Rrose & Polygonia
Dermatology
Boomkat Product Review:
A tactile, hallucinatory 40-minute techno-not-techno bonce-melter from Rrose, this time in collab with Polygonia - aka rising DJ/producer Lindsey Wang, setting sights on the pie-eyed 6AM dancefloor..
Back in 2022, Rrose reached out to Polygonia to propose a collaboration after noticing her tracks had become the backbone of their DJ sets. They sensed a musical connection that was confirmed when Polygonia replied telling them that their obsession with techno had been provoked after seeing Rrose performing at a 2018 festival. The exchange initiated a back-and-forth that resulted in 'Dermatology', six collaborative tracks that the duo use to explore their shared interest in "sonic shapes that resemble natural forms and conjure tactile feelings". It's techno, but the kind of sticky psychoacoustic gear that both artists have been fine-tuning for the last few years - minimal in spirit but kaleidoscopic, brimming with the kind of synapse scratching sonic sleights you usually only find buried between rolling basslines in psy trance.
'Elipses' is a relatively straightforward floor-filler until you prize the watery electronic droplets from the static, driving 4/4. Rrose's material is usually trippy, but this one runs even further with it, ghosting its palette into illusory traces. The duo switch things up on the speedy 'Stretcher', introducing foghorn blasts to their uneven roll, teasing the muddle of kicks into tape delay granulisations. On 'Haima', the duo make their most assertive gesture to psy, sending its signature swung pulse deep beneath the dirt and complicating it with goopy percussive scratches. The most surprising track comes with 'Vena Cava' where they swap the kick drums for spectrally processed percussion, ending up with five delirious minutes of gaseous breaths and metallic prangs.
Turn on, tune in, freak out.
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Boomkat Product Review:
A tactile, hallucinatory 40-minute techno-not-techno bonce-melter from Rrose, this time in collab with Polygonia - aka rising DJ/producer Lindsey Wang, setting sights on the pie-eyed 6AM dancefloor..
Back in 2022, Rrose reached out to Polygonia to propose a collaboration after noticing her tracks had become the backbone of their DJ sets. They sensed a musical connection that was confirmed when Polygonia replied telling them that their obsession with techno had been provoked after seeing Rrose performing at a 2018 festival. The exchange initiated a back-and-forth that resulted in 'Dermatology', six collaborative tracks that the duo use to explore their shared interest in "sonic shapes that resemble natural forms and conjure tactile feelings". It's techno, but the kind of sticky psychoacoustic gear that both artists have been fine-tuning for the last few years - minimal in spirit but kaleidoscopic, brimming with the kind of synapse scratching sonic sleights you usually only find buried between rolling basslines in psy trance.
'Elipses' is a relatively straightforward floor-filler until you prize the watery electronic droplets from the static, driving 4/4. Rrose's material is usually trippy, but this one runs even further with it, ghosting its palette into illusory traces. The duo switch things up on the speedy 'Stretcher', introducing foghorn blasts to their uneven roll, teasing the muddle of kicks into tape delay granulisations. On 'Haima', the duo make their most assertive gesture to psy, sending its signature swung pulse deep beneath the dirt and complicating it with goopy percussive scratches. The most surprising track comes with 'Vena Cava' where they swap the kick drums for spectrally processed percussion, ending up with five delirious minutes of gaseous breaths and metallic prangs.
Turn on, tune in, freak out.
Boomkat Product Review:
A tactile, hallucinatory 40-minute techno-not-techno bonce-melter from Rrose, this time in collab with Polygonia - aka rising DJ/producer Lindsey Wang, setting sights on the pie-eyed 6AM dancefloor..
Back in 2022, Rrose reached out to Polygonia to propose a collaboration after noticing her tracks had become the backbone of their DJ sets. They sensed a musical connection that was confirmed when Polygonia replied telling them that their obsession with techno had been provoked after seeing Rrose performing at a 2018 festival. The exchange initiated a back-and-forth that resulted in 'Dermatology', six collaborative tracks that the duo use to explore their shared interest in "sonic shapes that resemble natural forms and conjure tactile feelings". It's techno, but the kind of sticky psychoacoustic gear that both artists have been fine-tuning for the last few years - minimal in spirit but kaleidoscopic, brimming with the kind of synapse scratching sonic sleights you usually only find buried between rolling basslines in psy trance.
