Kindohm
Deserted / Reclaimed
Boomkat Product Review:
Highest grade computer dance music from Kindohm, diffracting aspects of footwork, noise and hyper drill with a proper, warped futurist bent for Prague’s Gin&Platonic - a total must-check for fans of Æ, Mark Fell, Beatrice Dillon, Gábor Lázár, Gooooose.
Chasing up Mike Hodnick aka Kindohm’s superb ‘Meme Booth’ for Conditional - one of 2019’s best - the four tracks of ‘Deserted Reclaimed’ ‘fess up further results of his experiments with live-coding tekkers and the TidalCycles environment (Haskell). To varying degrees, all four cuts are thrillingly gut-wrenching in rhythm and tone, finding the keenest balance of screwface funk and edge-of-sanity psychomimesis, with a tangible, heart-punching soul that often evades the more obtuse IDMers, but Kindohm makes an absolute virtue of here.
The two ‘Deserted’ cuts are the nastiest, bearing his teeth with an acrid alacrity in the gurning atonal lunges and quiescent footwork of the first, and really shredding it up in a snake pit of metallic rhythms and piercing tones in the 2nd. By contrast the others are sweet, with the reticulated pirouettes and plonging tronics of ‘Reclaimed’ coming off like DJ Python coiled up with Autechre, and then the weightless, gyring torque and breathless pads of ‘2’ to leave us reeling in hyperspace.
Effing and blinding essential!
View more
Boomkat Product Review:
Highest grade computer dance music from Kindohm, diffracting aspects of footwork, noise and hyper drill with a proper, warped futurist bent for Prague’s Gin&Platonic - a total must-check for fans of Æ, Mark Fell, Beatrice Dillon, Gábor Lázár, Gooooose.
Chasing up Mike Hodnick aka Kindohm’s superb ‘Meme Booth’ for Conditional - one of 2019’s best - the four tracks of ‘Deserted Reclaimed’ ‘fess up further results of his experiments with live-coding tekkers and the TidalCycles environment (Haskell). To varying degrees, all four cuts are thrillingly gut-wrenching in rhythm and tone, finding the keenest balance of screwface funk and edge-of-sanity psychomimesis, with a tangible, heart-punching soul that often evades the more obtuse IDMers, but Kindohm makes an absolute virtue of here.
The two ‘Deserted’ cuts are the nastiest, bearing his teeth with an acrid alacrity in the gurning atonal lunges and quiescent footwork of the first, and really shredding it up in a snake pit of metallic rhythms and piercing tones in the 2nd. By contrast the others are sweet, with the reticulated pirouettes and plonging tronics of ‘Reclaimed’ coming off like DJ Python coiled up with Autechre, and then the weightless, gyring torque and breathless pads of ‘2’ to leave us reeling in hyperspace.
Effing and blinding essential!
Boomkat Product Review:
Highest grade computer dance music from Kindohm, diffracting aspects of footwork, noise and hyper drill with a proper, warped futurist bent for Prague’s Gin&Platonic - a total must-check for fans of Æ, Mark Fell, Beatrice Dillon, Gábor Lázár, Gooooose.
Chasing up Mike Hodnick aka Kindohm’s superb ‘Meme Booth’ for Conditional - one of 2019’s best - the four tracks of ‘Deserted Reclaimed’ ‘fess up further results of his experiments with live-coding tekkers and the TidalCycles environment (Haskell). To varying degrees, all four cuts are thrillingly gut-wrenching in rhythm and tone, finding the keenest balance of screwface funk and edge-of-sanity psychomimesis, with a tangible, heart-punching soul that often evades the more obtuse IDMers, but Kindohm makes an absolute virtue of here.
The two ‘Deserted’ cuts are the nastiest, bearing his teeth with an acrid alacrity in the gurning atonal lunges and quiescent footwork of the first, and really shredding it up in a snake pit of metallic rhythms and piercing tones in the 2nd. By contrast the others are sweet, with the reticulated pirouettes and plonging tronics of ‘Reclaimed’ coming off like DJ Python coiled up with Autechre, and then the weightless, gyring torque and breathless pads of ‘2’ to leave us reeling in hyperspace.
Effing and blinding essential!
Boomkat Product Review:
Highest grade computer dance music from Kindohm, diffracting aspects of footwork, noise and hyper drill with a proper, warped futurist bent for Prague’s Gin&Platonic - a total must-check for fans of Æ, Mark Fell, Beatrice Dillon, Gábor Lázár, Gooooose.
Chasing up Mike Hodnick aka Kindohm’s superb ‘Meme Booth’ for Conditional - one of 2019’s best - the four tracks of ‘Deserted Reclaimed’ ‘fess up further results of his experiments with live-coding tekkers and the TidalCycles environment (Haskell). To varying degrees, all four cuts are thrillingly gut-wrenching in rhythm and tone, finding the keenest balance of screwface funk and edge-of-sanity psychomimesis, with a tangible, heart-punching soul that often evades the more obtuse IDMers, but Kindohm makes an absolute virtue of here.
The two ‘Deserted’ cuts are the nastiest, bearing his teeth with an acrid alacrity in the gurning atonal lunges and quiescent footwork of the first, and really shredding it up in a snake pit of metallic rhythms and piercing tones in the 2nd. By contrast the others are sweet, with the reticulated pirouettes and plonging tronics of ‘Reclaimed’ coming off like DJ Python coiled up with Autechre, and then the weightless, gyring torque and breathless pads of ‘2’ to leave us reeling in hyperspace.
Effing and blinding essential!
More from Kindohm:
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FREE MP3 WITH VINYLKindohm Meme Booth Conditional Electronic- MP3
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