Russell Haswell
Deep Time
Boomkat Product Review:
Haswell laces up his n0!ze techno boots for a proper stomping and thistly set of modular bangers in his 6th outing with Diagonal, gnashing the heels of a ruder 10” for Skam, andan E-Mego issue of a UPIC session in duo with Florian Hecker.
‘Deep Time’ coughs up Russell’s typical mix of direct and obtusely playful tackle, serving dual purpose as his nervy response to the minute-by-minute fuckeries of geopolitics, and the inspiration of geologic revelations in his now-native Scotland. It all bristles with a livewire moxie that belies his decades in the game, bunkered in the fissures of art, music and technology, pulling and snapping threads that bind / divide body musics and radical experimental improvisational practices.
Eight severely rude bits deploy an arsenal of kit that warrants listing: “Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Cwejman, Epoch Modular, FANCYYYYY Synthesis, Future Sound Systems, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waldorf …”
Cut to cut he navigates the gear with a personalised balance of upfront purpose and screwball mentality. Pronged by his extra musical cues he variously mirrors the turmoil of fiscal markets and crypto currency in the spiky waves of ‘International Globalisation’ and models ground-to-space warfare in ‘Satellite Killer’, whilst ‘Infinite Space’ scrambles proprioception in its warped space-time textures.
But most vital to the work is his fascination with, and perception of, scales of time, which guides the buckshot techn0!ze of ’Unconformity’, which takes its name from geologist James Hutton’s discovery of folds of rock that allow man to assert the age of Earth, and neatly contradict the in-the-moment fizz and crack of the set’s bangers, ‘Deep Time’ and bezzerker ‘Atropine.’
View more
Boomkat Product Review:
Haswell laces up his n0!ze techno boots for a proper stomping and thistly set of modular bangers in his 6th outing with Diagonal, gnashing the heels of a ruder 10” for Skam, andan E-Mego issue of a UPIC session in duo with Florian Hecker.
‘Deep Time’ coughs up Russell’s typical mix of direct and obtusely playful tackle, serving dual purpose as his nervy response to the minute-by-minute fuckeries of geopolitics, and the inspiration of geologic revelations in his now-native Scotland. It all bristles with a livewire moxie that belies his decades in the game, bunkered in the fissures of art, music and technology, pulling and snapping threads that bind / divide body musics and radical experimental improvisational practices.
Eight severely rude bits deploy an arsenal of kit that warrants listing: “Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Cwejman, Epoch Modular, FANCYYYYY Synthesis, Future Sound Systems, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waldorf …”
Cut to cut he navigates the gear with a personalised balance of upfront purpose and screwball mentality. Pronged by his extra musical cues he variously mirrors the turmoil of fiscal markets and crypto currency in the spiky waves of ‘International Globalisation’ and models ground-to-space warfare in ‘Satellite Killer’, whilst ‘Infinite Space’ scrambles proprioception in its warped space-time textures.
But most vital to the work is his fascination with, and perception of, scales of time, which guides the buckshot techn0!ze of ’Unconformity’, which takes its name from geologist James Hutton’s discovery of folds of rock that allow man to assert the age of Earth, and neatly contradict the in-the-moment fizz and crack of the set’s bangers, ‘Deep Time’ and bezzerker ‘Atropine.’
Boomkat Product Review:
Haswell laces up his n0!ze techno boots for a proper stomping and thistly set of modular bangers in his 6th outing with Diagonal, gnashing the heels of a ruder 10” for Skam, andan E-Mego issue of a UPIC session in duo with Florian Hecker.
‘Deep Time’ coughs up Russell’s typical mix of direct and obtusely playful tackle, serving dual purpose as his nervy response to the minute-by-minute fuckeries of geopolitics, and the inspiration of geologic revelations in his now-native Scotland. It all bristles with a livewire moxie that belies his decades in the game, bunkered in the fissures of art, music and technology, pulling and snapping threads that bind / divide body musics and radical experimental improvisational practices.
Eight severely rude bits deploy an arsenal of kit that warrants listing: “Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Cwejman, Epoch Modular, FANCYYYYY Synthesis, Future Sound Systems, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waldorf …”
Cut to cut he navigates the gear with a personalised balance of upfront purpose and screwball mentality. Pronged by his extra musical cues he variously mirrors the turmoil of fiscal markets and crypto currency in the spiky waves of ‘International Globalisation’ and models ground-to-space warfare in ‘Satellite Killer’, whilst ‘Infinite Space’ scrambles proprioception in its warped space-time textures.
But most vital to the work is his fascination with, and perception of, scales of time, which guides the buckshot techn0!ze of ’Unconformity’, which takes its name from geologist James Hutton’s discovery of folds of rock that allow man to assert the age of Earth, and neatly contradict the in-the-moment fizz and crack of the set’s bangers, ‘Deep Time’ and bezzerker ‘Atropine.’
Boomkat Product Review:
Haswell laces up his n0!ze techno boots for a proper stomping and thistly set of modular bangers in his 6th outing with Diagonal, gnashing the heels of a ruder 10” for Skam, andan E-Mego issue of a UPIC session in duo with Florian Hecker.
‘Deep Time’ coughs up Russell’s typical mix of direct and obtusely playful tackle, serving dual purpose as his nervy response to the minute-by-minute fuckeries of geopolitics, and the inspiration of geologic revelations in his now-native Scotland. It all bristles with a livewire moxie that belies his decades in the game, bunkered in the fissures of art, music and technology, pulling and snapping threads that bind / divide body musics and radical experimental improvisational practices.
