseny used to live. The trio traveled to Nipaluna to absorb the vast Tasmanian landscape and conjured this 8 track suite of hushed marvels, a meeting point between Troth’s hazed dreampop and Collin’s signature, moody world-building.
'Poet's Recollection' finds the trio trading parts through clouds of reverb, with Bessany's shimmering vocal drifting around Collin's zither-like twangs, while woodwind and woody percussion knock just outside the frame. Outlines of more fully formed songs appear and disappear into the aether, like phantom melodies carried across the wind. And when more corporeal forms materialise - like on the rousing 'Whispering Sound' - there's still a prevailing sense of uncertainty, as if everything could dissolve at any moment. Grinding Americana into powder clouds of drone and ritualistic rhythm, they create a rare magic together, as if peering into the past to project an essence, not an aesthetic, in the present.
There's a ramshackle magnificence to 'Lune River' as Besseny chants over swooning strings, and on 'Hallow', the trio smear their recordings with echo, blurring the instruments and voices until only muted colours remain. They eventually emerge from the shadows on 'Nocturnal House'; where Collin takes the lead, dextrously picking out vivid acoustic runs that tangle the mood around Besseny's rippling chorals.
A gorgeous, rare collaboration that feels like so more than the sum of its parts.
Boomkat Product Review:
Prolific sound artist Jon Collin follows up a trio of collabs with Demdike Stare and countless solo recordings for his own Early Music label as well as Discreet Music, Feeding Tube and others, with this majestically hushed album-length session with Aussie drifters Troth, summoned and blessed by Moopie’s A Colourful Storm. Charmed, almost mystical listening, tipped if yr into YL Hooi, Teresa Winter, Islaja, Tongue Depressor.
For their first collaboration, Troth (aka Amelia Besseny and Cooper Bowman) and Collin took advantage of their close proximity while Jon was visiting Australia for some shows in Mulubinba, where Bowman and Besseny used to live. The trio traveled to Nipaluna to absorb the vast Tasmanian landscape and conjured this 8 track suite of hushed marvels, a meeting point between Troth’s hazed dreampop and Collin’s signature, moody world-building.
'Poet's Recollection' finds the trio trading parts through clouds of reverb, with Bessany's shimmering vocal drifting around Collin's zither-like twangs, while woodwind and woody percussion knock just outside the frame. Outlines of more fully formed songs appear and disappear into the aether, like phantom melodies carried across the wind. And when more corporeal forms materialise - like on the rousing 'Whispering Sound' - there's still a prevailing sense of uncertainty, as if everything could dissolve at any moment. Grinding Americana into powder clouds of drone and ritualistic rhythm, they create a rare magic together, as if peering into the past to project an essence, not an aesthetic, in the present.
There's a ramshackle magnificence to 'Lune River' as Besseny chants over swooning strings, and on 'Hallow', the trio smear their recordings with echo, blurring the instruments and voices until only muted colours remain. They eventually emerge from the shadows on 'Nocturnal House'; where Collin takes the lead, dextrously picking out vivid acoustic runs that tangle the mood around Besseny's rippling chorals.
A gorgeous, rare collaboration that feels like so more than the sum of its parts.
Includes postcard.
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Boomkat Product Review:
Prolific sound artist Jon Collin follows up a trio of collabs with Demdike Stare and countless solo recordings for his own Early Music label as well as Discreet Music, Feeding Tube and others, with this majestically hushed album-length session with Aussie drifters Troth, summoned and blessed by Moopie’s A Colourful Storm. Charmed, almost mystical listening, tipped if yr into YL Hooi, Teresa Winter, Islaja, Tongue Depressor.
For their first collaboration, Troth (aka Amelia Besseny and Cooper Bowman) and Collin took advantage of their close proximity while Jon was visiting Australia for some shows in Mulubinba, where Bowman and Besseny used to live. The trio traveled to Nipaluna to absorb the vast Tasmanian landscape and conjured this 8 track suite of hushed marvels, a meeting point between Troth’s hazed dreampop and Collin’s signature, moody world-building.
'Poet's Recollection' finds the trio trading parts through clouds of reverb, with Bessany's shimmering vocal drifting around Collin's zither-like twangs, while woodwind and woody percussion knock just outside the frame. Outlines of more fully formed songs appear and disappear into the aether, like phantom melodies carried across the wind. And when more corporeal forms materialise - like on the rousing 'Whispering Sound' - there's still a prevailing sense of uncertainty, as if everything could dissolve at any moment. Grinding Americana into powder clouds of drone and ritualistic rhythm, they create a rare magic together, as if peering into the past to project an essence, not an aesthetic, in the present.
There's a ramshackle magnificence to 'Lune River' as Besseny chants over swooning strings, and on 'Hallow', the trio smear their recordings with echo, blurring the instruments and voices until only muted colours remain. They eventually emerge from the shadows on 'Nocturnal House'; where Collin takes the lead, dextrously picking out vivid acoustic runs that tangle the mood around Besseny's rippling chorals.
A gorgeous, rare collaboration that feels like so more than the sum of its parts.
In Stock (Ready To Ship)
Limited edition tape, with download.
Boomkat Product Review:
Prolific sound artist Jon Collin follows up a trio of collabs with Demdike Stare and countless solo recordings for his own Early Music label as well as Discreet Music, Feeding Tube and others, with this majestically hushed album-length session with Aussie drifters Troth, summoned and blessed by Moopie’s A Colourful Storm. Charmed, almost mystical listening, tipped if yr into YL Hooi, Teresa Winter, Islaja, Tongue Depressor.
For their first collaboration, Troth (aka Amelia Besseny and Cooper Bowman) and Collin took advantage of their close proximity while Jon was visiting Australia for some shows in Mulubinba, where Bowman and Besseny used to live. The trio traveled to Nipaluna to absorb the vast Tasmanian landscape and conjured this 8 track suite of hushed marvels, a meeting point between Troth’s hazed dreampop and Collin’s signature, moody world-building.
'Poet's Recollection' finds the trio trading parts through clouds of reverb, with Bessany's shimmering vocal drifting around Collin's zither-like twangs, while woodwind and woody percussion knock just outside the frame. Outlines of more fully formed songs appear and disappear into the aether, like phantom melodies carried across the wind. And when more corporeal forms materialise - like on the rousing 'Whispering Sound' - there's still a prevailing sense of uncertainty, as if everything could dissolve at any moment. Grinding Americana into powder clouds of drone and ritualistic rhythm, they create a rare magic together, as if peering into the past to project an essence, not an aesthetic, in the present.
There's a ramshackle magnificence to 'Lune River' as Besseny chants over swooning strings, and on 'Hallow', the trio smear their recordings with echo, blurring the instruments and voices until only muted colours remain. They eventually emerge from the shadows on 'Nocturnal House'; where Collin takes the lead, dextrously picking out vivid acoustic runs that tangle the mood around Besseny's rippling chorals.
A gorgeous, rare collaboration that feels like so more than the sum of its parts.
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