'Elipses' is a relatively straightforward floor-filler until you prize the watery electronic droplets from the static, driving 4/4. Rrose's material is usually trippy, but this one runs even further with it, ghosting its palette into illusory traces. The duo switch things up on the speedy 'Stretcher', introducing foghorn blasts to their uneven roll, teasing the muddle of kicks into tape delay granulisations. On 'Haima', the duo make their most assertive gesture to psy, sending its signature swung pulse deep beneath the dirt and complicating it with goopy percussive scratches. The most surprising track comes with 'Vena Cava' where they swap the kick drums for spectrally processed percussion, ending up with five delirious minutes of gaseous breaths and metallic prangs.
Turn on, tune in, freak out.
Boomkat Product Review:
A tactile, hallucinatory 40-minute techno-not-techno bonce-melter from Rrose, this time in collab with Polygonia - aka rising DJ/producer Lindsey Wang, setting sights on the pie-eyed 6AM dancefloor..
Back in 2022, Rrose reached out to Polygonia to propose a collaboration after noticing her tracks had become the backbone of their DJ sets. They sensed a musical connection that was confirmed when Polygonia replied telling them that their obsession with techno had been provoked after seeing Rrose performing at a 2018 festival. The exchange initiated a back-and-forth that resulted in 'Dermatology', six collaborative tracks that the duo use to explore their shared interest in "sonic shapes that resemble natural forms and conjure tactile feelings". It's techno, but the kind of sticky psychoacoustic gear that both artists have been fine-tuning for the last few years - minimal in spirit but kaleidoscopic, brimming with the kind of synapse scratching sonic sleights you usually only find buried between rolling basslines in psy trance.
'Elipses' is a relatively straightforward floor-filler until you prize the watery electronic droplets from the static, driving 4/4. Rrose's material is usually trippy, but this one runs even further with it, ghosting its palette into illusory traces. The duo switch things up on the speedy 'Stretcher', introducing foghorn blasts to their uneven roll, teasing the muddle of kicks into tape delay granulisations. On 'Haima', the duo make their most assertive gesture to psy, sending its signature swung pulse deep beneath the dirt and complicating it with goopy percussive scratches. The most surprising track comes with 'Vena Cava' where they swap the kick drums for spectrally processed percussion, ending up with five delirious minutes of gaseous breaths and metallic prangs.
Turn on, tune in, freak out.
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Boomkat Product Review:
A tactile, hallucinatory 40-minute techno-not-techno bonce-melter from Rrose, this time in collab with Polygonia - aka rising DJ/producer Lindsey Wang, setting sights on the pie-eyed 6AM dancefloor..
Back in 2022, Rrose reached out to Polygonia to propose a collaboration after noticing her tracks had become the backbone of their DJ sets. They sensed a musical connection that was confirmed when Polygonia replied telling them that their obsession with techno had been provoked after seeing Rrose performing at a 2018 festival. The exchange initiated a back-and-forth that resulted in 'Dermatology', six collaborative tracks that the duo use to explore their shared interest in "sonic shapes that resemble natural forms and conjure tactile feelings". It's techno, but the kind of sticky psychoacoustic gear that both artists have been fine-tuning for the last few years - minimal in spirit but kaleidoscopic, brimming with the kind of synapse scratching sonic sleights you usually only find buried between rolling basslines in psy trance.
'Elipses' is a relatively straightforward floor-filler until you prize the watery electronic droplets from the static, driving 4/4. Rrose's material is usually trippy, but this one runs even further with it, ghosting its palette into illusory traces. The duo switch things up on the speedy 'Stretcher', introducing foghorn blasts to their uneven roll, teasing the muddle of kicks into tape delay granulisations. On 'Haima', the duo make their most assertive gesture to psy, sending its signature swung pulse deep beneath the dirt and complicating it with goopy percussive scratches. The most surprising track comes with 'Vena Cava' where they swap the kick drums for spectrally processed percussion, ending up with five delirious minutes of gaseous breaths and metallic prangs.
Turn on, tune in, freak out.
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