After introducing Vegyn, John Glacier, OTTO, and pigbaby to the world, PLZ Make it Ruins roll out the warm soul of George Riley’s effortless debut EP
‘Delusion’ comprises four satisfyingly raw but accomplished spins on ‘90s R&B and rave tropes - just as they never did it back then - short circuiting convention and getting to the heart of her own sound. They’re succinct bumps for left-of-centre souls, with ‘Delusion’ subtly splicing rave breaks and gauzy chords into a summery swing under the main attraction of George’s classically disciplined but loose harmonies and dreamy intimations, next to the trilling breaks and lokey melodramatic appeal of ’Time’. On a proper slow jam tip, ‘Sacrifice’ cools off on the downstroke, giving her vox plenty of room to tell her short story, and ‘Jealousy’ pops some proper late ‘90s into early 10’s R&B giving Solange feels.
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After introducing Vegyn, John Glacier, OTTO, and pigbaby to the world, PLZ Make it Ruins roll out the warm soul of George Riley’s effortless debut EP
‘Delusion’ comprises four satisfyingly raw but accomplished spins on ‘90s R&B and rave tropes - just as they never did it back then - short circuiting convention and getting to the heart of her own sound. They’re succinct bumps for left-of-centre souls, with ‘Delusion’ subtly splicing rave breaks and gauzy chords into a summery swing under the main attraction of George’s classically disciplined but loose harmonies and dreamy intimations, next to the trilling breaks and lokey melodramatic appeal of ’Time’. On a proper slow jam tip, ‘Sacrifice’ cools off on the downstroke, giving her vox plenty of room to tell her short story, and ‘Jealousy’ pops some proper late ‘90s into early 10’s R&B giving Solange feels.
After introducing Vegyn, John Glacier, OTTO, and pigbaby to the world, PLZ Make it Ruins roll out the warm soul of George Riley’s effortless debut EP
‘Delusion’ comprises four satisfyingly raw but accomplished spins on ‘90s R&B and rave tropes - just as they never did it back then - short circuiting convention and getting to the heart of her own sound. They’re succinct bumps for left-of-centre souls, with ‘Delusion’ subtly splicing rave breaks and gauzy chords into a summery swing under the main attraction of George’s classically disciplined but loose harmonies and dreamy intimations, next to the trilling breaks and lokey melodramatic appeal of ’Time’. On a proper slow jam tip, ‘Sacrifice’ cools off on the downstroke, giving her vox plenty of room to tell her short story, and ‘Jealousy’ pops some proper late ‘90s into early 10’s R&B giving Solange feels.
After introducing Vegyn, John Glacier, OTTO, and pigbaby to the world, PLZ Make it Ruins roll out the warm soul of George Riley’s effortless debut EP
‘Delusion’ comprises four satisfyingly raw but accomplished spins on ‘90s R&B and rave tropes - just as they never did it back then - short circuiting convention and getting to the heart of her own sound. They’re succinct bumps for left-of-centre souls, with ‘Delusion’ subtly splicing rave breaks and gauzy chords into a summery swing under the main attraction of George’s classically disciplined but loose harmonies and dreamy intimations, next to the trilling breaks and lokey melodramatic appeal of ’Time’. On a proper slow jam tip, ‘Sacrifice’ cools off on the downstroke, giving her vox plenty of room to tell her short story, and ‘Jealousy’ pops some proper late ‘90s into early 10’s R&B giving Solange feels.