Eight severely rude bits deploy an arsenal of kit that warrants listing: “Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Cwejman, Epoch Modular, FANCYYYYY Synthesis, Future Sound Systems, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waldorf …”
Cut to cut he navigates the gear with a personalised balance of upfront purpose and screwball mentality. Pronged by his extra musical cues he variously mirrors the turmoil of fiscal markets and crypto currency in the spiky waves of ‘International Globalisation’ and models ground-to-space warfare in ‘Satellite Killer’, whilst ‘Infinite Space’ scrambles proprioception in its warped space-time textures.
But most vital to the work is his fascination with, and perception of, scales of time, which guides the buckshot techn0!ze of ’Unconformity’, which takes its name from geologist James Hutton’s discovery of folds of rock that allow man to assert the age of Earth, and neatly contradict the in-the-moment fizz and crack of the set’s bangers, ‘Deep Time’ and bezzerker ‘Atropine.’
In Stock (Ready To Ship)
White vinyl.
Boomkat Product Review:
Haswell laces up his n0!ze techno boots for a proper stomping and thistly set of modular bangers in his 6th outing with Diagonal, gnashing the heels of a ruder 10” for Skam, andan E-Mego issue of a UPIC session in duo with Florian Hecker.
‘Deep Time’ coughs up Russell’s typical mix of direct and obtusely playful tackle, serving dual purpose as his nervy response to the minute-by-minute fuckeries of geopolitics, and the inspiration of geologic revelations in his now-native Scotland. It all bristles with a livewire moxie that belies his decades in the game, bunkered in the fissures of art, music and technology, pulling and snapping threads that bind / divide body musics and radical experimental improvisational practices.
Eight severely rude bits deploy an arsenal of kit that warrants listing: “Used = Acid Rain Technology, ADDAC System, ALM/Busy Circuits, Apple, Audiofile Engineering, Beautiful Pieces of Outdated Technology, Cwejman, Epoch Modular, FANCYYYYY Synthesis, Future Sound Systems, MOTU, Neutrik, SnazzyFX, Super Synthesis, Tip-Top Audio, Waldorf …”
Cut to cut he navigates the gear with a personalised balance of upfront purpose and screwball mentality. Pronged by his extra musical cues he variously mirrors the turmoil of fiscal markets and crypto currency in the spiky waves of ‘International Globalisation’ and models ground-to-space warfare in ‘Satellite Killer’, whilst ‘Infinite Space’ scrambles proprioception in its warped space-time textures.
But most vital to the work is his fascination with, and perception of, scales of time, which guides the buckshot techn0!ze of ’Unconformity’, which takes its name from geologist James Hutton’s discovery of folds of rock that allow man to assert the age of Earth, and neatly contradict the in-the-moment fizz and crack of the set’s bangers, ‘Deep Time’ and bezzerker ‘Atropine.’
More from Russell Haswell:
-
FREE MP3 WITH VINYLRussell Haswell Kasm03 Kasm Extreme / Noise / Computer Music- MP3
- FLAC
- WAV
- 10" (Black Vinyl)
-
Russell Haswell Reality Therapy Diagonal Records Electronic
- MP3
- FLAC
- WAV
-
Russell Haswell Adverse Inference EP Diagonal Records Techno / House
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLRussell Haswell Digital Editions Mego Extreme / Noise / Computer Music
- MP3
- FLAC
- WAV
- LP+12"
-
FREE MP3 WITH VINYLRussell Haswell 37 Minute Workout, Vol. 2 Diagonal Records Techno / House
- MP3
- FLAC
- WAV
- LP
More from Diagonal Records:
-
FREE MP3 WITH VINYLVarious Artists 13 (LP4) Diagonal Records Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Jim O'Rourke, Powell, Blood Music & Sote 13 (LP3) Diagonal Records Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLVarious Artists 13 (LP2) Diagonal Records Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLScott Gordon Metals Diagonal Records Modern Classical / Ambient
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLJonus Eric Diode Diagonal Records Techno / House
- MP3
- FLAC
- WAV
- 12" (Black Vinyl)
People who bought this also bought:
-
FREE MP3 WITH VINYLPeder Mannerfelt The Benefits of Living in a Hole Voam Techno / House
- MP3
- FLAC
- WAV
- 12" (Black Vinyl)
-
THE KID & CLIFF / THE JAK VS CLIFF SOLOMON Don’t B Alarmed / Heavy Thump (Bang Dat Shyt) Dirty Blends Techno / House
- 12" (Black Vinyl)
-
Donato Dozzy, Tin Man Acid Test 09.1 Acid Test Techno / House
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLLDS power of 2 Tresor Records Techno / House
- MP3
- FLAC
- WAV
- 12" (Black Vinyl)
-
FREE MP3 WITH VINYLBeatriz Ferreyra UFO Forest + Room 40 Modern Classical / Ambient
- MP3
- FLAC
- WAV
- Colour LP
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLDylan Beale Adamantium Rage (Original Soundtrack) Sneaker Social Club Electronic
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)
-
FREE MP3 WITH VINYLHonour Àlááfíà PAN Electronic
- MP3
- FLAC
- WAV
- Colour LP
-
Ale Hop Ruinas Arqueológicas Superpang Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLJulian Sartorius & Ensemble This | Ensemble That RLLRLRLLRRLRLRLRLLRLRLR -OUS Modern Classical / Ambient
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLEgil Kalman Forest of Tines (Egil Kalman plays the Buchla 200) iDEAL Recordings Electronic
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)