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Boomkat Product Review:
Mano a Mano, Kowton & Parris remix each other to the bone for Glasgow’s pivotal Rubadub gang
Both masters of economy, they pitch in super dank and restrained riddims raring for amplification on a proper system. Kowton’s is the most stripped down, with barely-there flickers of percussion trading space with air-shuddering subbass, always on a tense build into vacuum-like relief. Parris marginally fleshes out his side with spidery webs of dubbed drums and globular subs, but the tension is chronic this time, as the groove overpronates in spiralling forward motion until the bass/snare locks in for the final stretch.